Ilmenau Over All the Treetops is an adaptation of Ives’s setting of Goethe’s poem dated 1902. The accompaniment is a combination of bassoon, english theorbo and psaltery. This is a fortuitous tape recording from Reg's obscure neo-classical period…
Nice tease with the conversations...i feel like a secret agent in the van waiting for that illicit speech...while tripping on the laced coffee i bought at Costa's...the waves of sound are getting stronger.....it's getting closer...i know it is.... 13.50 and counting...over halfway and the anticipation
grows....where is she? ....that voice we love to hear...... 16.20 and the heart beat increases.......the breathing is labored the anticipation intense.... the waiting ....the waiting....it's near 18.11 ...a numbness...the wait carry's on..... now i know what you've done....you Bugger!!
The audio in the video video is a selected annotated collection of Electric Aeolian Harp recordings taken over a consecutive 36 hour period. During that time the environment changed (wind, rain, sleet, snow) and I changed the tuning of the harp…
The poem is by Jason Kirk Bartley
This is in 19 edo and I play drums using a Simmons SMDP1 drum pad. The quality of poem is a lot higher than my music which is kind of an odd psychedelic blues not usually associated with the subject.
psychedelic for sure,,, this evokes some interesting images,,, listening to this which is great,, i would also guess you are a big doors fan, they blended such themes musically
The poem is by Jason Kirk Bartley
This is in 19 edo and I play drums using a Simmons SMDP1 drum pad. The quality of poem is a lot higher than my music which is kind of an odd psychedelic blues not usually associated with the subject.
a 13 minute improvisation I played on a newly tuned Steinway grand piano at my Church. The only audience was my Zoom H2 – which is probably good since there are a few glaring “misses” in the performance. I love the joy of just playing but it does…
a 13 minute improvisation I played on a newly tuned Steinway grand piano at my Church. The only audience was my Zoom H2 – which is probably good since there are a few glaring “misses” in the performance. I love the joy of just playing but it does…
a 13 minute improvisation I played on a newly tuned Steinway grand piano at my Church. The only audience was my Zoom H2 – which is probably good since there are a few glaring “misses” in the performance. I love the joy of just playing but it does…
the second theme at about 1:40 is lovely, and i like the way it changes at about 3:10 or so, sort of climbing out into a different plain,, very pretty riffs in the 5 min and on, i like it when you break away from the cord structure to individual keys/notes,,,, at times through this i can hear the slight pauses where it seems like your thinking/planing what direction to take,, OUR DOING GREAT! it's a fun musical journey and im happy to be along... you have a lot of really nice small themes in this,, excellent! oh and by the way for many years i played on a churches concert steinway,, loved it, especially because most churches have such a lovely sound scape to make music in , not to mention the also wonderful light that typically filters in,, ah a small bit of heaven (guess that makes sense though) well anyway excellent Chris
This is a recording from my i phone off my back deck at home in Mill Valley tonight. Everyone howls at 8 pm for 1 minute in solidarity for the healthcare providers during this pandemic with COVID 19. its been going on for over 2 weeks now…
Ukulele and vocals performed by Jazz, 12.
She's starting to write her own stuff (proud!) but just to get her in the studio for the first time, here is a cover of a song by Vance Joy.
the first Acid pro 10 stuff where I rework a recent work using the stretch effect and algorithms
this is the original work here
https://alonetone.com/acid/tracks/process+on+1
this is the selection that resulted in stretching, in high resolution…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
Comments on vaisvil's stuff
Cool sounds yawl
Hee!! Hee!! Hee!!
Nice tease with the conversations...i feel like a secret agent in the van waiting for that illicit speech...while tripping on the laced coffee i bought at Costa's...the waves of sound are getting stronger.....it's getting closer...i know it is.... 13.50 and counting...over halfway and the anticipation grows....where is she? ....that voice we love to hear...... 16.20 and the heart beat increases.......the breathing is labored the anticipation intense.... the waiting ....the waiting....it's near 18.11 ...a numbness...the wait carry's on..... now i know what you've done....you Bugger!!
Marvellously well controlled music and build up to your poem Chris, creates anticipation. Wow! That is awesome! Cheers Bee
this would be Post ambient minimal tension? your chord shapes are intense.. Liking this lots...
Fook YES!
excellent.. very well done.
Oh, it sounds lovely! Now I know what you bought that day! Cheers Bee
ok! I enjoyed it.
Well, that thawed us out nicely! I have been out of it all for February but nice to be back listening again.
Awesome sounds there Chris! Luv Bee
psychedelic for sure,,, this evokes some interesting images,,, listening to this which is great,, i would also guess you are a big doors fan, they blended such themes musically
interesting!
Free flowing musical expression and lots of ideas here, like a deconstructed Let It Be in places.
and Chris i ment YOUR Doing Great,, sometimes my fingers and the keyboard don't quite line up
the second theme at about 1:40 is lovely, and i like the way it changes at about 3:10 or so, sort of climbing out into a different plain,, very pretty riffs in the 5 min and on, i like it when you break away from the cord structure to individual keys/notes,,,, at times through this i can hear the slight pauses where it seems like your thinking/planing what direction to take,, OUR DOING GREAT! it's a fun musical journey and im happy to be along... you have a lot of really nice small themes in this,, excellent! oh and by the way for many years i played on a churches concert steinway,, loved it, especially because most churches have such a lovely sound scape to make music in , not to mention the also wonderful light that typically filters in,, ah a small bit of heaven (guess that makes sense though) well anyway excellent Chris
That took me on a ride while folding the washing.....Thanks
Perfect for a Sunday afternoon
Interestingly different from this: http://alonetone.com/fuzzfilth/tracks/ditd
Nice! Sounds like GR20 sax sounds?
Comments made by vaisvil
certainly Clapton has nothing on you!
this is great!
There is something compelling about your calm reflective pieces like this :-)
every cat has at least one... its were the 9 lives are stored...
enjoyed!
Nice sample! You gotta put it in a tune!
This is great!
great performance!
I like this one a great deal. The sections are more defined than usual And I like the character of each. I too listened several times.
Cool sounding!
amazing work!
really good composition with excellent production. I heard sounds coming from beyond my monitors - phase shifting?
great music, it is like a speech. Prodding, pleading, shouting.
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds