sculpture and image by Timothy Schmalz - used with permission. Lyrics and quite a story if you follow the links http://chrisvaisvil.com/i-have-seen-him-orchestrated-version/
As you know, I love this piece. It is so rich and complicated, that it is mind-blowing. And while I am not certain this is the final mix for this (it really should all be acoustic, shouldn't it?)it is so delicate and intricate from a metric point of view that we (by "we" I mean all of us who hope to be involved in the final version of this)will need to spend some time together in advance to decide exactly how to tap our feet to this.
Love it.
sculpture and image by Timothy Schmalz - used with permission. Lyrics and quite a story if you follow the links http://chrisvaisvil.com/i-have-seen-him-orchestrated-version/
sculpture and image by Timothy Schmalz - used with permission. Lyrics and quite a story if you follow the links http://chrisvaisvil.com/i-have-seen-him-orchestrated-version/
Using my DIY 23 edo guitar, DIY electric cello, and DIY electric psaltery I recorded the wind playing these instruments after they were tuned in just intonation or harmonic series relationships. Adding to the harmonic series nature of this composition…
Using my DIY 23 edo guitar, DIY electric cello, and DIY electric psaltery I recorded the wind playing these instruments after they were tuned in just intonation or harmonic series relationships. Adding to the harmonic series nature of this composition…
Bethan Mathis recites a poem I wrote some time ago inspired by late nights working and driving home past a cemetery that always had foggy apparitions in the 4 am winter air. I am very much indebted to Bethan’s dedication to our poetry project…
Bethan Mathis recites a poem I wrote some time ago inspired by late nights working and driving home past a cemetery that always had foggy apparitions in the 4 am winter air. I am very much indebted to Bethan’s dedication to our poetry project…
Bethan Mathis recites a poem I wrote some time ago inspired by late nights working and driving home past a cemetery that always had foggy apparitions in the 4 am winter air. I am very much indebted to Bethan’s dedication to our poetry project…
Bethan Mathis recites a poem I wrote some time ago inspired by late nights working and driving home past a cemetery that always had foggy apparitions in the 4 am winter air. I am very much indebted to Bethan’s dedication to our poetry project…
it was the panda one that was just backwash from the 2010 days just before I joined alondtone.. I had to check to see If the songs were uploaded from back then.. This is so nice this piece
The March of the Blown Tumbleweeds
featuring J.C. Combs' scored percussion
Layton's Guitar
Kavin's Guitar
Mimlitsch's Bass Clarinet x2
liberties taken by me
this is a 15 minute excerpt of my first successful aeolian harp experiment. As you can see from the picture I strung 50 pound fishing line from my deck to my fence. I used piezo pickups clamped to the end of the lines to capture the sound. The…
that was shorter then I am used to.. seemed like ten minutes but I guess if it says 15:22 then that is how long its, I really like this kind of music..
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
An experiment with quarter tone tuning.
I tuned my guitar: low E (normal tuning)
A (quarter step up)
D (normal tuning)
G (quarter step down)
B (normal tuning)
high E (tuned D then quarter step down)
This time I tried something else. It's definitely more jazzy than anything before. I think its a direction in which I'd like to keep going.
I hope you like it!
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Comments on vaisvil's stuff
Lovely sounds!
Neat project and awesome sounds!
Almost the song should have a Bach invention playing counterpoint in key,..at least I can here something like that,..over all most astounding ,..
Nice! I dig the video too... it has a nice relaxed somber feel to it
thanks for reminding me,,, very nice Chris,,,looks like a web cam shot from today,, is it such?
As you know, I love this piece. It is so rich and complicated, that it is mind-blowing. And while I am not certain this is the final mix for this (it really should all be acoustic, shouldn't it?)it is so delicate and intricate from a metric point of view that we (by "we" I mean all of us who hope to be involved in the final version of this)will need to spend some time together in advance to decide exactly how to tap our feet to this. Love it.
ps , lots of nice color to this
really excellent music and arrangement!
*mesmerized*
The combo of the clouds streaming by and your music is quite hypnotic! Thanks for creating and sharing this! - MT
Nicely Read Bee...Great atmosphere Chris
Wonderfully eerie atmosphere well captured Chris. That gong is a real little beasty isn't he! Cheers Bee
Please post the words as well.
Great mood, Chris! Very well done.
Hi Chris,,lovely thoughtful piece,, yes beautiful indeed! you say so much with such (relatively) few notes r
Beautiful!
it was the panda one that was just backwash from the 2010 days just before I joined alondtone.. I had to check to see If the songs were uploaded from back then.. This is so nice this piece
but here in New Jersey we have tumble-plastic bags doing that..oh this is good stuff.i should film some of the bags getting caught up in the wind.
powerful and pleasant as well.
that was shorter then I am used to.. seemed like ten minutes but I guess if it says 15:22 then that is how long its, I really like this kind of music..
Comments made by vaisvil
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!
nice groove!
Are these clips of Pelosi or Phyllis Schlafly? Excellent tune!
great voice and lyrics!
I like this - makes me want to give this technique a try.
I like it - very gentle.
ambient game music ?
nice ambient!!