Bethan Mathis recites a poem I wrote some time ago inspired by late nights working and driving home past a cemetery that always had foggy apparitions in the 4 am winter air. I am very much indebted to Bethan’s dedication to our poetry project…
Bethan Mathis recites a poem I wrote some time ago inspired by late nights working and driving home past a cemetery that always had foggy apparitions in the 4 am winter air. I am very much indebted to Bethan’s dedication to our poetry project…
Bethan Mathis recites a poem I wrote some time ago inspired by late nights working and driving home past a cemetery that always had foggy apparitions in the 4 am winter air. I am very much indebted to Bethan’s dedication to our poetry project…
Bethan Mathis recites a poem I wrote some time ago inspired by late nights working and driving home past a cemetery that always had foggy apparitions in the 4 am winter air. I am very much indebted to Bethan’s dedication to our poetry project…
it was the panda one that was just backwash from the 2010 days just before I joined alondtone.. I had to check to see If the songs were uploaded from back then.. This is so nice this piece
The March of the Blown Tumbleweeds
featuring J.C. Combs' scored percussion
Layton's Guitar
Kavin's Guitar
Mimlitsch's Bass Clarinet x2
liberties taken by me
this is a 15 minute excerpt of my first successful aeolian harp experiment. As you can see from the picture I strung 50 pound fishing line from my deck to my fence. I used piezo pickups clamped to the end of the lines to capture the sound. The…
that was shorter then I am used to.. seemed like ten minutes but I guess if it says 15:22 then that is how long its, I really like this kind of music..
A field recording of an improvisation on a baby grand incongruously placed between an entrance and coffee hut via my phone. My good friend Jim Goodin converted the AIFF I emailed him and he posted it for me. Thanks Jim!
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
Nicely Read Bee...Great atmosphere Chris
Wonderfully eerie atmosphere well captured Chris. That gong is a real little beasty isn't he! Cheers Bee
Please post the words as well.
Great mood, Chris! Very well done.
Hi Chris,,lovely thoughtful piece,, yes beautiful indeed! you say so much with such (relatively) few notes r
Beautiful!
it was the panda one that was just backwash from the 2010 days just before I joined alondtone.. I had to check to see If the songs were uploaded from back then.. This is so nice this piece
but here in New Jersey we have tumble-plastic bags doing that..oh this is good stuff.i should film some of the bags getting caught up in the wind.
powerful and pleasant as well.
that was shorter then I am used to.. seemed like ten minutes but I guess if it says 15:22 then that is how long its, I really like this kind of music..
That's really rather effective. Not easy-listening, but moving.
Excellent Chris....
You can play while I cook too......
a hah! a piano ......I must play....I must.........and you do it so well.....Coffee?
In memory of poor old Lou.........
Ohhh Wowww! Chris that's wonderful. I think I will have to come and stay. You can play while I cook! Cheers Bee
That must be the big one! Very depthy! I like the contrasting tinkling chimes, lovely. Cheers Bethan
Celestrial. Very respectable for an improv. I'm not generally into brass, but you made it work for me here.
The piano is obviously out of tune, but somehow your arranged notes upon it really works for me -- too groovy. Great composition, great job. Rock on!
it is quite grand and majestically poignant - I think it is the tone or tuneless like workings that cause the sadness...
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!