pretty cool,, reminds me a bit of Vince G. (the fellow who did cast your fate to the wind and the Charlie Brown sound tracks) there's a nice whole feeling to this r
This is an transcription of a piano improvisation I did with Andrew Heathwaite’s 12 of 31 edo meantone MODMOS scale which is called Meteoroid.
The tuning I used follows (in cents)
E:\cakewalk\scales\andrews12of31edo.scl
!
andrew’s 12 of 31edo…
This is an transcription of a piano improvisation I did with Andrew Heathwaite’s 12 of 31 edo meantone MODMOS scale which is called Meteoroid.
The tuning I used follows (in cents)
E:\cakewalk\scales\andrews12of31edo.scl
!
andrew’s 12 of 31edo…
This is an transcription of a piano improvisation I did with Andrew Heathwaite’s 12 of 31 edo meantone MODMOS scale which is called Meteoroid.
The tuning I used follows (in cents)
E:\cakewalk\scales\andrews12of31edo.scl
!
andrew’s 12 of 31edo…
Frozen eyes....
and like the wail of a crying child...
she grieves for what is lost to her...
finding solace in a shared moment....
she absently brushes the thought away....
there is no beauty in the sky....
or warmth on her face…
Frozen eyes....
and like the wail of a crying child...
she grieves for what is lost to her...
finding solace in a shared moment....
she absently brushes the thought away....
there is no beauty in the sky....
or warmth on her face…
Frozen eyes....
and like the wail of a crying child...
she grieves for what is lost to her...
finding solace in a shared moment....
she absently brushes the thought away....
there is no beauty in the sky....
or warmth on her face…
I sometimes struggle to understand some of your posts. That's my problem not yours but every so often you play a piece that can emotionally move mountains. For me this is such a piece. Bravo
Cool Chris,, almost a bit baroque at times, i like it,, love the photo,, but is this in fact a raven? ours out here in the west do not look like such,, my bests r
Beware of following the link in the about while listening to the track!!!
It was 3 minutes before I realised I was listening to two things at once lol. I was thinking "this one is far too complex for me".
Now that I've listened to the solo piano - very cool piece :-)
interesting,, i was watching the video,, pretty creative,, sometimes i feel like an over seas visitor, as i listen to your music,, not sure i always understand,, but i always find it interesting and a bit mind enlarging,, happy friday r
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
Peculiar.....no resolve...experimental journey.
pretty cool,, reminds me a bit of Vince G. (the fellow who did cast your fate to the wind and the Charlie Brown sound tracks) there's a nice whole feeling to this r
excellent stuff.. very minorish stylens ..
Now thats an atmosphere.....
nicely composed! :)
Very nicely composed :)
this fits my sunday night quite well, youve got a nice since of timing/ spacialness here,,
very nice.
Brillliant.
Haunting.....
reminds me of early Doors
most desolate indeed,,,,also most interesting,, r
Such desolation...
I sometimes struggle to understand some of your posts. That's my problem not yours but every so often you play a piece that can emotionally move mountains. For me this is such a piece. Bravo
Cool Chris,, almost a bit baroque at times, i like it,, love the photo,, but is this in fact a raven? ours out here in the west do not look like such,, my bests r
Beware of following the link in the about while listening to the track!!! It was 3 minutes before I realised I was listening to two things at once lol. I was thinking "this one is far too complex for me". Now that I've listened to the solo piano - very cool piece :-)
Wild......from a phone.
Wonderful inventive track!
interesting,, i was watching the video,, pretty creative,, sometimes i feel like an over seas visitor, as i listen to your music,, not sure i always understand,, but i always find it interesting and a bit mind enlarging,, happy friday r
Yeah buddy, me like.
Comments made by vaisvil
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!
wow every piece I hear is really good! My hat is off to you Lalo Oceja!