perhaps it's because im a bit vintage myself,, but i really think you have a great feel/vibe/style on this one,,, but chris i keep getting a bug/halt at about 1:26 into it,, i would like to hear it all,, r
this is a typical Buddhist belief I find as I study the lotus sutra... It is said by an individual studding the lotus sutra the world will rise against that individual as they did Buddha at the time it was spoken,.. It seems so serious in all yet still the oneness of everything is more positive these days then before..this is the fifth set of five hundred years since the Buddha ..at the end of the cycle. I find this similarity between The Buddha and The Christ and various soothsayers, and profits alike.
soooo Chris did you like me,, stay up late last sunday watching?,, i even considered going over to JPL,, to watch,,,it's pretty close, quite exciting!! this is well done, i enjoyed this a lot,, holst has been on my re listen to list,, this is inspiring,, r
I have combined two of your works together (because I wanted to hear both of them but the time allotment to listen is limited by sleep and waking experience et,c.) but this went well with http://chrisvaisvil.com/?p=1781 the electronic dream #1 Even still I did not get the time to listen to both of them before the clock was beyond the sound level decreasing time at nite. there was the minor problem of time sync effectiveness that was out of sync. I am looking into such problems in my music these days.
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
looks like something from my local biotanic garden,, is the color true? i like the feeling of this piece...not sure how to say it, but i like it..... go figure,,,,
They are noisy little bugs aren't they?
Nice rhythmic playing here Chris. beautifully done!
I have a fair sized collection of bugs and insects,
which I thought would interest the grand children one day, but of course, they can't be heard.
Oh, look at his dear little face!
Interesting chipping noises I heard in there.
A very vibration rich, most eerie, especially the long, fading note at the end.
is a mash featuring Benjamin Smith (piano), Paul Mimlitsch x 2 (bass recorder and bass clarinet), Lydia Busler-Blais (horn), and myself (percussion) – all tracks manipulated – the tuning is nominally 12 equal, however, there is enough pitch bending…
Ooo, I see this one is going to be an epic! headphones in place, ok go .....
That was a journey into the secret hive! Beautifully done. I can appreciate the work that goes into ambient music, too clever for me!
A short improv piece. I'm starting a new project, where I will post at least one improv video/recording online each week, and at the end of each month collate them into an album.
This is the first one. Since July is almost over, I figure I…
This is a tune that's been on the back burner for a bit. I was looking to get a dark Ultravox kind of sound. Anyone feel like puttin' on their Midge Ure hat???
Anyway, these aren't the droids your looking for.
Move along..............Move along.
Finally, the finishing touches seem to be put on this three-year-old song thanks to some very talented people.
The band is:
Liam (age 13 at the time of recording) on drums
A Girl Named Sam (she's no kid!) with the backing vocals
Genevieve…
A few of you know I accidentally wiped out one of my SD cards that had all my works in progress on it. I'm just starting to piece it all together again - A slow process. This was supposed to be a reprise to "In My Head", but ended up being in…
I have issues at my house, sometimes they manifest themselves in my tracks. In this case, the bassoon and oboe represent the mouse. The guitar is the peanut-butter.
this is one inventive piece! what a mix - are you sure you didn't grow up south of I-10 in Louisiana? You have that Cajun blues thing down and who'd expect you could get oboe and bassoon to work so well with it! wow.
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
Really nothing more than some voice leading practice. Unfortunately, I had no keyboard or orchestral samples when I did this, so I used Lilypond and TiMidity++ and step programmed it in a text editor. I've since bought Cubase and EastWest/QuantumLeap…
As chance had it, I found myself in an acoustically great room, full of cajons! Well, they were unfinished cabinets actually, but they had lovely tones. Since this is the stuff dreams are made of, I had no choice but to seize the opportunity and…
well.... tell your wife you'll build her a new addition if she lets you keep this room as is :-)
nice - the sound is so surprisingly robust and resonate in tone.
Caveat emptor: I did absolutely none of the drumming in this piece.
WORLD PREMIER! FIRST RECORDING OF THIS PATTERN - EVER!
My friend Kokou "Alex" Yemey called me a few days ago with some urgency in his voice: "I must record this before…
It seems a lot of you record with open mics and can relate. I record 1 track at a time with usually 4 or 5 tracks. So, Im only asking for about 15 minutes of Silence...IS THIS TOO MUCH TO ASK??? Anyway, my house is so loud, I get a lot of bloopers…
Hi, The Suicide is programmed actually and uses Kontakt sounds. I have a large number of manuscripts which I created in college and shortly after (before 90's no computer program I had could let me score reasonably). In this case, The Suicide, was scored at an upright piano and I could play it at the time. Its really easy to play.
The last track that I'm going to upload for a while. I will be re-recording a few songs to release a LP under my own name. Hopefully it'll be good :)
This one is another exploration using loops and delays. I hope you like it!
Comments on vaisvil's stuff
perhaps it's because im a bit vintage myself,, but i really think you have a great feel/vibe/style on this one,,, but chris i keep getting a bug/halt at about 1:26 into it,, i would like to hear it all,, r
Stunning! Exciting, full of atmosphere. Exceptionally well done.
Rockingprog.......sounds like your having a great time......
this is a typical Buddhist belief I find as I study the lotus sutra... It is said by an individual studding the lotus sutra the world will rise against that individual as they did Buddha at the time it was spoken,.. It seems so serious in all yet still the oneness of everything is more positive these days then before..this is the fifth set of five hundred years since the Buddha ..at the end of the cycle. I find this similarity between The Buddha and The Christ and various soothsayers, and profits alike.
sounds like your having some fun here,
reminds me of a few aphex twin tracks
soooo Chris did you like me,, stay up late last sunday watching?,, i even considered going over to JPL,, to watch,,,it's pretty close, quite exciting!! this is well done, i enjoyed this a lot,, holst has been on my re listen to list,, this is inspiring,, r
I have combined two of your works together (because I wanted to hear both of them but the time allotment to listen is limited by sleep and waking experience et,c.) but this went well with http://chrisvaisvil.com/?p=1781 the electronic dream #1 Even still I did not get the time to listen to both of them before the clock was beyond the sound level decreasing time at nite. there was the minor problem of time sync effectiveness that was out of sync. I am looking into such problems in my music these days.
That is powerful...well.done.
ahhh the five/four time is killer - liking this! It's from the MIDI right?
cool tune and photo.
Would fave again still inspiring .......
looks like something from my local biotanic garden,, is the color true? i like the feeling of this piece...not sure how to say it, but i like it..... go figure,,,,
Sorry Chris, those comments were me, I'm always forgetting to say! Bethan
They are noisy little bugs aren't they? Nice rhythmic playing here Chris. beautifully done! I have a fair sized collection of bugs and insects, which I thought would interest the grand children one day, but of course, they can't be heard.
Thay sound real, are they? Well played!
Oh, look at his dear little face! Interesting chipping noises I heard in there. A very vibration rich, most eerie, especially the long, fading note at the end.
Ooo, I see this one is going to be an epic! headphones in place, ok go ..... That was a journey into the secret hive! Beautifully done. I can appreciate the work that goes into ambient music, too clever for me!
Gorgeous!
Very nice
Comments made by vaisvil
nicely done~!
interesting ! What is your set up? It sounds as if you were recorded in a hall.
I especially like parts I and II - nice work!!
boy, are you ever going through a creative period - everything is sounding top notch - I love the percussion + ambiance style here. World electro?
interesting aggressive minimal electro
nice themes!
Sam sounds like one of the Indigo Girls :-) Very nice song everyone!
this is very good - like the solid vocal harmonies and leads.
this is one inventive piece! what a mix - are you sure you didn't grow up south of I-10 in Louisiana? You have that Cajun blues thing down and who'd expect you could get oboe and bassoon to work so well with it! wow.
This is a great tune - I love the percussion and the deep deep sounds.
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
nicely done - sounds a bit floydish. Introspective Roger Waters.
all of the compositions are wonderful - I feel emotion from your work.
this is a very nice progression against a pedal point and exposition. I agree the room acoustics are really great - it sounds great!!
very classical period sounding.
well.... tell your wife you'll build her a new addition if she lets you keep this room as is :-) nice - the sound is so surprisingly robust and resonate in tone.
wow - this is complicated!! and cool!
Hi, The Suicide is programmed actually and uses Kontakt sounds. I have a large number of manuscripts which I created in college and shortly after (before 90's no computer program I had could let me score reasonably). In this case, The Suicide, was scored at an upright piano and I could play it at the time. Its really easy to play.
wonderful!! So this is in part classical guitar? If so great tone!
bizarrely the opening bass riff sounds like the theme to green acres - a usa 60's sitcom.