A picture of Chicago’s near north side I took on a recent trip. Note the scaffolding for the church steeple.
17 edo electric guitar solo with ebow, whammy bar, and delay is a microtonal ambient minimalist piece.
A traditional piece from the renaissance arranged for flute and two classical guitars.
I used meantone tuning which is probably a bit more authentic - though so very close to 12 equal that you may not notice the difference. http://en.wikipedia…
a really very nice colab, i think it's interesting in that on the one hand it's simple in from, and on the other it projects it self to a lot of depth,,, i suppose minimilist is a way to describe it? whatever,, i like it
And here's another!
Nice work guys.
I don't seem to understand enough about what you're doing to make sensible comments. Except this - I like it, keep doing it!
Yes.
You're exploring a slightly different place than I am, but several times recently I've clicked on one of yours just to see "what's cooking" and each time you take me closer to this different place.
I'm starting to feel that vaisvil tunes are essential "Andrew Russe listening"! :-)
Just what I needed ......got the children ready for bed or rather wrestled them ready for bed and now to relax with some beautiful piano ......excellent Chris Thanks
There's nothing like a good cup of coffee,and a song climbing through the blooming trees and raising on up beyond the sky,tipping it's hat to say good-by.
this is actually in a microtonal tuning - but a very mild difference from the usual
Vallotti & Young scale (Vallotti version)
12
!
94.135
196.090
298.045
392.180
501.955
592.180
698.045
796.090
894.135
1000.000
1090.225
2
A picture of Chicago’s near north side I took on a recent trip. Note the scaffolding for the church steeple.
17 edo electric guitar solo with ebow, whammy bar, and delay is a microtonal ambient minimalist piece.
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
Wow, sounds like a whale chorale. So clever!
Beautiful!
a really very nice colab, i think it's interesting in that on the one hand it's simple in from, and on the other it projects it self to a lot of depth,,, i suppose minimilist is a way to describe it? whatever,, i like it
And here's another! Nice work guys. I don't seem to understand enough about what you're doing to make sensible comments. Except this - I like it, keep doing it!
Yes. You're exploring a slightly different place than I am, but several times recently I've clicked on one of yours just to see "what's cooking" and each time you take me closer to this different place. I'm starting to feel that vaisvil tunes are essential "Andrew Russe listening"! :-)
Well played.
So nice, love this tuning
This is mighty fine listening.
Just what I needed ......got the children ready for bed or rather wrestled them ready for bed and now to relax with some beautiful piano ......excellent Chris Thanks
Faved instantly. Great listening.
There's nothing like a good cup of coffee,and a song climbing through the blooming trees and raising on up beyond the sky,tipping it's hat to say good-by.
Beautiful. It's as if the experience of flying is at hand.
Best I am the Walrus cover I've ever heard :)
Nice one well done.
and the Walrus was Paul. Good fun.
More bullhorn!
Totaly dig the Harpsichord! Cool version of this classic tune...Well done!
Enjoyed this Chris....Bravo...
this is actually in a microtonal tuning - but a very mild difference from the usual Vallotti & Young scale (Vallotti version) 12 ! 94.135 196.090 298.045 392.180 501.955 592.180 698.045 796.090 894.135 1000.000 1090.225 2
Nice build, I have no idea how this cool pad is built. I was playing along on electric guitar . Huge open sounds! Ilove this one. Steve
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!