Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
A homage to Steve Hackett (who wrote this piece)
http://en.wikipedia.org/wiki/Steve_Hackett
This is played using John O'Sullivan's Blue JI tuning. Pianoteq and Kontakt didn't play nice together so I had add 4.81 cents to all of the flute notes.
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
This is a serial improvisational piece (excepting some drum loops) in John O’Sullivan’s Blue JI tuning (which I rather like) – all of the instruments, African log drum, Nigerian log drum, Krin slit drum, Teponaxtli, Toere, Kaekeeke, Kalaau…
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Such an incredible mix of sounds. It felt like a junkyard in space. Then when the music came in I thought it fitted really well, music all in bits like the gramaphones. Ooo, the swaying from one ear to the other at the end is effective too.
The Metaphysical Evaporation of Wells Street is an ambient piece devised by mashing Summer Sky by Paul H. Muller, Sweeping the Clouds by Lydia Busler-Blais, I Half Remember Why I Got the Blues by Steve Layton, Blue Mountain by Diego Monroy…
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
She's left, your drunk and on the floor not able to see a future, your friend is trying to help, your not listening, he obviously doesn't understand you need the drink..........
This is a song i always wanted to have a go at and it wasn't until Johnny let me have a go on his representation of it i got my chance. Thanks Johnny for letting me have a go, may you rest in peace............
Combined two separate segments from the performance for this remix. I'm posting live recordings on Soundcloud now. To hear the rest of the set go here and bookmark:
http://soundcloud.com/breaking-light/sets/no-audience-breaking-light-live
consider this a microcosm of the final work that might just happen ,, yes a complete Klingon Orchestrated Opera :) (feeling shameful that it was Chris's idea first.) (this is a mire raw example of an outproduced work.>
well - actually - there *was* a Klingon opera which is where I got the title. http://en.wikipedia.org/wiki/%E2%80%99u%E2%80%99
and this Klingon band is interesting...
http://en.wikipedia.org/wiki/Stovokor_%28band%29
this is a mono/nonstereo track because my fourtrack recorded decided that mono is better then stereo but at least the dang thing works ,, I guess,, From now on it is direct records from the outside machine to the computer not thru the fourtrack…
if you use something as a midi controller there are a few VSTi software microtonal synthesizers that are free which makes it easier. Savihost - and other VSTi hosting software let you play microtonally - all you have to keep track of is how the extra (or less) notes translate to the normal keyboard.
This piece is crazy! How'd you do the drums?
As for mono/stereo - what you need is either a Y-cable with 1/4 male to 1/8 stereo (or collection of pieces that do that)
If you are still using Sonar I guess its lets of an issue - just record multiple tracks.
very similar to the 'more of this a' but part 2
btw the video for todays' computer music work is getting uploaded now. all 25 min 25 sec and 25 frames there of.
1/1/11; took bits from two of Mark's tracks from Pleasure Listening (2002) and improvised in Max with them, then mixed in DP. a mellow vibe for the new year.
This song is not for everyone but I like it because its a live recording with a single instrument using infinity delay FX. (I turned on the loop delay at :09 after the guitar was flat on the floor.)
All the sounds are made with an acoustic bass…
I didn't like the 1st version so i changed it so here it is. imagine Sitting in the forest listening to the breeze being free and wanting to follow it..........................
Performed live by Rainbowtruth @ Irish Brigade Fredricksburg, VA circa late 1990's.
Barnett: Guitar/lead vocal
Osborne: Drums/back-up vocal
Duff: Guitar
Bowers: Bass
Slightly more aggressive than the original. Cool high-energy take w…
Comments on vaisvil's stuff
every body polka.
One of your oriental flavoured pieces Chris. Well played, it must be difficult. I like the way it boings at the end!
Nice playing Chris..........
Just wait until Pepé Le Pew gets a load of her!!
Purrrrfectly performed!
Great feel! Great playing! (Can't read much info about this track as the link seems to be broken.)
I love this!
Lovely! Well played Chris!
parts of this remind me of something from Michael Hedges' taproot album.... nice track!
Ooo, well played!
Nice warm groove.
Now that's cool
well Chris, i find this rather interesting,
This has inspired me to get my guitar out :)
Such an incredible mix of sounds. It felt like a junkyard in space. Then when the music came in I thought it fitted really well, music all in bits like the gramaphones. Ooo, the swaying from one ear to the other at the end is effective too.
Such an emotive piece. Beautifully performed. The ending is very different from the main part, almost like a new beginning.
An excitingly mysterious ride, perfectly formed.
Mighty cover!!!
Excellent cover great vocals Reg.
great track!
Comments made by vaisvil
enjoyed!
that is one effected guitar!!
nice!! Would you consider doing a collaboration?
you do a good Morrison!
very strange!
very cool. What gear do you use?
well - actually - there *was* a Klingon opera which is where I got the title. http://en.wikipedia.org/wiki/%E2%80%99u%E2%80%99 and this Klingon band is interesting... http://en.wikipedia.org/wiki/Stovokor_%28band%29
this is an oddly compelling piece - its like an electroband kidnapped Weird Al to jam on accordion. The production clarity is excellent too.
I love the sound of this - beautiful!! What do the pedals do in a pedal steel guitar?
if you use something as a midi controller there are a few VSTi software microtonal synthesizers that are free which makes it easier. Savihost - and other VSTi hosting software let you play microtonally - all you have to keep track of is how the extra (or less) notes translate to the normal keyboard. This piece is crazy! How'd you do the drums? As for mono/stereo - what you need is either a Y-cable with 1/4 male to 1/8 stereo (or collection of pieces that do that) If you are still using Sonar I guess its lets of an issue - just record multiple tracks.
I watched the whole video - I take it what was happening is that you layered video of you layering the sound? Very disorientating and interesting.
this is intense!! more microkorg?
this is a fantastic trip!
your soul is motown~!
alright!! new keys!!! This sounds excellent!
haha! this is great!!
right up my alley - awesome work my friend!
sounds..... Hungarian!
enjoyed!!
one of my favorite songs covered with power and great taste!!