Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
A homage to Steve Hackett (who wrote this piece)
http://en.wikipedia.org/wiki/Steve_Hackett
This is played using John O'Sullivan's Blue JI tuning. Pianoteq and Kontakt didn't play nice together so I had add 4.81 cents to all of the flute notes.
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
This is a serial improvisational piece (excepting some drum loops) in John O’Sullivan’s Blue JI tuning (which I rather like) – all of the instruments, African log drum, Nigerian log drum, Krin slit drum, Teponaxtli, Toere, Kaekeeke, Kalaau…
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Such an incredible mix of sounds. It felt like a junkyard in space. Then when the music came in I thought it fitted really well, music all in bits like the gramaphones. Ooo, the swaying from one ear to the other at the end is effective too.
The Metaphysical Evaporation of Wells Street is an ambient piece devised by mashing Summer Sky by Paul H. Muller, Sweeping the Clouds by Lydia Busler-Blais, I Half Remember Why I Got the Blues by Steve Layton, Blue Mountain by Diego Monroy…
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
More stuff from the ancient archives rescued from the same cassette tape as Last Nights Fun. This time a set of 3 Irish reels Live at a concert back around 1992
This is probably the last of this stuff from the archives that I'll upload. Rescued from a cassette tape of a live performance with former band mates in Scartaglen. These tunes are popular down in the Southwest of Ireland. Michael(Fiddle) and…
This is probably the last of this stuff from the archives that I'll upload. Rescued from a cassette tape of a live performance with former band mates in Scartaglen. These tunes are popular down in the Southwest of Ireland. Michael(Fiddle) and…
Is It For You solo: that is simply a MXR distortion+ and my Fender Mustang with Bartolini pickups - a touch of reverb in Cakewalk Pro Audio. This was recorded in 2000. Thanks for the listen and comment!
Ten Years After cover performed live by Rainbowtruth @ Irish Brigade Fredricksburg, VA circa late 1990's.
Barnett: Guitar/lead vocal
Osborne: Drums/back-up vocal
Duff: Guitar
Bowers: Bass
Cool high-energy take w/ plenty of guitar solos. Decent…
This is the first of two demo's I made to consolidate my ideas about an album that I am working on for the Clinical Archives netlabel. The piece is fully improvised.
I am recording two albums for Clinical Archives, the first is to be released…
Here is my latest song, I was playing around with my Tele into my Adrenalinn III pedal with its beat sync'd effects which gave me some of the sounds here.
please see linked video => A Harmonic Series composition, Reverend Terry Jones, radical Islam, radical Christianity, doing harm in the name of religion.
I took recordings of mandolin, guitar, and bass and processed them in Paul Extreme…
although the art of the groovebox,working with the roland MC 505,is my main life project,i try to keep up the practice of a traditional instrument...the sitar...pure free minimal psychedelic underground music...
This is a song about our relationship, and about the differences in our backgrounds and our families. My better half might disagree, but there's more truth here than rumor.
ER
This is the song that's responsible for the creation of this band in the first place. It was originally intended to be used with another band of mine, but kept growing and changing, until it no longer suited that band.
Since then, I have a full…
More stuff from the ancient archives rescued from the same cassette tape as Last Nights Fun. This time a set of 3 Irish reels Live at a concert back around 1992
Comments on vaisvil's stuff
every body polka.
One of your oriental flavoured pieces Chris. Well played, it must be difficult. I like the way it boings at the end!
Nice playing Chris..........
Just wait until Pepé Le Pew gets a load of her!!
Purrrrfectly performed!
Great feel! Great playing! (Can't read much info about this track as the link seems to be broken.)
I love this!
Lovely! Well played Chris!
parts of this remind me of something from Michael Hedges' taproot album.... nice track!
Ooo, well played!
Nice warm groove.
Now that's cool
well Chris, i find this rather interesting,
This has inspired me to get my guitar out :)
Such an incredible mix of sounds. It felt like a junkyard in space. Then when the music came in I thought it fitted really well, music all in bits like the gramaphones. Ooo, the swaying from one ear to the other at the end is effective too.
Such an emotive piece. Beautifully performed. The ending is very different from the main part, almost like a new beginning.
An excitingly mysterious ride, perfectly formed.
Mighty cover!!!
Excellent cover great vocals Reg.
great track!
Comments made by vaisvil
excellent!
excellent!! I love this kind of music!
Is It For You solo: that is simply a MXR distortion+ and my Fender Mustang with Bartolini pickups - a touch of reverb in Cakewalk Pro Audio. This was recorded in 2000. Thanks for the listen and comment!
very spooky indeed! nice composition
great!
most excellent sir!! most excellent!
love it!
excellent classic rock song, especially liked the leads
interesting minimalism
A crayon may not be such a big deal - but intentionally harming your neighbor is. If no one stops first - it will never stop.
now this is totally excellent!! Awesome!!! Downloading!!
very cool piece.
nice lyrics and music!
very nice composition.
I like this one even better - infectious rhythm!
Sounds like a cross-over rhythm? Nice to hear your work again, its been missed.
sounds to me like a Balrog is walking down Madison Avenue - excellent work!
nice guitar work! What do you use to record and master?
nicely done!
excellent!