Radio 1 is an aleatoric composition. I did this in the late 90's - thus the 486SX laptop and soundcard attached to the LPT (printer) port.
It was generated through the Cakeawalk Pro Audio “extract rhythm” function performed on radio static…
Cool. I might be tempted to try this. Maybe a stupid question here but couldn't you accomplish the same thing just tuning all the strings a semitone flat (or sharp)?
Adaptive Just Intonation (trying to keep the harmonies pure)
full screen and HD recommended for the video - to see the software in action responding to my (edited) improvisation.
microtonal piano improvisation
it was pointed out to me at 2:54 you can hear Mary Had a Little Lamb - totally unintentional and in a completely foreign tuning to boot!
details
http://chrisvaisvil.com/?p=1991
Organ in 15 Porcupine - I'm not very happy with this. I've fussed with it for a couple hours and it still sounds like disembodied phrases thrown together haphazardly to me. YMMV
Angelos Quetzacoatl composed this piece and then we performed it on video for your enjoyment during a recent visit. Angelos plays fretless guitar and I play fretless bass in 24 edo (quartertones).
score is here: http://chrisvaisvil.com/?p=1959
2008 - A 12 string guitar Acoustic Improv played in the Pelican tuning DEADAD. It has some rough spots but sometimes the best takes are the first ones. final edits made in Ableton 9 and audacity.
While wiring up a new FX processor in my studio I was messing around with this classic traditional sea shanty. Probably because at this time last week I was playing at the Harwich (UK) International Sea Shanty Festival. Anyway, while messing around…
Orphans were asked to contribute a track to a new 'Halloween Compilation' - released by Whiplash Records - this is our cover of the Coops 'Dwight Fry' - Hope you enjoy!
For this track I used a scale that John McLaughlin once mentioned in an interview, which I later figured out was a Phrygian Dominant scale with the flat-6 omitted.
Thanks for listening.
Comments on vaisvil's stuff
That's pretty intense.
Lovely, Dark and slightly disturbing all at the same time!
Nice!
Really enjoyed the intro to this one
That was really well done. I like it!
Loaded with lots of MeV! Excellent.
More cleverness! Very nice!
I enjoyed that. Oh, it ends abruptly!
The music sounds like it's trying to talk. (I don't mean the voice on the end)
Cool. I might be tempted to try this. Maybe a stupid question here but couldn't you accomplish the same thing just tuning all the strings a semitone flat (or sharp)?
Interesting tuning!
Wonderfully festive sounds for Winter!
kinda got a Mike Oldfield Vibe going ....excellent have listen to this quite a bit
Interesting combination of musical sounds
Crazily inventive! Great stuff, CV!
Interesting. Not familiar with Lainhart. Will have to check out his work
I didn't hear Mary had a little lamb. Oh it's at 2.54
pretty so pretty :)
Yes, why not give it a rest for a while and come back to it later. You may surprise yourself. It's all there, you just need to fine tune it perhaps.
Very inspiring, guys!
Comments made by vaisvil
This gives a sense of a huge space with a guitar sound that rips the fabric of space-time - really great!
Love the textural development!
Always love your playing Ben!
I like how you use loops - your guitar becomes orchestral!
Cool piece!
On theme or not I love your piano playing!
Very good - nice and intimate, uncompromising!
Perfection! - but we all do not expect less for you and your collaborators Tess!
Sounds like middle eastern EDM!
Great guitar work!
great build and texture development!
Legolas and the woodland elvish band after being gifted synthesizers by Gandalf :-)
some really cool sounds in this!
This really is spooky - it is like being in a haunted house - is this the revived super nova?
really hot guitar!
Is this all you? In any case impressive vocals!
Fantastic cover!
you don't want to wait until I upload the noiseless samples?
This has a really a great sweetness tinged with regret feel.
Nice work!