Radio 1 is an aleatoric composition. I did this in the late 90's - thus the 486SX laptop and soundcard attached to the LPT (printer) port.
It was generated through the Cakeawalk Pro Audio “extract rhythm” function performed on radio static…
Cool. I might be tempted to try this. Maybe a stupid question here but couldn't you accomplish the same thing just tuning all the strings a semitone flat (or sharp)?
Adaptive Just Intonation (trying to keep the harmonies pure)
full screen and HD recommended for the video - to see the software in action responding to my (edited) improvisation.
microtonal piano improvisation
it was pointed out to me at 2:54 you can hear Mary Had a Little Lamb - totally unintentional and in a completely foreign tuning to boot!
details
http://chrisvaisvil.com/?p=1991
Another one rebuilt after my freak SD card initialization fiasco. The excellent solo work was done by my buddy Gnasty - I love it!
This is the second part of a two part song. I'll get the other part up next hopefully.
Badass Solos: Gnasty…
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
Comments on vaisvil's stuff
Love the haunted windchimes intro - and then the follow-through keeps the tension! Very effective - supernatural!
Space-age and marvellous!
That's pretty intense.
Lovely, Dark and slightly disturbing all at the same time!
Nice!
Really enjoyed the intro to this one
That was really well done. I like it!
Loaded with lots of MeV! Excellent.
More cleverness! Very nice!
I enjoyed that. Oh, it ends abruptly!
The music sounds like it's trying to talk. (I don't mean the voice on the end)
Cool. I might be tempted to try this. Maybe a stupid question here but couldn't you accomplish the same thing just tuning all the strings a semitone flat (or sharp)?
Interesting tuning!
Wonderfully festive sounds for Winter!
kinda got a Mike Oldfield Vibe going ....excellent have listen to this quite a bit
Interesting combination of musical sounds
Crazily inventive! Great stuff, CV!
Interesting. Not familiar with Lainhart. Will have to check out his work
I didn't hear Mary had a little lamb. Oh it's at 2.54
pretty so pretty :)
Comments made by vaisvil
I like this! Is this then playing back a single phrase multiple ways?
very atmospheric - I like your touch Bruce!
nice trip!
very cool! I've not heard Arabic music a capella before! excellent!
great!!!
thank you for flying united :-)
nice work! I like your voice a lot.
Nice - I like the calm.
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.