This is a piece using Garritan World Sample Set (Tibet singing bowls and Tibet bells) and pianoteq. It also uses a non-octave tuning that is an infinite stack of just major seconds (scala file below).
This is a piece using Garritan World Sample Set (Tibet singing bowls and Tibet bells) and pianoteq. It also uses a non-octave tuning that is an infinite stack of just major seconds (scala file below).
This is a piece using Garritan World Sample Set (Tibet singing bowls and Tibet bells) and pianoteq. It also uses a non-octave tuning that is an infinite stack of just major seconds (scala file below).
This is a piece using Garritan World Sample Set (Tibet singing bowls and Tibet bells) and pianoteq. It also uses a non-octave tuning that is an infinite stack of just major seconds (scala file below).
I saw discussion of Bleu tuning on the yahoo tuning groups – all of which were tempered to a pure octave. Embolden by Andrew Heathwaite’s 88 cent guitar I decided to try the tuning without tempering to make the octave pure. So I made a scala…
This is a track from my retrospective album Heptadecaphilia.
Details, online play, PDF that has background on the music, images, and links to videos are to be found here:
http://chrisvaisvil.com/?p=1007
This is a track from my retrospective album Heptadecaphilia.
Details, online play, PDF that has background on the music, images, and links to videos are to be found here:
http://chrisvaisvil.com/?p=1007
Well, I'm not Greek, but I think "Heptadecaphilia" means "to love 17".
Quite an impressive collection of "17 equal tones per octave" songs (20!).
If one wants to immerse themselves in an environment of tonality that is in stark contrast to the conventional "12 tones per octave" standard that has dominated human ears since the 17th century, this a great collection to explore.
It takes a bit of courage to give microtonal music a shot - at times it sounds blasphemous and dizzyingly disorientating to me. Stretching the definition of the established custom probably always feels like that.
The surprise is how quickly my ear adapts to it but it takes a bit of immersion for me to get to that point.
Strong work, Chris. I philia it.
This is a track from my retrospective album Heptadecaphilia.
Details, online play, PDF that has background on the music, images, and links to videos are to be found here:
http://chrisvaisvil.com/?p=1007
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
This is a track from my retrospective album Heptadecaphilia.
Details, online play, PDF that has background on the music, images, and links to videos are to be found here:
http://chrisvaisvil.com/?p=1007
I abuse Jeff Lynn's (ELO) wonderful song.
I sing it a minor 3rd lower then originally recorded by ELO since I wanted to use my 12-string guitar and it is a lot easier to play tuned down to reduce the tension a bit.
voice
12 string rhythm…
I saw discussion of Bleu tuning on the yahoo tuning groups – all of which were tempered to a pure octave. Embolden by Andrew Heathwaite’s 88 cent guitar I decided to try the tuning without tempering to make the octave pure. So I made a scala…
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
I abuse Jeff Lynn's (ELO) wonderful song.
I sing it a minor 3rd lower then originally recorded by ELO since I wanted to use my 12-string guitar and it is a lot easier to play tuned down to reduce the tension a bit.
voice
12 string rhythm…
Here's a cover of a zep classic...from Reg and Speed Demon Gene....Gene has done all the music and the mixing..thanks Gene ....and i'm responsible for the warbling..... hope you enjoy
Please - this is not the concept I asked her contribution for. I didn't feel right putting her voice up without a credit. But.... this doesn't do justice - I got things I need to do but I will have a better setting.
this is the conglomerate of the fifth song or first song from the mindtrip album that is about 4 min long and was stretched to 1 hr and 17 sec with the center cut out and posted here :) Thanks paul for the the stretch program.
this is the conglomerate of the fifth song or first song from the mindtrip album that is about 4 min long and was stretched to 1 hr and 17 sec with the center cut out and posted here :) Thanks paul for the the stretch program.
The reunion was on...they came from far and wide....it was held on Easter Sunday down at.....the new cellar of Regs...chiseled in to the Yorkshire Granite ....sound proofed....bomb proof.....as they say it started with a beat...everything was…
My first acrostic prompt, requiring the word "Hope" to be spelled out by the first letter of the lines. Found in the chorus:
Hands don't fail me now
Oh, just a little tighter
Please hold on, hold on to
Everything
i wrote this in 81 originally called - battlecry. but i updated it to a sci fi type armageddon story. a video would have went well with this but, maybe some day. all explosions, firepower, helicopter sounds and all battle sounds did on keys…
i wrote this in 81 originally called - battlecry. but i updated it to a sci fi type armageddon story. a video would have went well with this but, maybe some day. all explosions, firepower, helicopter sounds and all battle sounds did on keys…
A quick little tune written in appreciation of a small expression of contentedness.
I can see in that little smile
You're living for the moment
Every once in a little while I catch it
No one else could match it
You're more than meets the eye
I purchased a new M-Audio midi keyboard during RPM. The software alone was worth the $100.
There was no chance I was wasting any time during RPM with a learning process.
Today, I got the opportunity to install the software and plug it in. This…
I was thumbing a ride along a hot, deserted Caribbean road. When Steve pulled up in this vintage pre-war Chevy, I was very grateful. It just so happened he was heading to the same cantina I was, so we kicked back with a pitcher of mojitos…
a song about an old flame that just won't burn out. it's a ballad of sorts, with a harder ending. i did this in about 7 hours. in the middle section i am playing guitar without a pick for the first time in a recording (big deal hey?)
Comments on vaisvil's stuff
I find this quite soothing but can't help feeling there's more underneath
I just love this site, theres something for everyone. Played with your usual skill
Oh my word. Completely creepy and affecting! And this track has a spookily wrong timer... (1.54, not 1.23.)
The timer on this 'ere track is lying. It's only 13 seconds out...but that's kind of eerie, no? I mean, what with it being 13 and all. Just saying.
Timeless and bright.
wow i found this song to be incredibly eerie lol
very stately ......medieval
I shall have to get this on my phone as an alarm ...........
Goes perfect with the image.
make sure that cellar doors locked we don't want it getting out .....excellent atmosphere.....
Remind me never to go in to your cellar. Very atmospheric - cine score me thinks?
Like the use of the brass vpices - and that bassline is nothing short of superheroesque!
Well, I'm not Greek, but I think "Heptadecaphilia" means "to love 17". Quite an impressive collection of "17 equal tones per octave" songs (20!). If one wants to immerse themselves in an environment of tonality that is in stark contrast to the conventional "12 tones per octave" standard that has dominated human ears since the 17th century, this a great collection to explore. It takes a bit of courage to give microtonal music a shot - at times it sounds blasphemous and dizzyingly disorientating to me. Stretching the definition of the established custom probably always feels like that. The surprise is how quickly my ear adapts to it but it takes a bit of immersion for me to get to that point. Strong work, Chris. I philia it.
tv.errific......
wow, that about says it all,,,, well done
Great beat mate dig it. Thanks for listening and commenting. Cheers.
wow.... just wow... and im only a minute in!
I don't fully understand the technical side but it makes for an interesting listen.
Divine Madness
One of my favorites man. Cool choice for a cover tune.
Comments made by vaisvil
spectacular!
Lovely idea! Excellent vocals!
this is excellent! Nailed the leads!
yes!! Lovey!
Please - this is not the concept I asked her contribution for. I didn't feel right putting her voice up without a credit. But.... this doesn't do justice - I got things I need to do but I will have a better setting.
ah this is intense!!
I take it this is with Paul's Extreme Stretch - I'm a big fan of what can be achieved with that software with the right input. I am enjoying this !
thank you for the listen and comment on Dedication. I am pleased you liked it so much!
great!!
very nice! A nice song and performance all the way around.
Pretty good - Rush has nothing on you! Of course we composed (but never performed) Singer's Overture quite some time before 2112....
I'm glad for the positive outcome. :-)
enjoyed this a lot!
what is the tuning? It has a nice feel to it. Sort of rag time floating in and out - is it 24 equal?
I love the backwardsness !!
lovely - you have such a talent for beauty!
I got an m-audio 88es - big brother - very good keyboard. This is a very nice piece - and the title theme is excellent~
excellent!! and I love the photo too!
that makes more sense...
yes, the bluesy part.