make sure that cellar doors locked we don't want it getting out .....excellent atmosphere.....

Remind me never to go in to your cellar. Very atmospheric - cine score me thinks?

Like the use of the brass vpices - and that bassline is nothing short of superheroesque!

Well, I'm not Greek, but I think "Heptadecaphilia" means "to love 17". Quite an impressive collection of "17 equal tones per octave" songs (20!). If one wants to immerse themselves in an environment of tonality that is in stark contrast to the conventional "12 tones per octave" standard that has dominated human ears since the 17th century, this a great collection to explore. It takes a bit of courage to give microtonal music a shot - at times it sounds blasphemous and dizzyingly disorientating to me. Stretching the definition of the established custom probably always feels like that. The surprise is how quickly my ear adapts to it but it takes a bit of immersion for me to get to that point. Strong work, Chris. I philia it.

tv.errific......

wow, that about says it all,,,, well done

Great beat mate dig it. Thanks for listening and commenting. Cheers.

wow.... just wow... and im only a minute in!

I don't fully understand the technical side but it makes for an interesting listen.

Divine Madness

One of my favorites man. Cool choice for a cover tune.

hi Chris,, soundwise/music interesting,,, i sometimes feel like a tourist in your world of music,, not sure i get it all, but i do know that at some level it helps me to appreciate both my own way and the bigger picture of musical sounds in new ways,,, have a happy 4th R

Nicely done.

Nice one mate great job.

Wild mix mate very cool.

Very very nice!!!

Agree with Norm - and this is a great song that's new to me. Lovely.

Oh man! Arranged like a Bond theme! Bold, bright and brilliant!

Raw blues - love this kind of thing. Am now going to analyse the crap out of your improvised lyrics! :D

Great sound!

Beautiful!!Great work here!

my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.

I love the floating feel this has.

also - you have an astounding memory!

Ha - this riff is mine? I sure don't remember it - now I feel embarrassed about my comment :-)

excellent! I love the opening guitar riff and cool ending!

Nailed Tom's voice!

Very Tom Waits - love it!

wow your voice sounds so like the Kinks!

love your voice here!

May I invite you to participate at ImprovFriday? You may have some fun! http://improvfriday.com/

I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."

What do you have in your ambient rig? I am enjoying your work!

Hi Bethan - I have no idea who played it - but they did an excellent job. The midi file I found somewhere in the 90's.

wow - another side totally! I like the string / piano combination.

Thank you for the comments on Sympathy for a Friend. I didn't use a synthesizer. All of the sound is from one take on my 19 note per octave guitar + effects.

I love that metallic sound!

The cello work is especially good.

nicely done!!

excellent - this is a great song perfectly played and sung!!