Just an instrumental I came up with on the 7-string. Wanted to try a few harmonized licks. Guitars and bass are me but the drums aren't (as with all my stuff).
On Wikipedia I read this about the great jazz pianist Bud Powell: "...his solos could be heard to emulate the horn players' attack — with the use of frequent arpeggios punctuated by chromaticism," so the first thing you hear is a lick that uses…
This is an extreme variation of Paganini's 24th Caprice, no where near the original. I just took some parts from it and did them my own way, not trying to follow the original version at all. Thanks for listening.
Tasty harmonics. I would like to hear you cover Highway Star someday. That is one of my all time favorite leads and I think one of the first "Bach-n-Roll" leads in rock history.
Something more mellow. Got the idea from an Andy Aledort column in Guitar World magazine but can't remember which one and can't find the issue now.
Thanks for listening.
This is an extreme variation of Paganini's 24th Caprice, no where near the original. I just took some parts from it and did them my own way, not trying to follow the original version at all. Thanks for listening.
This is an extreme variation of Paganini's 24th Caprice, no where near the original. I just took some parts from it and did them my own way, not trying to follow the original version at all. Thanks for listening.
This is an extreme variation of Paganini's 24th Caprice, no where near the original. I just took some parts from it and did them my own way, not trying to follow the original version at all. Thanks for listening.
Something more mellow. Got the idea from an Andy Aledort column in Guitar World magazine but can't remember which one and can't find the issue now.
Thanks for listening.
Something more mellow. Got the idea from an Andy Aledort column in Guitar World magazine but can't remember which one and can't find the issue now.
Thanks for listening.
Something more mellow. Got the idea from an Andy Aledort column in Guitar World magazine but can't remember which one and can't find the issue now.
Thanks for listening.
Something more mellow. Got the idea from an Andy Aledort column in Guitar World magazine but can't remember which one and can't find the issue now.
Thanks for listening.
Something more mellow. Got the idea from an Andy Aledort column in Guitar World magazine but can't remember which one and can't find the issue now.
Thanks for listening.
This is an extreme variation of Paganini's 24th Caprice, no where near the original. I just took some parts from it and did them my own way, not trying to follow the original version at all. Thanks for listening.
Something more mellow. Got the idea from an Andy Aledort column in Guitar World magazine but can't remember which one and can't find the issue now.
Thanks for listening.
Something more mellow. Got the idea from an Andy Aledort column in Guitar World magazine but can't remember which one and can't find the issue now.
Thanks for listening.
This is an extreme variation of Paganini's 24th Caprice, no where near the original. I just took some parts from it and did them my own way, not trying to follow the original version at all. Thanks for listening.
Something more mellow. Got the idea from an Andy Aledort column in Guitar World magazine but can't remember which one and can't find the issue now.
Thanks for listening.
Originally by Freddie King, I did the John Mayall (Eric Clapton) version since the March 2014 issue of Guitar World mag has a good transcription of it. Looking back now I wish my lead tone wouldn't have been quite so harsh in places.
Remember the waitress in the Blues Brothers saying,"Oh,we got both kinds of music. Country and western" This melody hearkens back to the day when we was raping and pillaging the land. Killing off the buffalo and the Indians and generally trying…
The decending line is about the coolest musical concept. Ear candy,and it can be Major or minor scale.Love my effects,but there's no substitution for plain old technique.
Different recording here as the electric guitar, bass guitar were not plugged in, just recorded raw with a power mic and then EQ'ed to make it sound amped - pardon mistakes!
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
I hesitate to upload this, but there are a couple folks around who like this sort of thing. This is an edited down version of a jam I had with myself back at the end of 2007. Live to 2 tracks with the aid of the Jamman. I think it was the first…
we fought the moon and the moon came back
we fought the sun and the sun came back
we fought the moon and the moon came back
we fought the sun and the sun rose up
we sought the lord and dance, said he
we saved the word and preach it on the sabbath…
This is Blues lesson 2.2 but again couldn't resist singing a song over it .....as well as practice my blues lead..might get a rollicking for using the effect but i found it and liked it so if i do i deserve it....it's meant to be clean....hope…
A song from the Easyrider soundtrack the music is by Gene Speed Demon over on Songcrafters and i'm on the vocal...this a song i've liked since a teenager after first seeing the film...well i got to sing it thanks to Gene....but i'll have to wait…
Comments on Jason Earls's stuff
Oooohh yeah! That is some damn sweet picking. Awesome work, dude! Rock the hell on!
Damn! If I could shred like that I'd never leave the house!
Shake it!!!
Tasty harmonics. I would like to hear you cover Highway Star someday. That is one of my all time favorite leads and I think one of the first "Bach-n-Roll" leads in rock history.
Athem big loved the cowbell accent
This is awesome!
amazing!
great lead work in this...awesome
Real pro Jason. Your guitar playing deserves world recognition.
Playing by feel... love it.
must have been a great article because this is sooo good! great playing
Beautifully played .....
Thanks Ken, Nick, and Kirk for the comments!
AAAAAAAAAAAAAAhhhhh... how do you do it?!!! LOL
This is really terrific Jason. That's wonderful expressive playing, very tasteful and the harmony guitars sound nice too .
Again, great guitar playing!
Cool! Love that shift at about 2:15
Jeez- This is just gorgeous Man!
Oh yeah! Nice groove, nice playing
Very nice!
Comments made by Jason Earls
splendid electronic combination! continually surprised along the way...
magnificent playing, love the unusual arpeggios and chords!
great melody, nice playing.
cool concept, nice playing!
tasty playing with sweet tones!
excellent cover, nice licks!
cool tune, nice groove!
Excellent tune, great vocals!
incredible harmonies, majestic...
nice playing, great lead tone! fantastic phrasing as usual.
fun with the talking tombstone, yes!
excellent track!
cool guitar effect and great vocals as usual! i'm digging your blues leads man...
great job, excellent song!
so cool!
cool tune, great vocals!
wow, definitely mystical.
neat orchestration!
really nice!
incredible man! so good!