Wow mate I listened to your whole 24 hr album, what a trip some cool sounds happening in here. Great job well done.

Give me a second. I just gotta catch my breath here.

Ooh 1.42 of great stuff! Would love to hear more!

Hahaha! I love it when I'm taken to experiences/events without warning! Thank you! (I can't believe I nearly missed your project!)

yes, the flood! Really enjoying your 24h! Congrats!

love that synth sound

Nice. Mix seems fine here. I cranked it up so the neighbors could hear. : ) They all think I'm weird so this really helped.

Great sounds! I like it!!

Hee hee! like it :)

Wonderful...so many flavours here, but I have to say that ethereal, forboding intro is just awesome!

Wow this is great nice job well done

Awesome how it kicks in around 2:20; great buildup.

oh yeah, this certainly moves! Nice epic piece. I'm all about the alien abduction vibe!

What sister savage said! Awesome mix in cans and I think the levels are just fine

Awesome with headphones! Love the folky vocal around 1 min 55!

Cool Indeed! the vocals have a clarity that is true to the original idea and I love the tangential approach. Great stuff. Listened three times and still grinning!

Oh very cool intro! Great re-imagining of a Gumbo classic!

with the manipulated concertina/accordion and the harpsichord and synths, i was going to try and describe this, but i think you say it best in the about section.

i'm supposed to go practice guitar, but i can't stop listening to this album. it's captivating.

i love that patch you're using, it's sublime, you know, the gurgly one.

This is euphoria for the ears.

This is really good. The production is crisp and clear. The synthesizers call back to 70s prog.

It feels like you're putting a piece of yourself into the violin while playing it. That's really tricky to do for those of us who program synthesizers.

Digging the guitar solo around the 1:30 mark. Sweet.

I'm digging this - it brings a smile to my face. The synthesizers hit all the right spots. Reminds me a little of Ed Van Fleet/Synchestra.

This sounds like it would be at home in an Alfred Hitchcock movie or possibly a Twilight Zone episode.

I like this sort of thing - it reminds me of what you hear on shortwave in an empty spot where there are no voices. You get atmospherics and other artifacts from technological devices. At times it can almost sound musical.

This rocks. I like that subtle flanger around the two minute mark.

I like the jazzy elements to this one.

I'm digging this - you get the levels perfect. I like how the instrumentation slowly builds up over the course of the song. (It's nice being able to see the audio visually now when the song plays - it gives me a better sense of what the optimal levels are for music should be.)

I'm liking what I'm hearing of this album so far. It sounds like it would be at home as the backing track of an independent video game. The tracks are emotionally enigmatic. They definitely prompt me to be feeling 'something', but it's any clear emotion that I can assign a name to. (Sort of like that feeling you get during dreams. Is it happy? Sad? It's unknown, yet the dream still has some unique emotional fingerprint.)

I'm really digging this one. The chorus paints a bleak picture.

Is this being played in 12 TET? I'm hearing notes and sounds one wouldn't normally hear. (And I'm liking it.)

I take it the hurried part in the middle is when the cat suddenly decided "I need to be somewhere else like RIGHT NOW", and scampered off at light speed.

The sound production here is off the charts. Dan Fogelberg comes to mind listening to this.

This is genius. I love the sampling.

I like this - it has the feel of something I would have heard in video arcades back in the 80s. It also captures the feeling of somebody being in a singular place spinning around and being able to capture 360 data about his/her surroundings, with the expected vertigo-inducing sensory overload.

Solid singing, and I like the lyrics. You can tell there was thought put into them.

I like that weird FM-style synthesizer around the 1:40 mark.

It has a very 70s/80s feeling vibe to it, and I mean that as the highest praise possible. I could genuinely have heard this on the radio in that era.