Hey, Thanks! The main software was Ableton Live on a Mac on one end and FLStudio + Acid on the Windows on the other. (See? we can all get along after all ;) A whole mess of VST plugins as well.
I also like what you have going here. There's a confused timeline, anachrony, retrofuturism - at times it reminds me of Matt Johnson/The The's first album Burning Blue Soul. These tracks really evoke the time pressure that impacted the forging of them.
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
I like here how certain elements of the track seem to weave in and out of sync with the main tempo of the song. It gives the track this precarious balance, like somebody standing still while riding on a unicycle.
Another track from Deranged Lunaticks - this one actually ended up getting recorded first back in the early "oughts" It's been dusted off and spruced-up.
Comments on AMUC's stuff
nice work on your 24hr. sounds like it was fun to make.
This is great. Supremely atmospheric.
Hey, Thanks! The main software was Ableton Live on a Mac on one end and FLStudio + Acid on the Windows on the other. (See? we can all get along after all ;) A whole mess of VST plugins as well. I also like what you have going here. There's a confused timeline, anachrony, retrofuturism - at times it reminds me of Matt Johnson/The The's first album Burning Blue Soul. These tracks really evoke the time pressure that impacted the forging of them.
right on! love the monstrosity! good work!
Love this tune....
Love those strings, very atmospheric.
Love this one.
Fab track and great name.
Hilarious! Don't know why you're so down on your album; it's really good.
wacky, dizzy, cool music. Love the strange echoey bent distortion of the vox samples.
Very eclectic track. Delightful!
Interesting and really cool sounding vocals
woah! This is different! I like it a lot. Especially at the first minute.
bravo!!!
nice work on this one, got more? Can't wait.
very interesting. completely bonkers.. but interesting all the same!
Comments made by AMUC
The production is really solid on this. I like how you can hear all the different instruments clearly in the mix.
One can tell you were really in the moment when you did this one. It's very serene.
I like the vocals on this one -- I like the vocals transition between the louder parts and the more mellow sections.
I'm liking this - the synthesizers drew me in. The vocals remind me a little bit of Roine Stolt from the Flower Kings.
This one just brings a smile to my face, which isn't an easy accomplishment. I love the lyrics.
The production is off the charts. It's like needle pin drop clear. I'm impressed you were able to do this in a single month.
I like here how certain elements of the track seem to weave in and out of sync with the main tempo of the song. It gives the track this precarious balance, like somebody standing still while riding on a unicycle.
I like the melodic progressions of this. The colorful 'Arpy' synthesizers have an Ed Van Fleet feel to them.
This is beautiful. The production is absolutely flawless. It kind of has a David Arkenstone sort of vibe to it.
I like this. Very 80s. I'm hearing Wall of Voodoo and the Cars influences.
Top-notch playing. I'm impressed. (I wish I could play half as good as that.)
Intriguing voice -- kind of sounds like if Prince was jamming with the Black Crowes.
Nice!! I remember finishing this game when I had the Chicken Pox and was out of school for a full week. It has a great soundtrack.
I love that playful synthesizer you use on this (the lower one). This track has a nice groove to it.
I like the quirkiness of this one -- it reminds me a little bit of Dead Or Alive from the 80s.
I like the overall groove of this song -- I like how it builds up out of the minimalist vocals on the previous track. You have a pretty good voice.
Wow - very tight mix.
Fantastic sound production. I like how you can clearly hear the bass in the mix.
This has all the makings of a SyFi Channel holiday special. "Attack Of The Snow-Zombies" [Attack Of The Snowbies? Znowbies?]
This is serious nightmare fuel right here. I could envision it being used as a background soundscape for a horror movie. I mean that in a good way. =)