cool!!!!!!!!!!!!!!!!!!!!!!!!!! excellent sounds and instruments mix; all the cultures of this planet in 3 minutes, perfect to send on a interplanetary voyage
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Also, I definitely recommend checking out the Gormenghast novels if you have some time on your hands. They could be described as "fantasy novels", set in a medieval castle lost to time... but they have a Kafka-esque sense of the absurd and a sort of social commentary perhaps informed by the search for meaning after the horrors of World War II.
That part at the beginning reminds me of my friend who is an excellent saxophonist. In our college bands he had a few parts that were wild like that and really threw himself into them.
I'm really enjoying the album. You make great sounds, and melodies out of them! Congrats on another RPM finished!
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
Trademark dreamy, alluring sounds from AMUC. Excellent album, guys! Every track sounds like a cityscape from underwater - sometimes edgy, sometimes sunny, but always cool, refreshing and totally original.
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
Really enjoyed this - not my usual kind of thing at all, but there's something in it that grabbed my attention. I'll check some more of your stuff out.
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
It's said that we're neurologically set to be the happiest as children - everything is at its most vibrant when we're young, and every experience is new.
As adults, a lot of that vibrance is lost, but just as autumn comes around with all its…
This RPM Challenge album had a bit of a ying-yang vibe to it. Compare "Marbles" to "Constellations" and "Fisher In The Sky" to "Tied By The Lies".
This wasn't planned - it just sort of happened.
It's kind of funny how you can intend to create electronica, and then end up blindly wandering into a different sub-genre. The end result almost sounds like it wanted to be stoner rock.
For more on the song title, look up "Ganzfeld Effect…
It's kind of funny how you can intend to create electronica, and then end up blindly wandering into a different sub-genre. The end result almost sounds like it wanted to be stoner rock.
For more on the song title, look up "Ganzfeld Effect…
This is probably the least electronic-sounding of everything that I did from RPM 2010, although it still heavily uses samples (either self-sampled or from Freesound).
That is me playing the harmonica, though. (No, really!)
If the song makes…
The most challenging track to record during the RPM Challenge this year. I like how a lot of it turned out, but there were so many clashing pieces, that I was pulling my hair out trying to assemble it.
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
.. only words will remain when the $h!t hits the fan.
It was a quote from an older song I wrote [Terrestrial Epitaph In Shortwave], and I felt the need to develop it further here.
It amazes me how much free advice there is out there etched…
.. only words will remain when the $h!t hits the fan.
It was a quote from an older song I wrote [Terrestrial Epitaph In Shortwave], and I felt the need to develop it further here.
It amazes me how much free advice there is out there etched…
.. only words will remain when the $h!t hits the fan.
It was a quote from an older song I wrote [Terrestrial Epitaph In Shortwave], and I felt the need to develop it further here.
It amazes me how much free advice there is out there etched…
This was my very first attempt at recording , done on two tracks , me picking and vox , AK rhythm , then me adding a harmony vocal , a bit basic but a Traffic song i've allways loved
Do you have any tricks you use to get the stereo vocals mixed well? It seems like every time I try, I bungle it up. I'm astounded how well lined-up the vocals on the left and right are. They're timed perfectly to each other.
This was my very first attempt at recording , done on two tracks , me picking and vox , AK rhythm , then me adding a harmony vocal , a bit basic but a Traffic song i've allways loved
The stereo vocal effect you use on this track is fantastic. I have a TV set I use for my computer monitor, and the left/right division is very clear, but the two voices mesh nearly perfectly.
This is my favorite one of the bunch - it's eclectic enough to hold my attention for a full five minutes. That's pretty impressive, considering my limited attention spa-- hey look, a bunny! (wanders away)
A true story about some of my odd dreams
If the world's strongest man
Could hold the world in the palm of his hand
Would he crush us all into dust?
As a way to punish us
These are the kind of things
That seem to occupy me
If a giant…
I've heard rumors about the vocal recording technique you use, but you have to hear it to believe it. That's really nice -- encompassing stereo effect..
I love the glitchy electronic stew you create here. (British accents and dogs make everything better.)
It reminds me a little bit of the "Magic Medicine" track from Incubus.
i like this song as a song but i have NO DAMNED IDEA how to arrange, perform, or record it. acoustic it's missing intensity. i can't make it work with drums and bass. this version with electric gtr and kbds is barely listenable. if there's one…
A crazy little song written while considering Ed Robertson's plane crash from a few years back, "Any Landing" is given much legitimacy by Ashley's incredible voice and Kavin Allenson's (Kavin S. Acoustic Church) guitar.
Any Landing
Learning…
Lyrics:
Skip ahead to her in pants,
watch her dance in the living room
in front of all the other dinner guests.
She thumbs her nose at simulacra,
but someone must play Cleopatra
in the PTA's yearly drama fest.
Her husband broke his body…
This is catchy -- the instruments sound crisp and clear.
If you're planning on doing any after-February rework on it, you may just want to change up the reverb on the vocals slightly, to get it to blend in more with the instrumental part.
An unusual traditional tune from the first Scartaglen album way back in 1984. Going through stuff the other day and ran across the LP and couldn't even remember the tune or having recorded it. I played guitar on this track
Comments on AMUC's stuff
cool!!!!!!!!!!!!!!!!!!!!!!!!!! excellent sounds and instruments mix; all the cultures of this planet in 3 minutes, perfect to send on a interplanetary voyage
Awesome synth! Nice!
Also, I definitely recommend checking out the Gormenghast novels if you have some time on your hands. They could be described as "fantasy novels", set in a medieval castle lost to time... but they have a Kafka-esque sense of the absurd and a sort of social commentary perhaps informed by the search for meaning after the horrors of World War II.
That part at the beginning reminds me of my friend who is an excellent saxophonist. In our college bands he had a few parts that were wild like that and really threw himself into them. I'm really enjoying the album. You make great sounds, and melodies out of them! Congrats on another RPM finished!
Trademark dreamy, alluring sounds from AMUC. Excellent album, guys! Every track sounds like a cityscape from underwater - sometimes edgy, sometimes sunny, but always cool, refreshing and totally original.
Just listened to the whole thing. Terrific album. Great job this year!
Really enjoyed this - not my usual kind of thing at all, but there's something in it that grabbed my attention. I'll check some more of your stuff out.
Great work on the album. It took me places that I didn't expect, and which I greatly enjoyed being taken to. Serious congratulations are in order.
interesting trip
I really like this... outstanding job :)
Nice!
fascinating to listen to. took me off somewhere that
love the sounds ur getting..
Fantastic!
yes this is neat neat stuff ,, much enjoyed.
nice!!
Awesome track -- The opening blew me away
I really like this, so decompose and minimalistic...blended seamlessly.
Great textures - love your enigmatic sound!
Thanks for the feedback on this one - I'm rewriting it, though. I thought it came out sort of rough around the edges.
Comments made by AMUC
Do you have any tricks you use to get the stereo vocals mixed well? It seems like every time I try, I bungle it up. I'm astounded how well lined-up the vocals on the left and right are. They're timed perfectly to each other.
The stereo vocal effect you use on this track is fantastic. I have a TV set I use for my computer monitor, and the left/right division is very clear, but the two voices mesh nearly perfectly.
That's some nice clarinet playing.. (I'm guessing it's a clarinet - whatever that wind instrument is..)
This is my favorite one of the bunch - it's eclectic enough to hold my attention for a full five minutes. That's pretty impressive, considering my limited attention spa-- hey look, a bunny! (wanders away)
I've heard rumors about the vocal recording technique you use, but you have to hear it to believe it. That's really nice -- encompassing stereo effect..
Wow. This is fantastic. That mellow organ that kicks in around 3.5 mins is really pleasant.
I love the glitchy electronic stew you create here. (British accents and dogs make everything better.) It reminds me a little bit of the "Magic Medicine" track from Incubus.
This one flows really well. Vocally, you hit some really nice notes in the higher register.
Okay.. It sounds like the vocalist from Drivin' N Cryin' singing with Phideaux backing up on the instruments..
This has been intriguing so far - now I want to go read the original books. Vocally, it's reminding me a bit of Phideaux.
The dueling vocals work really well here..
Totally agree with the Gumbo -- this needs a music video, with low budget puppets.
So far, a very catchy album. I like the whimsical approach to electronica you take here.
I love the tempo/time signature changes here - the twists and turns really hold one's interest.
This is catchy -- the instruments sound crisp and clear. If you're planning on doing any after-February rework on it, you may just want to change up the reverb on the vocals slightly, to get it to blend in more with the instrumental part.
That is the most awesome synth I've ever heard.
This completely rocks. Definitely is one of those 'brainworm' sort of tunes that I'll be humming at work for the next three weeks.
I want quantum knees. That sounds cool.
This totally kicks posterior. =)
This really appeals to my Irish half. There's something about Irish folk music that brings a smile to one's face.