.. only words will remain when the $h!t hits the fan.
It was a quote from an older song I wrote [Terrestrial Epitaph In Shortwave], and I felt the need to develop it further here.
It amazes me how much free advice there is out there etched…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
This was based off "After Nothing" by Synaptic Disturbance. It was from their 2009 RPM Challenge album entitled "Aplysia Californica"
He had put the root tracks up for remix, and this is what I came up with -- as an experiment, I purposely made…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Even the cosmos needs system maintenance. When its IT department decides to delete something, sometimes that something doesn't want to go without a fight. Even computer viruses will do what they can to avoid the reaping hand of a virus checker…
"In a reformatted world with deleted people, there are still enough dead links that some individuals might indirectly be aware of the existence of those deleted. To everybody else, they'd seem either spiritual and/or mentally imbalanced…
"In a reformatted world with deleted people, there are still enough dead links that some individuals might indirectly be aware of the existence of those deleted. To everybody else, they'd seem either spiritual and/or mentally imbalanced…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
Hey,
I just improvised again this night and wanted to share what came out. Usually I'm such a perfectionist and have to get every detail right, with the effect that I don't share a lot of stuff that I do.
Here I recorded the first voice…
It feels like you're putting a piece of yourself into the violin while playing it. That's really tricky to do for those of us who program synthesizers.
from my tapes from 2009 it is part of three tapes digitized ... :) the high resolution is here
https://soundcloud.com/h92o/sets/tape-archives-set-one-new-recorder-high-quality-all
I put most of the audio tapes on video too.. and uploaded…
I like this sort of thing - it reminds me of what you hear on shortwave in an empty spot where there are no voices. You get atmospherics and other artifacts from technological devices. At times it can almost sound musical.
This one's mostly MIDI clips in the Superior Drummer 3 and EZKeys plugins in Reaper. I fumbled along on my new MIDI keyboard controller to add the bass part using a sound from SampleTank. Pretty happy with it except for the abrupt end of the last…
So it has been a while since my last RPM. I felt this song was the best was to reintroduce myself with the insane process that is the RPM Challenge....
I'm digging this - you get the levels perfect. I like how the instrumentation slowly builds up over the course of the song.
(It's nice being able to see the audio visually now when the song plays - it gives me a better sense of what the optimal levels are for music should be.)
I'm liking what I'm hearing of this album so far. It sounds like it would be at home as the backing track of an independent video game. The tracks are emotionally enigmatic. They definitely prompt me to be feeling 'something', but it's any clear emotion that I can assign a name to. (Sort of like that feeling you get during dreams. Is it happy? Sad? It's unknown, yet the dream still has some unique emotional fingerprint.)
I take it the hurried part in the middle is when the cat suddenly decided "I need to be somewhere else like RIGHT NOW", and scampered off at light speed.
A bit of fun - took some samples of Hillary Clinton coughing, Trump saying "Russia", TV media reporting, Bernie Sanders going "wooah woaah woaah" , and turned the whole lot into a rhythm..
All samples courtesy of the NoAgenda podcast…
I like this - it has the feel of something I would have heard in video arcades back in the 80s. It also captures the feeling of somebody being in a singular place spinning around and being able to capture 360 data about his/her surroundings, with the expected vertigo-inducing sensory overload.
DON'T ASK ME TO DANCE
Kim Noble: Lyrics, Vocals, Vocal Melody
Nico Camps: Drums
Simon Lenaert: Bass
Steffen Offermann: Keys, Original Music, Production & Mix
Comments on AMUC's stuff
This reminds me of Hawkwind in places dig it very cool.
Like it, clean and clear sounding, refreshing with retro touches, nice one! :)
good mix
pretty damn good! i like the way it whirls with some cool sounds and the rhythm is tight.
Very cool
I love the atmosphere you create with your work. This one particularly. Great work!
Nicely done great mix.
Oh yea!! Danceable dynamite. Nice, clean production.
:)
Very clever! Love the vocal and synthy goodness, as always.
heavy breathing- captivating.
something very soothing about your songs....the bass guitar, very cool!
interesting piece, panning and the click voice was cool.
LOVE, LOVE, LOVE the synth sounds here. Well done.
You got any good theories on what "Lost" was supposed to really be about. You seem to have some kinda deep insight here with your music. I like it.
Mind=blown at this concept of yours. Brilliant I say.
i always love your lyrics
well done...AGAIN :)
FNG!
dats neat.
Comments made by AMUC
This is euphoria for the ears.
This is really good. The production is crisp and clear. The synthesizers call back to 70s prog.
It feels like you're putting a piece of yourself into the violin while playing it. That's really tricky to do for those of us who program synthesizers.
Digging the guitar solo around the 1:30 mark. Sweet.
I'm digging this - it brings a smile to my face. The synthesizers hit all the right spots. Reminds me a little of Ed Van Fleet/Synchestra.
This sounds like it would be at home in an Alfred Hitchcock movie or possibly a Twilight Zone episode.
I like this sort of thing - it reminds me of what you hear on shortwave in an empty spot where there are no voices. You get atmospherics and other artifacts from technological devices. At times it can almost sound musical.
This rocks. I like that subtle flanger around the two minute mark.
I like the jazzy elements to this one.
I'm digging this - you get the levels perfect. I like how the instrumentation slowly builds up over the course of the song. (It's nice being able to see the audio visually now when the song plays - it gives me a better sense of what the optimal levels are for music should be.)
I'm liking what I'm hearing of this album so far. It sounds like it would be at home as the backing track of an independent video game. The tracks are emotionally enigmatic. They definitely prompt me to be feeling 'something', but it's any clear emotion that I can assign a name to. (Sort of like that feeling you get during dreams. Is it happy? Sad? It's unknown, yet the dream still has some unique emotional fingerprint.)
I'm really digging this one. The chorus paints a bleak picture.
Is this being played in 12 TET? I'm hearing notes and sounds one wouldn't normally hear. (And I'm liking it.)
I take it the hurried part in the middle is when the cat suddenly decided "I need to be somewhere else like RIGHT NOW", and scampered off at light speed.
The sound production here is off the charts. Dan Fogelberg comes to mind listening to this.
This is genius. I love the sampling.
I like this - it has the feel of something I would have heard in video arcades back in the 80s. It also captures the feeling of somebody being in a singular place spinning around and being able to capture 360 data about his/her surroundings, with the expected vertigo-inducing sensory overload.
Solid singing, and I like the lyrics. You can tell there was thought put into them.
I like that weird FM-style synthesizer around the 1:40 mark.
It has a very 70s/80s feeling vibe to it, and I mean that as the highest praise possible. I could genuinely have heard this on the radio in that era.