.. only words will remain when the $h!t hits the fan.
It was a quote from an older song I wrote [Terrestrial Epitaph In Shortwave], and I felt the need to develop it further here.
It amazes me how much free advice there is out there etched…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
This was based off "After Nothing" by Synaptic Disturbance. It was from their 2009 RPM Challenge album entitled "Aplysia Californica"
He had put the root tracks up for remix, and this is what I came up with -- as an experiment, I purposely made…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Even the cosmos needs system maintenance. When its IT department decides to delete something, sometimes that something doesn't want to go without a fight. Even computer viruses will do what they can to avoid the reaping hand of a virus checker…
"In a reformatted world with deleted people, there are still enough dead links that some individuals might indirectly be aware of the existence of those deleted. To everybody else, they'd seem either spiritual and/or mentally imbalanced…
"In a reformatted world with deleted people, there are still enough dead links that some individuals might indirectly be aware of the existence of those deleted. To everybody else, they'd seem either spiritual and/or mentally imbalanced…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
I happen to own a mutant monkey as a pet, and was hoping this music would live up to the album name, and help sedate the bugger. Now he's more overexcited than ever - he used his laser beam eyes to get into the drop ceiling, and now he won't come down.
This song has went through so many versions we lost count a long time ago. Beginning seems a little boring but it's better through out the song we hope you like.
This is very catchy. If it can get me dancing about in my chair with a broken leg, that's saying something. The sound production is very tight.
It feels like it needs a cooler title, though - something like 'Encounter At [insert random planet/constellation name here]'.
w/m
by
oldrottenhead
well i've forgotten
more than i've known
i've reaped the harvest
of all i've sown
the ghosts they haunt me
in waken dream
in murky waters
i go to sleep
what does it matter
what i believe
i broke my vows
so long ago
so don…
This is one of those tracks that if you drift off to sleep while listening to it, you're almost guaranteed to have pleasant dreams. The fidelity of the recording is fantastic.
You should try and find some college student who is a visual arts major, to see if he can take these tracks and pair them up with video footage. (It might make for a good final project for somebody.)
A mashup with
Roger Sundström Guitar,Soundscaping
Douglas Laustsen (i-78-eastbound)x2
Paul Mimlitsch (if5512bcimpx)x2
Guenter Glaeser (blubbblub (no coke anymore))
Chris Vaisvil (kalimba 23 celeste 13 gong 8)
Lydia Busler-Blais (Babylon)
Paul…
This is beautiful - I'm speechless. (Well, except for that sentence.)
I guess you can't really communicate that you're speechless without saying something. It really creates a parodox if you think about it too much.
This song was created by Alonetoner [Joshua Wentz](http://alonetone.com/joshuawentz), featuring the voice of [Absinthe & The Dirty Floors](http://www.thedirtyfloors.com)' Jessica Risker and is track 6 of the multimedia anthology, Foreshadows…
Okay - I've always been a dumb sucker for female vocals. The vocals by themselves are nice, but you also build a nice synthesizer backdrop for them. All sorts of glitchy, vocoding fun going on here.
This began as a remix of a song I did almost exactly a year ago, and I wanted to see how the same melodies and motifs could evolve over the amount of time. While I stuck with the same acoustic recordings from the original session, the synths ended…
This is nice - it blends an ethnic flavor (Latino/Mediterranean)together with some old-school analog synthesizer.
You wouldn't think the two would go together, but they complement each other nicely.
This appeals to my inner geek. (Okay, maybe not so inner..)
It's like if you took Aesop Rock, and put him into a B-rated sci-fi movie or an Atari video game.
This song was created by [Bilian](http://foreshadows.net/musicians/bilian) and is track 5 of the multimedia anthology, Foreshadows: The Ghosts of Zero. This song inspired a story of the same name, written by [Joe Rixman](http://foreshadows.net…
Title track of my new project, as my other group? The Seven Spiders. This song is experimental dub influenced chamber music, I am exploring the possibilities of humour in music trying to make the music itself amusing ... if that makes any sense…
Comments on AMUC's stuff
This reminds me of Hawkwind in places dig it very cool.
Like it, clean and clear sounding, refreshing with retro touches, nice one! :)
good mix
pretty damn good! i like the way it whirls with some cool sounds and the rhythm is tight.
Very cool
I love the atmosphere you create with your work. This one particularly. Great work!
Nicely done great mix.
Oh yea!! Danceable dynamite. Nice, clean production.
:)
Very clever! Love the vocal and synthy goodness, as always.
heavy breathing- captivating.
something very soothing about your songs....the bass guitar, very cool!
interesting piece, panning and the click voice was cool.
LOVE, LOVE, LOVE the synth sounds here. Well done.
You got any good theories on what "Lost" was supposed to really be about. You seem to have some kinda deep insight here with your music. I like it.
Mind=blown at this concept of yours. Brilliant I say.
i always love your lyrics
well done...AGAIN :)
FNG!
dats neat.
Comments made by AMUC
I happen to own a mutant monkey as a pet, and was hoping this music would live up to the album name, and help sedate the bugger. Now he's more overexcited than ever - he used his laser beam eyes to get into the drop ceiling, and now he won't come down.
Interesting Podcast. I'll have to subscribe to the feed..
This is really good for a live performance. I've had the entire setlist on loop while playing my video game here.
I really like the electronica meets Mr. Bungle vibe to this. The title is kind of abstract, though. (Is it a temporary name?)
I love this - it appeals to the progressive rock part of my brain. I'm hearing shades of Phideaux and Spock's Beard mixed in there.
This is very catchy. If it can get me dancing about in my chair with a broken leg, that's saying something. The sound production is very tight. It feels like it needs a cooler title, though - something like 'Encounter At [insert random planet/constellation name here]'.
The vocals intrigue me - they remind me a bit of Fish from Marillion.
This is one of those tracks that if you drift off to sleep while listening to it, you're almost guaranteed to have pleasant dreams. The fidelity of the recording is fantastic.
You should try and find some college student who is a visual arts major, to see if he can take these tracks and pair them up with video footage. (It might make for a good final project for somebody.)
I like the atmospheric nature of this one -- it creates a nice soundscape to zone out to.
I like the lyrics - the words are very tight and you can tell a lot of thought was put into them. Solid production too..
I really like the chord progressions at work here. It has a certain Beatles flair to it (at their most mellow.)
This is an interesting composed work -- I like how it feels like it's split into sections, kind of like a classical piece.
This is very catchy -- it sounds somewhere between Pain Of Salvation, BT, and Savage Garden. I like the harmonies at work here.
This is beautiful - I'm speechless. (Well, except for that sentence.) I guess you can't really communicate that you're speechless without saying something. It really creates a parodox if you think about it too much.
Okay - I've always been a dumb sucker for female vocals. The vocals by themselves are nice, but you also build a nice synthesizer backdrop for them. All sorts of glitchy, vocoding fun going on here.
This is nice - it blends an ethnic flavor (Latino/Mediterranean)together with some old-school analog synthesizer. You wouldn't think the two would go together, but they complement each other nicely.
This appeals to my inner geek. (Okay, maybe not so inner..) It's like if you took Aesop Rock, and put him into a B-rated sci-fi movie or an Atari video game.
This rocks - I'm hearing a strong New Order/Depeche Mode vibe to this.
I really like the clarity of the percussion here - everything sounds as clear as a pin dropping.