Full name is "The Morphing Architecture Of The New England Vatican". This is another RPM 2010 track.
I have weird dreams where your average New England city is juxtaposed with some holy Old World locale. The music and lyrics arose from that…
Format Sea - Part Two
Based on the age-old concept that a person is born anew every seven years. It's technically meant in terms of physiology - you develop all new bones/muscle/fat in a seven year period. I kind of add a spiritual/alien abduction…
you have a way of making a particularly long song with minimalist instrumentation, a lot of open spaces, yet it remains interesting and holds the attention for an unusually long span..i think you are truly an innovative composer..levels schmevels
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
The last track from my RPM Challenge album, "The Loudest Silence".
The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
This was based off "After Nothing" by Synaptic Disturbance. It was from their 2009 RPM Challenge album entitled "Aplysia Californica"
He had put the root tracks up for remix, and this is what I came up with -- as an experiment, I purposely made…
This was based off "After Nothing" by Synaptic Disturbance. It was from their 2009 RPM Challenge album entitled "Aplysia Californica"
He had put the root tracks up for remix, and this is what I came up with -- as an experiment, I purposely made…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
I confess I wasn't expecting this -- when you see an album cover, you have a preconceived idea how the music will sound based on it.
This totally surprised me -- I love the strings here and the wind instrument being used.
Welcome to the Beauty and Truth Lab. Describe what you want more than anything else.
The song is part of the soundtrack from my book, "PRONOIA Is the Antidote for Paranoia: How the Whole World Is Conspiring to Shower You with Blessings," which…
I like this one - of all the ones I've heard so far, it really grabs your attention. All the different elements (acoustic guitar and the unusual drums) mesh together well.
The chorus is adapted from "O Death Rock Me Asleep", by Anne Boleyn, while imprisoned in the Tower of London, waiting for her execution.
(Tolar & Savigear 2010)
I'm hearing a mixture of vocal influences - Tracy Bonham, Letters To Cleo, maybe even a little Splashdown.
Overall, this flows nicely - the only thing you may want to do is pull back a little on the open hi-hat in the background.
This is the centrepiece of the album; my self-confessed preferred track to RPM HQ. Powerful vocals by Jen Gibbons and heavy beats supplied by Chris Thomas. The drum track was heavily overdriven to crispen it up and the kick was given a lot of…
I like that harpsichord-esque synth, and the various twists and turns the vocal melody takes.
This album as a whole flows very nicely -- it holds your interest. I haven't gotten bored for a second.
I've gone more acoustic for this piece with bass and guitars courtesy of Jaz Arwand and the lovely, airy sound of Jess Spencer's voice. The song is about empathy or lack thereof.
Interesting -- this is good sleeping ambience, if you want to have really screwy dreams. For some reason, this has me thinking of number stations.
[listening carefully for EVP's]
This album has been all over the place so far -- I like the genre channel-surfing approach you take here.
Is this named after the neuroscientist, by chance? I googled the name on the whim, and that's the only thing that came up.
Part 1 - Hotel & Backstory.
Hotel.
In which Johnny tries to betray Angela, whose suspicions are raised when Jenny calls.
Backstory.
In which we learn about Julia's involvement in the affair.
Lyric -
So Jennifer sits…
This album is very captivating. You definitely wear your influences on your sleeve, but it's a certainly a good shirt.
This is playing like a concept album - is there a theme to all of this? I'm detecting links between the various tracks.
Okay - I'm glad that I'm organizing my comic book collection, and have myself trapped in a corner of my apartment to the point where I can't get to my computer to shut off the Alonetone feed, because I'm hearing some really awesome stuff tonight over multiple genres, including this one with a mellow electronic vibe.
Comments on AMUC's stuff
I remixed this RPM track - sounds a lot better now..
you have a way of making a particularly long song with minimalist instrumentation, a lot of open spaces, yet it remains interesting and holds the attention for an unusually long span..i think you are truly an innovative composer..levels schmevels
Great music! And I love the oceanic vocals!
Intriguing sounds! Like it!
Nice one mate cool sounds.
I'm a newbie here so hello to you.
Top track mate very cool.
im luvN diz whole album brudda! vry dope
eee!<3
1:45 = <333 :D:D:DD:D:
sick! XD i wuz playn thru ur album n lieks had 2 stop at diz one and play it liek obva n obva XP its rly @_@
Great job mate well done.
Wow, interesting experiment! Your results are cool as hell! Very dark.
The synth turns really funky after 0:15 till 0:25, sounds psycho in a cool way!
so creative dude.
i connect with the music in this piece
rock on!
nice sound!
Yes, a brilliant album close - also a brilliant opener? Or just maybe brilliant.
Yeah!
Comments made by AMUC
I confess I wasn't expecting this -- when you see an album cover, you have a preconceived idea how the music will sound based on it. This totally surprised me -- I love the strings here and the wind instrument being used.
(ROFL) This is great. When the sacred janitor at the edge of time speaks, you better pay attention. =)
I like this one - of all the ones I've heard so far, it really grabs your attention. All the different elements (acoustic guitar and the unusual drums) mesh together well.
Nice. I like how it starts rocking out at about the two minute mark and then again at 2:50. (Sweet guitar solo..)
This one has a nice flow to it. The flute adds another dimension to the sound, with the bass adding depth.
Very relaxing. This has a Peter Vriends sort of feel to it.
Wow. This one has a nice chemistry to it - the whole thing meshes well. I particularly like the vocal buildup around the 4:45 mark until the end.
Oops - if my last comment wasn't expressive enough, I really liked that track.
[dancing about apartment like a complete dork]
I'm hearing a mixture of vocal influences - Tracy Bonham, Letters To Cleo, maybe even a little Splashdown. Overall, this flows nicely - the only thing you may want to do is pull back a little on the open hi-hat in the background.
I like that harpsichord-esque synth, and the various twists and turns the vocal melody takes. This album as a whole flows very nicely -- it holds your interest. I haven't gotten bored for a second.
The vocals here are impressive. They play off the bass and drums well..
I really like this - you create a nice atmosphere here. The bass synth anchors the whole thing down as the higher synths weave a tapestry.
Okay - I like this one. It's catchy. The lyrics are well thought out, and the guitar accompaniment fits it like a glove.
Interesting -- this is good sleeping ambience, if you want to have really screwy dreams. For some reason, this has me thinking of number stations. [listening carefully for EVP's]
This album has been all over the place so far -- I like the genre channel-surfing approach you take here. Is this named after the neuroscientist, by chance? I googled the name on the whim, and that's the only thing that came up.
This album is very captivating. You definitely wear your influences on your sleeve, but it's a certainly a good shirt. This is playing like a concept album - is there a theme to all of this? I'm detecting links between the various tracks.
This is really catchy -- I like the groovy bass line and guitar-playing.
That's nice.. It almost makes me want to rush out and get Reaktor. Any chance of a VST version of it someday?
Okay - I'm glad that I'm organizing my comic book collection, and have myself trapped in a corner of my apartment to the point where I can't get to my computer to shut off the Alonetone feed, because I'm hearing some really awesome stuff tonight over multiple genres, including this one with a mellow electronic vibe.