I struggled to get this thing completed. I've been sat on it for weeks, finished, debating whether I was really prepared to let it go.
I loved the song when I wrote it, inspired by a wonderful week at the end of September. But the recording…
I struggled to get this thing completed. I've been sat on it for weeks, finished, debating whether I was really prepared to let it go.
I loved the song when I wrote it, inspired by a wonderful week at the end of September. But the recording…
I struggled to get this thing completed. I've been sat on it for weeks, finished, debating whether I was really prepared to let it go.
I loved the song when I wrote it, inspired by a wonderful week at the end of September. But the recording…
I struggled to get this thing completed. I've been sat on it for weeks, finished, debating whether I was really prepared to let it go.
I loved the song when I wrote it, inspired by a wonderful week at the end of September. But the recording…
I like it. It leaves an unmistakable impression, well constructed.An air of tragedy about the story rather than joy - but, sometimes songs write themselves. Good work/play. Thanks for sharing.
I struggled to get this thing completed. I've been sat on it for weeks, finished, debating whether I was really prepared to let it go.
I loved the song when I wrote it, inspired by a wonderful week at the end of September. But the recording…
I struggled to get this thing completed. I've been sat on it for weeks, finished, debating whether I was really prepared to let it go.
I loved the song when I wrote it, inspired by a wonderful week at the end of September. But the recording…
I struggled to get this thing completed. I've been sat on it for weeks, finished, debating whether I was really prepared to let it go.
I loved the song when I wrote it, inspired by a wonderful week at the end of September. But the recording…
I struggled to get this thing completed. I've been sat on it for weeks, finished, debating whether I was really prepared to let it go.
I loved the song when I wrote it, inspired by a wonderful week at the end of September. But the recording…
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
This song's going on 32 years old...
Some 12 years older than I was when I wrote it!!
I borrowed the title from one of my favourite madrigals, The Silver Swan by Orlando Gibbons:
"The silver swan who living hath no note, when death approached…
This one's a bit of a ponderous beastie.
It can be whatever you want it to be. For me, it's got a lot to do with Sunday 18th June 1815.
****
**Cold - A A J Russe**
Your wagon-train
Is out of danger
And of course you never lie
Not…
****
Jan 17 2015 - Remixed. I was always kinda disappointed with what the original mix sounded like. Listening to it the other day I realised what it is - I'd mixed the vocals too loud. This reduced the "stereo" and killed off a lot of the life…
First new one from me in a long time.
Kind of a love song, I guess.
Recorded in my new "studio" (3rd bedroom in the new house). Almost up and running now... shine and don't stop wondering!
****
**Shine - A A J Russe**
On my way…
First new one from me in a long time.
Kind of a love song, I guess.
Recorded in my new "studio" (3rd bedroom in the new house). Almost up and running now... shine and don't stop wondering!
****
**Shine - A A J Russe**
On my way…
The old tin geetar...
Did this one sometime in 2009 on a Boss MBR. I'd recently joined what became Songcrafters.org and PJ (Wiley) posted a bass/drum track for us ubiquitous blues guitarists to solo over.
I decided to go a different route…
The old tin geetar...
Did this one sometime in 2009 on a Boss MBR. I'd recently joined what became Songcrafters.org and PJ (Wiley) posted a bass/drum track for us ubiquitous blues guitarists to solo over.
I decided to go a different route…
The old tin geetar...
Did this one sometime in 2009 on a Boss MBR. I'd recently joined what became Songcrafters.org and PJ (Wiley) posted a bass/drum track for us ubiquitous blues guitarists to solo over.
I decided to go a different route…
THIS IS THE OLD YEURGH MIX - THERE IS ANOTHER ONE HIGHER UP THE LIST NOW, FULLY LOVED BY AR. THIS ONE IS LEFT HERE AS A MONUMENT TO SOMETHING OR OTHER (AND IN CASE YOU PREFER IT)
Acoustic ghost story. Recorded 2010.
Easter 2010 I decided…
New one from me. It's ended up as a bit of a "crying into yer beer at Bob's Country Bunker" sort of song lol...
I've been sat on these lyrics in some form or another for absolutely years. I first wrote them one very dark night a few years after…
Midday field. I watch the lark, which serenely rises in circles up to dissolve there, forever. He sees no danger around. Why [should] I care?
---
I recall that in childhood we all watch adventure films (or performances), and here the children…
There is almost no snow this year, it appears for some time from nowhere and immediately disappears. I look at this all out the window, and found myself looking more and more often back at the past experience. Is this a sign of age? Hmm, I certainly…
A worship song for the times you feel hopelessly lost.
V i
Oh Lord I don't know what to do
When I find myself, far away from you
and every prayer always comes back to this
I don't know what to do please pull me through
and I 'm so tired…
I listened on Friday, and I've been trying to figure out what happened so fast... and then seeing jimgoodinmusic's comment "...reflective of the street", on this relisten I ended up stood there with the same "hey what happened?" ... but a passer-by said "I don't really know - it all happened so fast" ...
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/
Created under Creative Commons for Sound-In…
I hadn't realised Colleen was listening same time... I was off checking out Mary Oliver... but yes, after the initial scratchiness that I got used too, I agree, very quickly the cacophony did seem "normal" to me and even commonplace... and the poem Egrets (I had to look up what an Egret was, I didn't know! I knew the word, but not that it was a white bird) ... that kinda emphasised it... there was magical, but normal, and natural, stuff going on, and even the cacophony itself was natural - as in not necessarily man-made - the thorns and mosquitos...
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/
Created under Creative Commons for Sound-In…
I wrote this song as a way to process some of the feelings of sadness, dismay, anger, fear and love that were brewing inside my heart this past week. I live in Minneapolis, where the terrible killing of George Floyd occurred, and the subsequent…
I think I remember it? Mighty cool anyways. I'm kinda jealous, though - all my old ones aren't that easy to post here... they're all recorded on pieces of A4 paper, in the metaphorical "shoe-box" (actually, it's not not that metaphorical, it is a box, several actually, they've just never held any shoes)
Instead of chlorine dioxide treatment try sanding you tongue with full grit sand paper.
"Fight Club" effect.
Wanted to keep this as dirty as possible.
Keep safe from the 2nd wave.
I'm liking the kinda sparse but cluttered vibe I'm getting from this. Yep, dirty, that describes it well. And that ominous but bouncy synth motif... Yeah, nice one.
Millions of years ago... Before the dawn of history... I was a in a school band. I couldn't play an instrument then so I was the vocalist. This tune was one of the band's originals.
Now, bear in mind this was the 'Ay-deees' so it was mullets…
Summery - check, Duran Duran - check, Cow Bell- check, all present and correct :) Cool sounds. I was at university, in a rock/metal band, writing songs with titles like "Daughter Of The Pharoahs" ("You've got the looks of your motherrr... Stained with the blood of your brotherrrr") .... I liked Duran Duran, but the dudes I was with would not be convinced that "catchy" was a good thing... Funnily enough, I found a photo a while back - I was the only one who would have looked out of place in a Duran Duran photoshoot!!
Antoinette plays keys, Anonymous plays drums, Evan is guitar left, Chris is guitar right (sorry I was a jerk and too loud) - This dates from 1977 when I was a classical major and Antoinette a piano major. Even though this improvisation was from…
Antoinette plays keys, Anonymous plays drums, Evan is guitar left, Chris is guitar right (sorry I was a jerk and too loud) - This dates from 1977 when I was a classical major and Antoinette a piano major. Even though this improvisation was from…
I've always imagined you younger than me. But if you were doing this in 77 (I was 14 and in a choir, and writing songs about Garden Gnomes), then obviously not! This is mighty cool stuff for back then... wow
Comments on Andrew Russe's stuff
Now I know what it's about...it's a whole less tragic and a million times more amazing that people like you exist.
Very nicely done - air of tragedy as jip mentioned prevents me from loving it but unmistakable mastery. Fabulous title. You're welcome.
Another beauty from the Mr Russe songbook ....love the E Bow!!
I like it. It leaves an unmistakable impression, well constructed.An air of tragedy about the story rather than joy - but, sometimes songs write themselves. Good work/play. Thanks for sharing.
*Another Masterpiece Andrew!* Very unique and interesting.
I think it works... sounds great! As usual, the vocal is stellar.
Wonderful story telling. Another great song! Thanks for posting this one even if it battled you!!
Great songwriting, as usual! The mix needs some EQ, it's a little "thick", and the drums don't quite suit the song IMO. But nonetheless, great job!
I was totally enchanted, great song.
This song just totally moved me. WOW!
Enjoying a dip into a playlist by you! Your music is just awesome! Thanks for my Sunday afternoon soundtrack.
Nice guitars, background open chords too. Good one.
Really nice production and playing. It has a wonderful 70's feel to it.The vocal matches perfectly to the style.
Real magic
Incredible production and mix. I hear some Three Dog Night influence.
Well Howlin Wolf is back
Great sound / feel
Lovely . . . Lovely . . . Lovely . . .
one of your best.
You have a lot of talent and skill, Andrew. I'm enjoying going through your songs. You sound like Jack Bruce sometimes (compliment)
Comments made by Andrew Russe
It's like there are voices... and I can't quite reach out to hear them.
I'd forgotten what it was like listening to your pieces. Magical.
Wow
That's pretty powerful.
Wow. Haunting sounds.
I listened on Friday, and I've been trying to figure out what happened so fast... and then seeing jimgoodinmusic's comment "...reflective of the street", on this relisten I ended up stood there with the same "hey what happened?" ... but a passer-by said "I don't really know - it all happened so fast" ...
I hadn't realised Colleen was listening same time... I was off checking out Mary Oliver... but yes, after the initial scratchiness that I got used too, I agree, very quickly the cacophony did seem "normal" to me and even commonplace... and the poem Egrets (I had to look up what an Egret was, I didn't know! I knew the word, but not that it was a white bird) ... that kinda emphasised it... there was magical, but normal, and natural, stuff going on, and even the cacophony itself was natural - as in not necessarily man-made - the thorns and mosquitos...
I read the description and thought "ummmm, ok"... and, indeed, it did start like that for me. But then it was strangely compelling.
I was looking for a word to describe the feel... and Colleen's already got it - "slinky cool".
Very refreshing sound - but the heavy breathing reminds of someone... not sure it's Colleen though! lol
This is still making me tingle. Those first two lines... I want everyone to feel it.
I think I remember it? Mighty cool anyways. I'm kinda jealous, though - all my old ones aren't that easy to post here... they're all recorded on pieces of A4 paper, in the metaphorical "shoe-box" (actually, it's not not that metaphorical, it is a box, several actually, they've just never held any shoes)
Wow, yes. It's a gorgeous song.
I like both. This one sounds more summery though!
Sounds summery to me.... off to find the other one
I'm liking the kinda sparse but cluttered vibe I'm getting from this. Yep, dirty, that describes it well. And that ominous but bouncy synth motif... Yeah, nice one.
Summery - check, Duran Duran - check, Cow Bell- check, all present and correct :) Cool sounds. I was at university, in a rock/metal band, writing songs with titles like "Daughter Of The Pharoahs" ("You've got the looks of your motherrr... Stained with the blood of your brotherrrr") .... I liked Duran Duran, but the dudes I was with would not be convinced that "catchy" was a good thing... Funnily enough, I found a photo a while back - I was the only one who would have looked out of place in a Duran Duran photoshoot!!
I'm about to get called into a zoom meeting for work... I'll be back for the rest after
I've always imagined you younger than me. But if you were doing this in 77 (I was 14 and in a choir, and writing songs about Garden Gnomes), then obviously not! This is mighty cool stuff for back then... wow
Oh yes. I'm liking this big time. A: Sweet song. B: That guitar... whoa... Luther Perkins lives on...