This one's a bit of a ponderous beastie.
It can be whatever you want it to be. For me, it's got a lot to do with Sunday 18th June 1815.
****
**Cold - A A J Russe**
Your wagon-train
Is out of danger
And of course you never lie
Not…
This song has been sat on the marvellous mechanical mouse organ in the broom-cupboard for well over a year.
A few weeks ago I got a bit of a scare - the mouse organ nearly broke down (in the middle of sorting out Delta Dawn). While I was fixing…
At last... I've managed to finish something.
This was written months ago. I was about to try recording it with one or two others when this year's decorating started. With various buggered fingers, back muscles, etc, etc, I wasn't actually able…
New original from me, hot off the old wotsit.
When it was half written yesterday, I was considering binning it as a throwaway exercise - I do that quite often. But I played the songwriting demo to someone else and, er, apparently I should finish…
Here's a new one. Well, a new old one, actually... And a bit different than the last one!
Something old, something new, something borrowed, and, er, something blue...
****
**Nobody Loves You - A A J Russe**
Nobody loves you
Like you…
I wasn't going to post this - it's the original demo that the finished version is based on. This is the same lead vocal and resonator part that's on the full version - no EQ or anything, just the naked tracks. There's two bars of silence before…
This song's going on 32 years old...
Some 12 years older than I was when I wrote it!!
I borrowed the title from one of my favourite madrigals, The Silver Swan by Orlando Gibbons:
"The silver swan who living hath no note, when death approached…
This song's going on 32 years old...
Some 12 years older than I was when I wrote it!!
I borrowed the title from one of my favourite madrigals, The Silver Swan by Orlando Gibbons:
"The silver swan who living hath no note, when death approached…
Here's a new one. Well, a new old one, actually... And a bit different than the last one!
Something old, something new, something borrowed, and, er, something blue...
****
**Nobody Loves You - A A J Russe**
Nobody loves you
Like you…
This song's going on 32 years old...
Some 12 years older than I was when I wrote it!!
I borrowed the title from one of my favourite madrigals, The Silver Swan by Orlando Gibbons:
"The silver swan who living hath no note, when death approached…
This song's going on 32 years old...
Some 12 years older than I was when I wrote it!!
I borrowed the title from one of my favourite madrigals, The Silver Swan by Orlando Gibbons:
"The silver swan who living hath no note, when death approached…
This is a remix of this song.
It was recorded in 2010, and I was in a hurry to post it elsewhere because I'm so fond of the song itself. But I've always hated the old mix - I lost the essence of the guitars and choirs during mastering because…
A new one...
I wrote it on 5th February, and managed to record it in less than a month (a head-cold and lack of hearing in one ear slowed the last lap somewhat).
But seeing as the last one took over 8 months, I think I'm already ahead for…
Well, I'm almost on a roll now - this little love song was written, arranged, and recorded in just a week. I've been meaning to attempt something like this for years, just never got round to it.
I'd actually settled down to finally record a…
Now this is my kind of rock n roll! You have the whole package... guitar playing, vocals to die for & superb production. If you were playing anywhere near me, I'd be there like a shot!
Thanks for the kind comments on my stuff too, mate. As you asked... all my guitar tones are from a VOX Tonelab amp modeller, which I record dry & add reverb/delay in the final mix.
Here's a new one. Well, a new old one, actually... And a bit different than the last one!
Something old, something new, something borrowed, and, er, something blue...
****
**Nobody Loves You - A A J Russe**
Nobody loves you
Like you…
This song's going on 32 years old...
Some 12 years older than I was when I wrote it!!
I borrowed the title from one of my favourite madrigals, The Silver Swan by Orlando Gibbons:
"The silver swan who living hath no note, when death approached…
This song's going on 32 years old...
Some 12 years older than I was when I wrote it!!
I borrowed the title from one of my favourite madrigals, The Silver Swan by Orlando Gibbons:
"The silver swan who living hath no note, when death approached…
This song's going on 32 years old...
Some 12 years older than I was when I wrote it!!
I borrowed the title from one of my favourite madrigals, The Silver Swan by Orlando Gibbons:
"The silver swan who living hath no note, when death approached…
Wow! This is just awesome....
"Silver swan don’t let up if it takes too long".... I love this line
What a great story to go along with another amazing track! Thanks for sharing this one
This song's going on 32 years old...
Some 12 years older than I was when I wrote it!!
I borrowed the title from one of my favourite madrigals, The Silver Swan by Orlando Gibbons:
"The silver swan who living hath no note, when death approached…
Well, I'm almost on a roll now - this little love song was written, arranged, and recorded in just a week. I've been meaning to attempt something like this for years, just never got round to it.
I'd actually settled down to finally record a…
GONE - My sequester song...
Chain wrapped around the dog park gate
Weeds growing on the school yard lawn
Where has everybody gone
The chairs are stacked
And the stage is dusty
And my strings are getting rusty...
(C) Royal T Music
GONE - My sequester song...
Chain wrapped around the dog park gate
Weeds growing on the school yard lawn
Where has everybody gone
The chairs are stacked
And the stage is dusty
And my strings are getting rusty...
(C) Royal T Music
This is the Sinner's Prayer or the Jesus Prayer sung in Latin. I have an acoustic version uploaded and this version a cappella. I've sung this in the key of F, one step lower than the acoustic version.
"Lord Jesus Christ, Son of God, have mercy…
Fresh breeze on Lake Superior
And waves collide with the shore
The sailor must be watching
For gusting wind we can’t ignore
Loose the main, correct the healing
Point the bow to the wind
Recognize the peaceful feeling
In this sacred…
You know this story the apple tree, the snake.
it takes Hope and latin drums to kill a snake
don't leave home without your hand drum and you will thrive
Wow. Amazing track. Starts all fairytale-like, then it evolves into something entirely different - can't make my mind up whether it's threatening or "hey let's party whether you like it or not"... but it's certainly insistent... And then I'm back home to fairytale land... but I feel slightly changed and not quite the innocent I was before... The tinkly little theme that I enticed me earlier sounds a little more sinister now.
Overall this one seems okay to me. The performance is pretty awful, but this song is all right. I don't like the transition from the first hook into the first verse. It feels awkward, but the second time seems better. Weird. Is it just a…
Cool chorus on this one... but you're right there's something... It really shines later on after the bridge- I like the interaction between the vocal, bass and guitar - really bounces. But earlier it doesn't have the same effect and I can't really spot the difference - except the later one is surrounded by instrumental and maybe feels looser? The earlier ones feel a bit "held back" and "correct", and they don't draw attention to themselves like the later one. They also leads straight into and out of a verse section that doesn't sound a lot different - maybe you're right, maybe volume? Maybe take the drums down on the sung verses? Something to make the chorus stick out more? But yeah, this is a cool one.
The desert heat can twist a mode as the ears suffer a mirage .
Twist twisted spin in the heat your senses are turned senselessly swirling octaves high
Made possible by Gibson’s brilliant P - 90 ‘s
Another voyage out into the unknown with my newly acquired guitar that I'm learning to play... The first part reminds me a bit of 'Will You' by Hazel O'Connor...
Lyrically it starts quite bleakly but goes on a bit of journey, ending on a positive…
Here's a new song.
Just me...
KC
------------------------------------
I've been callin' your number – I was so alone
I've been callin' all night long – You didn't pick up your phone
I want to hear you whisper – Sweet things in my ear…
DJチーズ2600 approached So?ing Machine with some song seeds. Their care instructions involved atypical rituals. Once performed, songs rapidly sprouted forth. (This is one of them. You must sit and listen.) Then a guy in a suit leaned out of a helicopter…
I agree with Guest (47.189.109.204) - "you're not done with this one" - I think there's another version, somewhere between the original and this one. It's a gorgeous song.
BEAVERS AND WILLOWS
Capo @ 5 in C
FCG FC FCFG
F C G F C
Like beavers and willows
Bats and mosquitos
F) Toad C) frogs and F) flies (G
DA DA - E Am G C
Algae and oil spills
Shovels and coal hills
Black holes…
Comments on Andrew Russe's stuff
I say... that was most enjoyable.
I really love that change up to the chorus. "And when you..." Swoon swoon.
Oh. Fabulous.
I like this song.
Wow, amazing transition from the demo. Both are great in their own way...nice work!
Love this. Love the gtr...
Great song, Andrew. Love the chorus and the gtr riffs.
Nicely Done. Great production and mix. Thanks for the comments from a couple weeks ago.
Clean as a whistle, soulful expressions, masterfully produced. Top notch!
Super sound, very airy and dynamic arrangement, thoroughly enjoyable!
Nice clean sound, enjoyable to listen to.
Said it already, but your voice is superb! The emotion you convey in this wonderful song is breathtaking!
I grew up in the '70s & your music reminds me of the best of what was on offer in that decade. Your singing makes me jealous... cos I can't :-)
Now this is my kind of rock n roll! You have the whole package... guitar playing, vocals to die for & superb production. If you were playing anywhere near me, I'd be there like a shot! Thanks for the kind comments on my stuff too, mate. As you asked... all my guitar tones are from a VOX Tonelab amp modeller, which I record dry & add reverb/delay in the final mix.
Oh my... this is so good!
Well constructed ditty :)
Soulful classic rock at it's best. You sing beautifully & your arrangement is masterful. Loved it :-)
Wow! This is just awesome.... "Silver swan don’t let up if it takes too long".... I love this line What a great story to go along with another amazing track! Thanks for sharing this one
Tight as a drum. Very pro.
This song rocks!
Comments made by Andrew Russe
I'm with witzelsucht on this, "Good as is". Classic Reg.
Cool stripped back version.
Mrs R has pointed out that she knows of at least two other Londons... and that it might not be obvious I mean London UK!
Like it. Love this: "stage is dusty / my strings are getting rusty". We had to look up corn hole, though, doesn't get played a lot in South London...
I started with the comment "allotropic"... but having listened to it, and let it wash over me, that seems a bit flippant now...
I love this version.
LOVE those sounds.
Oh yeah, smooth sounds.
And this gives me some release - but not loads! I was going to ask if it's an ebow, but it's not is it? Sounds like a real bow?
I find this one a slightly more challenging listen!
This one follows Hopey Changey really well
I listened to these the other day while I was doing something else... I forgot to come back and comment. This is a gorgeous sound.
Wow. Amazing track. Starts all fairytale-like, then it evolves into something entirely different - can't make my mind up whether it's threatening or "hey let's party whether you like it or not"... but it's certainly insistent... And then I'm back home to fairytale land... but I feel slightly changed and not quite the innocent I was before... The tinkly little theme that I enticed me earlier sounds a little more sinister now.
Cool chorus on this one... but you're right there's something... It really shines later on after the bridge- I like the interaction between the vocal, bass and guitar - really bounces. But earlier it doesn't have the same effect and I can't really spot the difference - except the later one is surrounded by instrumental and maybe feels looser? The earlier ones feel a bit "held back" and "correct", and they don't draw attention to themselves like the later one. They also leads straight into and out of a verse section that doesn't sound a lot different - maybe you're right, maybe volume? Maybe take the drums down on the sung verses? Something to make the chorus stick out more? But yeah, this is a cool one.
Foot-tapping and exotic. Loving those p90 vibes.
Oh yeah, nice one.
Aha! Can't beat a falling bass line (I'm working on several things at the moment, and they've all got falling bass lines) ... Nice one, like it.
Intriguing sounds, quite a ride.
I agree with Guest (47.189.109.204) - "you're not done with this one" - I think there's another version, somewhere between the original and this one. It's a gorgeous song.
And a new verse! I listened to all three versions again - this is the one (which is probably a good thing, as it's the latest!!)