**Song-writing Demo for FAWM 2022**
Song number 4
Written Wednesday 9th February 2022
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Here we go again...
I didn't think there was anything left in the tank, but here we are.
Ready for a lie-down now!
****
**Ifs Buts And Maybes…
Great song. Was playing and singing along with it like I wrote it. I didn't know the word 'demo' still existed in music. It sure doesn't apply to this tune. Sure as a puffy(singer/songwriter/player) I hear the layers...but at the end of the song it was perfect as it was. I totally get the 'wait until you hear it with everything I hear' composer vibe. But this aint no demo. This is a song. Awesome I'm a wordy bastard considering I'm just your basic''ego driven organ grinder monkey'!
**Song-writing Demo for FAWM 2022**
Song number 4
Written Wednesday 9th February 2022
****
Here we go again...
I didn't think there was anything left in the tank, but here we are.
Ready for a lie-down now!
****
**Ifs Buts And Maybes…
Awesome! Very catchy melodically (complex in a great way) and otherwise. I love the bridge....and the "they don't count anymore"...love that....and nice ending vocal too. Your challenge seems to be going extremely well.
**Song-writing Demo for FAWM 2022**
Song number 2
Written Monday 7th February 2022
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I wrote this one a couple of hours ago.
I set up for recording, and busted a string on the Martin... GAH!!!
I tried a big ole dreadnought thing…
**Song-writing Demo for FAWM 2022**
Song number 3
Written Tuesday 8th February 2022
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So, here's today's little ditty.
(I don't know whether folks outside the UK would know what a Chelsea Bun is. I love them, they are extremely yum…
**Song-writing Demo for FAWM 2022**
Song number 2
Written Monday 7th February 2022
****
I wrote this one a couple of hours ago.
I set up for recording, and busted a string on the Martin... GAH!!!
I tried a big ole dreadnought thing…
GEEZZZZZZZ! Your lyrics always just slay! Fun to imagine all your arrangements moving about in your head. It sounds like a major league anthem in the making!
**Song-writing Demo for FAWM 2022**
Song number 2
Written Monday 7th February 2022
****
I wrote this one a couple of hours ago.
I set up for recording, and busted a string on the Martin... GAH!!!
I tried a big ole dreadnought thing…
**Song-writing Demo for FAWM 2022**
Song number 1
Written Sunday 6th February 2022
****
OK, this is a bit of a departure for me - posting songwriting demos.
This is a one mic recording made this morning in the living room, touch of reverbs…
(Remastered 22/10/2021)
I found this one while I was digging through the shoe-box for the 1994 songs. Apparently I wrote it on 10th November 1995.
Foolishly, I thought it would only take a week or so to record... I was originally expecting…
Love it - also the era it is from! I hear the Bron-Y-Aur Stomp but only because you mention it (that is one of my favourite Zeppelin songs). Fun and great musicianship truly.
**Song-writing Demo for FAWM 2022**
Song number 1
Written Sunday 6th February 2022
****
OK, this is a bit of a departure for me - posting songwriting demos.
This is a one mic recording made this morning in the living room, touch of reverbs…
Ah! I now read your post....that challenge seems more zen :). I also like that emphasis on the song writing part. You're off to a fabulous start! PS thanks for listening to my stuff - much appreciated. ONWARD WE GO! lol
**Song-writing Demo for FAWM 2022**
Song number 1
Written Sunday 6th February 2022
****
OK, this is a bit of a departure for me - posting songwriting demos.
This is a one mic recording made this morning in the living room, touch of reverbs…
Wow - glad I found you. I'll chime in with the other comments - that is an amazing demo! The raw guitar and voice gives it an intimate feeling (befitting of the song). Well done! Now I'm listening to the other song that came up....really professional!
**Song-writing Demo for FAWM 2022**
Song number 1
Written Sunday 6th February 2022
****
OK, this is a bit of a departure for me - posting songwriting demos.
This is a one mic recording made this morning in the living room, touch of reverbs…
**Song-writing Demo for FAWM 2022**
Song number 1
Written Sunday 6th February 2022
****
OK, this is a bit of a departure for me - posting songwriting demos.
This is a one mic recording made this morning in the living room, touch of reverbs…
**Song-writing Demo for FAWM 2022**
Song number 1
Written Sunday 6th February 2022
****
OK, this is a bit of a departure for me - posting songwriting demos.
This is a one mic recording made this morning in the living room, touch of reverbs…
I love the raw quality of your vocals and just your guitar. Really powerful indeed. Your lyrics touch that place of remembrance of a long ago friend. What might they be like had they stayed around…. Love it!!
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
(Remastered 22/10/2021)
I wrote this one last September.
Allison Jane Sixsmith 1965-2016.
****
**Forever - A A J Russe**
I can see you on your rocking horse now
The one that turned around and kicked you in the teeth
He thought…
Rats on the long message! I just figured it out… it was bleeped away when one song ended and the next popped up mid typing by me. All hail Taylor Swift!!! I hope you and yours are doing okay during these crazy times.
(Remastered 22/10/2021)
I've been missing in action for ages - apologies to all, I'm about to start listening again too.
For ages, I'd been considering a move away from my trusty Boss BR1600 on which I've recorded and mixed nearly everything…
(Remastered 22/10/2021)
So I got me a new geetar the other week.
Named her Lala, obviously. Seemed kind of appropriate - she wears a faded gold dress and is full of chunes and mischiefs.
This is our first effort together. It was meant…
(Remastered 22/10/2021)
I've been missing in action for ages - apologies to all, I'm about to start listening again too.
For ages, I'd been considering a move away from my trusty Boss BR1600 on which I've recorded and mixed nearly everything…
(Remastered 22/10/2021)
I've been missing in action for ages - apologies to all, I'm about to start listening again too.
For ages, I'd been considering a move away from my trusty Boss BR1600 on which I've recorded and mixed nearly everything…
(Remastered 22/10/2021)
I've been missing in action for ages - apologies to all, I'm about to start listening again too.
For ages, I'd been considering a move away from my trusty Boss BR1600 on which I've recorded and mixed nearly everything…
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EDIT:
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I finally was able to remix the song. Please listen to "Fide On The Broom Stick (Version 2012)" in my track list to compare…
This celtic folk piece is a collaboration with lyricist Donna Devine.
This is Donna's explanation:
===============================
Background: In earlier centuries, young men were captured by "press gangs" - often literally torn away from…
Another goodie...
Thoroughly enjoyable listen to all of your tracks on here so far...
I'm amazed at all the different styles you take on and succeed at.
This one started while I was commenting All I Do Is Cry ... and it didn't grab me initially.
But when I started concentrating... crumbs, this excellent. Really interesting melody and chords, and boy does he navigate his way around it well.
I had to click favourite by the time it finished! Brilliant.
Lyrics: Paul Dempsey
Guitar: Billy Playle
Bass: Andy Gupta
Drums: Alex Zulaika
Composed by Steffen Offermann & Tricia Dovidio
Arranged & mixed by Steffen Offermann
Ah... I heard this the other day, didn't I?
I've got two more of yours to go at the moment, but this is my personal FAVOURITE so far.
I assume it's Tricia Dovidio on the vocal again? I think I loves her voice and delivery... :-)
Vocals: Paul T. Bathen
Lyrics: Michael Taub
Bass: William Fisher
Guitars: Bill Gifford
Drums: Gerald Langefeld
Composed, arranged & mixed by Steffen Offermann
I'm glad this song finally got finished. I had lost the synth draft and with it…
Like the song, love the song, but you're right, I think there's a better a mix in there - it's almost like the lead vocal dominates the track too much... try thinning him out a bit mebbe? Seems a shame to do it though, he's got such a good rich voice :-)
Vocals: Eric Savoie
Acoustic Guitar: Dan Clancy
Electric Guitars: Bobby Clohessy
Bass: Trevor Tillotson
Drums: Gerald Langenfeld
Composed by Steffen Offermann & Eric Savoie
Arranged & mixed by Steffen Offermann
Oh yeah, this is a special one.
He's an excellent lead vocalist, absolutely superb. The song stays sung when he's sung it! Not so convinced that he ought to do his own bvox based on this one though? I felt his lead wanted a different texture to go with it.
Having said that though - wow! The song, the performances, the recording... Superb :-)
Vocals: Tricia Dovidio
Lyrics: Bob Beckley
Composed, arranged & mixed by Steffen Offermann
This one was tricky to do because the piano does not play at a fixed tempo, and it was an online collaboration (like all my collaborations).
Oh yeah... love this. I quite like songs that don't have a fixed tempo - sounds more natural to me... but they're a pain to overdub to though!!
I'm with Mr Landry - where do you find all these vocalists?!! I particularly like this one.
A pop/rock tune in the veins of the 80s. At least that was the goal.
UPDATE: This is the Jan 2017 version!
Lyrics: Casia
Vocals: Jessica Rasche
Solo Guitar: Bobby Clohessy
Bass: Jean Lui Toudou
Drums: Jay Carros
Composed, arranged…
I'm getting a much better idea of "stoman" listening to tracks one after the other on here.
You have no fear of genres/whatever - write the song, get the right dudes on... job done :-)
Another classy one.
Vocals: Sabrina Doughty
Lyrics: Grant D. McLeman
Composed, arranged & mixed by Steffen Offermann
This is the 2012 remix.
This song was based on a free-form lyric by Grant D. McLeman from Scotland. Quite a challenge ... :)
Lyrics & Lead Vocals: Angela Baird
Background Vocals: TSV
Bass: Matt Lewin
Drums: Gerald Langenfeld
Composed, arranged & mixed by Steffen Offermann
This song is a problem ... the vocal track was never meant for production (although…
Vocals: James Ryce
Lyrics: Paul Dempsey
Bass & Drums: Neal Vanderhoof
Guitar: Andrew Doherty
Composed, arranged & mixed by Steffen Offermann
James is actually a country singer. This was the first time for him to sing a jazzy piano…
He did a fine job (vocal).
I like the relaxed vibe of the track. It's one of those songs that needs a decent performance to bring it out - I think you guys achieved it. Love that organ when it comes in.
Well, this one pushes my buttons...
"When the red dawn sings it's sad song and warns us what's to come..." - brilliant.
Lovely voice and a compelling performance.
This was written as part of a concept album inspired by the work of Pablo Picasso ,Trevor Lewis is a member of Songcrafters music forum , he came up with the idea of writing poems to 12 Picasso paintings , then put them out for people to put music…
Didn't realise you were on here!
I'm not sure whether I've heard this before elsewhere, but who cares, I love it... makes me think we might have been listening to the same band some years ago :-)
February
t boudreau
I'm stuck inside of February
With little chance of escape
And all you bar-stool visionaries
giving me advice that you'd never take
Wanna seat on a slow boat heading
South down a stream that seems to never end
Or…
Make Up Your Mind
T Boudreau
I've been lying here all alone waiting for you to pick up the phone oh yea
I've been dying here all along praying for you to come and save my soul oh yea
Where you gonna run when the well gets dry
Or are you…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
Monster stuff.
It rocks, it's melodic, big in-the-face scrunchy guitar, love those vocals. And the bass at 3.10 or so!
Then the build up to 4.35 and the guitar and last chorus... Those top harmonies at the end.
Big grin on the face time...
A masterpiece.
Comments on Andrew Russe's stuff
Great song. Was playing and singing along with it like I wrote it. I didn't know the word 'demo' still existed in music. It sure doesn't apply to this tune. Sure as a puffy(singer/songwriter/player) I hear the layers...but at the end of the song it was perfect as it was. I totally get the 'wait until you hear it with everything I hear' composer vibe. But this aint no demo. This is a song. Awesome I'm a wordy bastard considering I'm just your basic''ego driven organ grinder monkey'!
Awesome! Very catchy melodically (complex in a great way) and otherwise. I love the bridge....and the "they don't count anymore"...love that....and nice ending vocal too. Your challenge seems to be going extremely well.
Certainly reminds me of one of my all time Heroes, Roy Harper .....
How come I feel like I'm back in the Court of Henry VIII, with a merry minstrel strumming his stuff ..... love it ....
GEEZZZZZZZ! Your lyrics always just slay! Fun to imagine all your arrangements moving about in your head. It sounds like a major league anthem in the making!
Good one. Keep going, you can do it!
That’s a great sounding demo Andrew! I share your thoughts on RPM. I did it for several years, but now I would rather take my time.
Love it - also the era it is from! I hear the Bron-Y-Aur Stomp but only because you mention it (that is one of my favourite Zeppelin songs). Fun and great musicianship truly.
Ah! I now read your post....that challenge seems more zen :). I also like that emphasis on the song writing part. You're off to a fabulous start! PS thanks for listening to my stuff - much appreciated. ONWARD WE GO! lol
Wow - glad I found you. I'll chime in with the other comments - that is an amazing demo! The raw guitar and voice gives it an intimate feeling (befitting of the song). Well done! Now I'm listening to the other song that came up....really professional!
Well it does it for me, and I find myself agreeing with all that you say ...
Very nice Andrew - and the edge provided by ‘live’ is great for the song 👍👍
I love the raw quality of your vocals and just your guitar. Really powerful indeed. Your lyrics touch that place of remembrance of a long ago friend. What might they be like had they stayed around…. Love it!!
Still one of my fav songs of so many awesome song you’ve written. Your writing is absolutely amazing!
Rats on the long message! I just figured it out… it was bleeped away when one song ended and the next popped up mid typing by me. All hail Taylor Swift!!! I hope you and yours are doing okay during these crazy times.
Glad you're sharing more of your art. I haven't been able to listen in until just recently. Best of luck.
WoW! Rock on! Great crisp guitar. You must come over some time and make one of my guitars sound like that.resting break...huge.
Added to my favorite playlist...perfect driving music.
Top notch guitar playing and production arrangement. Great stuff. 'nick of time' very British alleyway:)
Absolutely fabulous! Your lyrics always mesmerize… wonderful to hear your amazing music again. You’ve been missed indeed.
Comments made by Andrew Russe
Yep, lovely stuff, this works as it is for me
Another goodie... Thoroughly enjoyable listen to all of your tracks on here so far... I'm amazed at all the different styles you take on and succeed at.
This one started while I was commenting All I Do Is Cry ... and it didn't grab me initially. But when I started concentrating... crumbs, this excellent. Really interesting melody and chords, and boy does he navigate his way around it well. I had to click favourite by the time it finished! Brilliant.
Ah... I heard this the other day, didn't I? I've got two more of yours to go at the moment, but this is my personal FAVOURITE so far. I assume it's Tricia Dovidio on the vocal again? I think I loves her voice and delivery... :-)
Like the song, love the song, but you're right, I think there's a better a mix in there - it's almost like the lead vocal dominates the track too much... try thinning him out a bit mebbe? Seems a shame to do it though, he's got such a good rich voice :-)
Oh yeah, this is a special one. He's an excellent lead vocalist, absolutely superb. The song stays sung when he's sung it! Not so convinced that he ought to do his own bvox based on this one though? I felt his lead wanted a different texture to go with it. Having said that though - wow! The song, the performances, the recording... Superb :-)
Oh yeah... love this. I quite like songs that don't have a fixed tempo - sounds more natural to me... but they're a pain to overdub to though!! I'm with Mr Landry - where do you find all these vocalists?!! I particularly like this one.
I'm getting a much better idea of "stoman" listening to tracks one after the other on here. You have no fear of genres/whatever - write the song, get the right dudes on... job done :-) Another classy one.
Works for me. Great track and the vocal just sits there like it should.
I like it. I see what you mean about the vocal take... but I think it adds to it's effect.
He did a fine job (vocal). I like the relaxed vibe of the track. It's one of those songs that needs a decent performance to bring it out - I think you guys achieved it. Love that organ when it comes in.
Well, this one pushes my buttons... "When the red dawn sings it's sad song and warns us what's to come..." - brilliant. Lovely voice and a compelling performance.
Wow... First time I've heard this one. Excellent song... and SUPERB vocal
Didn't realise you were on here! I'm not sure whether I've heard this before elsewhere, but who cares, I love it... makes me think we might have been listening to the same band some years ago :-)
Beautiful. I've got some goodbyes it would have fitted. Many thanks.
Liked this a lot.
Great finish to an excellent album. Loved the whole thing, nice work guys. When you coming to London? :-)
Digging this album BIGTIME so far. This track has really made me sit up and pay attention. Actually, stand up and boogie is more accurate :-)
I know what it is, you're a mixture of Lennon AND McCartney, with a bunch of seventies rock chucked in - this is why I love your stuff so much...
Monster stuff. It rocks, it's melodic, big in-the-face scrunchy guitar, love those vocals. And the bass at 3.10 or so! Then the build up to 4.35 and the guitar and last chorus... Those top harmonies at the end. Big grin on the face time... A masterpiece.