A new Idea for Malignant Inception Song... again, nothing in stone rough draft - Added Bass and Keyboards! Added some panning and volume tweaks on 5/18
Added new BASS EQ and enhancement on 6-7
Added D Standard recording tracks to most parts…
COWTOWN
In a court yard down the alley
There's a grave yard, weeds and litter
Memories, undisturbed, await their doom
Beneath the glitter of COWTOWN
You take a building, old and crooked
Long ago the life forsook it
Paint it up and name…
I was talking about the Wight Hotel, directly across the street from The White Elephant. The things you mention were going on when The Beer Garden 1st took over that rat hole between the Elephant and the steak house.
Tim Tandy said, "I enjoy the "play like" aspect of the Stockyards District today, but I KNOW what was real and what wasn't. When I grew up in East Fort Worth in the 50's thru the 70's, the Stockyards were a working affair. Everyone downwind got…
Tim Tandy
This one really grabs me, Jim. I enjoy the "play like" aspect of the Stockyards District today, but I KNOW what was real and what wasn't. When I grew up in East Fort Worth in the 50's thru the 70's, the Stockyards were a working affair. Everyone downwind got the dust and rancid odors that were a mixture of cattle manure, blood and guts, and rendered fat. Get up close, and you added in the panicked sounds of cattle going up the ramps to slaughter. The buildings along E and W Exchange were mostly delapidated flop-houses, and I recall there were usually destitute men in soiled undershirts leaning out the upstairs windows smoking cigarettes and taking it all in. When the slaughterhouses shut down and the development folks took over, they neatly "packed up" the ambience of the historical "Hell's Half Acre" - gambling halls, saloons, cheap hotels, bordello's and the site of gunfights such as the famous Luke Short/Jim Courtright affair - which had been razed in the 60's and replaced with the Water Gardens and Convention Center as an act of "urban renewal", and "relocated" them to the Stockyards. I really don't object to all of it, but just wish they were a bit more open about what's shit and what's Shinola, ya know? All the tourists crowd E Exhange at the appointed hour and hoot and holler and excitedly REAL Wild West every day when the "cattle drive" occurs. Oh, well, as Bruce Willis' character in "Die Hard" liked to say, "Yippi-ki-yay, MF!"
was a Texan.
Quannah Parker was the son born to Cynthia Parker, a white girl, stolen by Comanche raiders who grew up to be the wife of the chief. Quannah, in turn became the leader of his tribe. Eventually, Cynthia returned to her people. This…
Quanah is my fav. it triggered feelings between my son and me, the question of when are you enough to claim your ancestors? Tears did flow on listening.Beautifully performed by Barbara and beautifully written.
More Roland SE-02 through EHX Stereo Memory Man. Entirely by chance knob-twiddling, this lovely sound emerged that often resembles bells, and so I titled it aftera method of playing popular in English churches - though it probably doesn't resemble…
this is fun sounds --- I get these sounds from digital delay settings I would tweak and the various ends of the time values for the delays -- so intense -- I usually do these types of delays with the feedback thru my vocoder inputs on the supernova --- this stuff is just great--- :)
When this happened I couldn't get home before I had the song half written. What a lonely feeling.
NOBODY KNOW ME IN TOWN ANY MORE Key of G
G Em
There’s a bird in the gutter that…
Sad, and that was 11 years ago. How does it feel now ... like more of the same? It seems to me like your not just accepted but held in high esteem at the places where I've seen you perform. Lazarus Knight
Gramma's Shampoo
Gramma's shampoo is washing my hair
And I hope it will notice that gramma's not there
It's the kind that knows just what to do
Says it right there on the bottle, shampoo
"Automatically adjusts to your hair's cleansing needs…
This little miracle is a performance art piece, in addition to being a song track on an album. I can see this as an interlude in a dramatic stage play. Highly creative and outside the box here. And those harmonies are so tight you couldn't get a sliver between them! Amazling!
The lyrics of this song,
as they pertain to plot,
are my exact memory of the event.
I had spoken to the kid maybe a minute before the "action" started about how the pressure of the water was very strong. He was nestled down with his back…
Terry Rasor
I remember those daze Michael, y’all were awesome and I’m glad and proud to have known you all and have you at my Raz On The Braz festival so many years ago! Love ya my friend!
Roland Brown
Sorry to hear about Barbara. Texas Water was as good as you say. I’m thinking about adding “I’ll Be Glad to Let You Love Me” to our band’s set list.
One of the beautiful things about artists and songwriting is taking “fact & fiction”, and whipping them together in ways outsiders usually don’t know which is which or possibly nothing at all. This is something I’ve always admired regarding your craft!
- Scotty Lee Shuffield…Tyler, TX.
Another Roland SE-02 through EHX Stereo Memory Man. Some similarities to "Polly...", but mostly different. Submitted to Sound-In "Changes" for 16-23/6/2022.
Roland SE-02 with sequencer running, LFO modulated, and slow delay, then run through EHX Stereo Memory Man also w/ slow delay. Submitted to Sound-In "Polyrhythms, etc" for 9-16/6/2022.
OH so intense yes yes yes- OMG wow-- this end is intense --- ever think about doing trance or psytrance type music just to you know get your feet wet with that kind of music --- (this is really close!! just need some kind of out there beat)
FIVE THOUSAND FOUR HUNDRED-EIGHTY
(HOW MANY KNOW?)
Nobody knows, nobody knows the pain You suffered
No one can know, can truly know the pain You suffered
The pictures show You hanging from The Cross
No marks but the five…
FIVE THOUSAND FOUR HUNDRED-EIGHTY
(HOW MANY KNOW?)
Nobody knows, nobody knows the pain You suffered
No one can know, can truly know the pain You suffered
The pictures show You hanging from The Cross
No marks but the five…
Recent Comments
There is Bass now...
I was talking about the Wight Hotel, directly across the street from The White Elephant. The things you mention were going on when The Beer Garden 1st took over that rat hole between the Elephant and the steak house.
Tim Tandy This one really grabs me, Jim. I enjoy the "play like" aspect of the Stockyards District today, but I KNOW what was real and what wasn't. When I grew up in East Fort Worth in the 50's thru the 70's, the Stockyards were a working affair. Everyone downwind got the dust and rancid odors that were a mixture of cattle manure, blood and guts, and rendered fat. Get up close, and you added in the panicked sounds of cattle going up the ramps to slaughter. The buildings along E and W Exchange were mostly delapidated flop-houses, and I recall there were usually destitute men in soiled undershirts leaning out the upstairs windows smoking cigarettes and taking it all in. When the slaughterhouses shut down and the development folks took over, they neatly "packed up" the ambience of the historical "Hell's Half Acre" - gambling halls, saloons, cheap hotels, bordello's and the site of gunfights such as the famous Luke Short/Jim Courtright affair - which had been razed in the 60's and replaced with the Water Gardens and Convention Center as an act of "urban renewal", and "relocated" them to the Stockyards. I really don't object to all of it, but just wish they were a bit more open about what's shit and what's Shinola, ya know? All the tourists crowd E Exhange at the appointed hour and hoot and holler and excitedly REAL Wild West every day when the "cattle drive" occurs. Oh, well, as Bruce Willis' character in "Die Hard" liked to say, "Yippi-ki-yay, MF!"
I like this! It reminds me of sonic :D
very nice
Quanah is my fav. it triggered feelings between my son and me, the question of when are you enough to claim your ancestors? Tears did flow on listening.Beautifully performed by Barbara and beautifully written.
this is fun sounds --- I get these sounds from digital delay settings I would tweak and the various ends of the time values for the delays -- so intense -- I usually do these types of delays with the feedback thru my vocoder inputs on the supernova --- this stuff is just great--- :)
Sad, and that was 11 years ago. How does it feel now ... like more of the same? It seems to me like your not just accepted but held in high esteem at the places where I've seen you perform. Lazarus Knight
This little miracle is a performance art piece, in addition to being a song track on an album. I can see this as an interlude in a dramatic stage play. Highly creative and outside the box here. And those harmonies are so tight you couldn't get a sliver between them! Amazling!
Terry Rasor I remember those daze Michael, y’all were awesome and I’m glad and proud to have known you all and have you at my Raz On The Braz festival so many years ago! Love ya my friend!
Roland Brown Sorry to hear about Barbara. Texas Water was as good as you say. I’m thinking about adding “I’ll Be Glad to Let You Love Me” to our band’s set list.
Nice one
amazing
One of the beautiful things about artists and songwriting is taking “fact & fiction”, and whipping them together in ways outsiders usually don’t know which is which or possibly nothing at all. This is something I’ve always admired regarding your craft! - Scotty Lee Shuffield…Tyler, TX.
neat envelopes and morphing Jim!
OH so intense yes yes yes- OMG wow-- this end is intense --- ever think about doing trance or psytrance type music just to you know get your feet wet with that kind of music --- (this is really close!! just need some kind of out there beat)
this is intense the out of syncness between the left and right hand wow -- just wow -- amazing really
Melatonin approved. Awaiting patch submission.
Thanks guest 9618245210. Can I ask how you came upon the song?
Unbelievably beautiful! What a wonderful way to praise our Lord and Savior, Jesus Christ. Thank you for this very moving song.