A brief glimpse, but that's all. Inspired by last April. It's for everyone, but no one in particular. Yes, this one gives more than a passing nod to Ham and Evans. Thanks gents!
Well, Well, Well- There is still unadulterated, unabashed love in the world. Yes, the song is masculine sounding, no shock there, since I am a guy. However, despite a friend’s comments to the contrary, I didn’t intend this song to be about getting…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
It is easy to mock and ridicule, but much harder to learn and understand. Overcoming our own pig-headedness may be our biggest personal challenge. This song thinks about that. I also was rather happy with how my Telecaster sounds in the rhythm…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
This one went through many iterations before turning into what you hear. A key breakthrough came when I stumbled upon that keyboard part for the verses. That opened the whole thing up.
Oh, FUNKY!! And a clavinet to boot! Would really play along with the earlier disco tune as a B-side to the single, to be played in the small hours when the DJ:s brought out their secret personal favorites....
There is no reverb on any vox parts in this one. I loved how I was able to get the tone of the voices to have that mid-60s sound. This was aided by the fact I am running through an emulation of the Abbey Road mixing desk. ;)
Fun and playful intro followed by an axcellent melody in harmony - it can't be anything but a winner! :) Already on the second verse I'm loving it. And you're putting this one second to last? This is instantly catchy and you probably should feature it more prominently.
No offense meant to my English friends. ;) I grew up there as a kid, so we have common cause. Anyway, this song is more about the struggle between the material and spiritual, doing the right thing when you are called upon, etc. Hope you enjoy!
Good use of compressor to make the acoustic compete on equal terms with the electric. A bit weird vocal ambience but I'm guessing it's beyond my competence because it actually doesn't sound out of place. As a song it's a hit in my book. Rather sad though that my book isn't the trend setter.
As you may have picked up on, there's a lot this year about soldiering on when your world has been destroyed. So, this is a song of hope. Have faith, have faith...
Would have wished the guitars at the start, nice and juicy though they sound, to rest on the groove a bit more. It's a fab melody and song. Flangy bit at the end is a nice addition.
Intro is like The Band on a stoned groove jam just before a Dylan concert. Great singing effort and structuring of the song. The signature riff is genius.
This one was a hard one to nail. The Wurlitzer riff was something I accidentally played and fell in love with immediately, so I needed to write a song that enhanced the mood that the tone of the Wurly evoked. The sound is so empty and spacious…
BIG Rhodes sound, interesting and tense start to the song. Develops nicely, although I'd have liked the Edge-guitar maybe to have debuted earlier. Very emotional.
Defiance, self-doubt, hubris, failure, choosing...It's all here to hear.
The title is a nod to my love of a certain guitar player and singer from a late 60's act; who's solo records were even better. The vibrato guitar is inspired by him…
When your world is destroyed as you know it, the ability to overcome and renew yourself is a very steep ascent. It may take years, and this song is about that struggle to 'let it go'
Here we go again with the driving tom groove. This would go down well at any disco about 50 yrs ago... ;) Funky horn riffs, I need to hire you for some songs!
It is easy to mock and ridicule, but much harder to learn and understand. Overcoming our own pig-headedness may be our biggest personal challenge. This song thinks about that. I also was rather happy with how my Telecaster sounds in the rhythm…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
This one went through many iterations before turning into what you hear. A key breakthrough came when I stumbled upon that keyboard part for the verses. That opened the whole thing up.
Lyrics, vocals, rhythm guitar, lead guitar, and acoustic bass by Merry Bear. Fabulous and greatly appreciated harmonica performance by "Minneapolis" Mark Imsdahl.
MINNEAPOLIS MARK
He's Minneapolis Mark
He's got that magic spark
-- Makes…
Vocals by Greg Connor, lyrics by Connor and Merry Bear, music by Bear.
And y'all thought the Hokey Pokey was what it was all about! This song is 4 dimensional – up/down, left/right, in/out, now/then. BIG THANKS to Greg Connor for fabulous vocals…
With JS Tolar, as band Visions Of Nell.
My tribute to Anne Boleyn, the first queen to be publicly executed in England. I used some of the poetry she wrote during her imprisonment in the chorus. An innocent, incomparable woman.
With music written and performed by Soundsmith Kamachi.
It was the last day of RPM and he asked me to write a lullaby for a track called Cornucopia. Very much enjoyed how easily this one flowed. That's my mum, Bee Mathis, adding class to the…
Had this one written before the end of year. Finally hit the record button a couple of weeks ago with some electric rythym guitar tracks and built it from there. I was having a problem getting the song to mix right and had an idea to try a different…
This is a collaboration with a prolific chap called James Higgins (oldrottenhead on songcrafters.org), based on an instrumental of mine from a couple of years ago: http://alonetone.com/andyr/tracks/muletide
I was quietly minding my own business…
At last... I've managed to finish something.
This was written months ago. I was about to try recording it with one or two others when this year's decorating started. With various buggered fingers, back muscles, etc, etc, I wasn't actually able…
This is one of the many songs going round my head from when I was young. No idea whose version I heard and used to sing along to back then, but it was written by Larry Collins and Alex Harvey.
(EDIT: Done some research. It was Dottie West's…
This song has been sat on the marvellous mechanical mouse organ in the broom-cupboard for well over a year.
A few weeks ago I got a bit of a scare - the mouse organ nearly broke down (in the middle of sorting out Delta Dawn). While I was fixing…
The RPM journey begins here....Reg has fallen again it was soon after he got wagon he was falling off...but he's come to a crossroads and this time he means it this time....things are going to change.....
TOMORROW IT STOPS
Another week just…
FDR sent me over this superb backer to see what i could do...well i went back in time... to the time of Motorbikes and leathers and living life with no tomorrow...oh what fun it was back then shame we have to grow up!.........well have to sell…
FDR sent me over this superb backer to see what i could do...well i went back in time... to the time of Motorbikes and leathers and living life with no tomorrow...oh what fun it was back then shame we have to grow up!.........well have to sell…
Comments on Gary Fox's stuff
I was wrong before. THIS is the best of the best.
This might be the best of the best.
Incredible.
Oh I like reverse guitar patch
Pure energy, Drives it home nicely
Wow man On and On! you have a lot of Talent!
Niiiiice! I really dig it man, great guitar work!
Great song... love the live feel. Excellent production too :-)
This is IMMENSE!
Oh, FUNKY!! And a clavinet to boot! Would really play along with the earlier disco tune as a B-side to the single, to be played in the small hours when the DJ:s brought out their secret personal favorites....
Fun and playful intro followed by an axcellent melody in harmony - it can't be anything but a winner! :) Already on the second verse I'm loving it. And you're putting this one second to last? This is instantly catchy and you probably should feature it more prominently.
Good use of compressor to make the acoustic compete on equal terms with the electric. A bit weird vocal ambience but I'm guessing it's beyond my competence because it actually doesn't sound out of place. As a song it's a hit in my book. Rather sad though that my book isn't the trend setter.
Would have wished the guitars at the start, nice and juicy though they sound, to rest on the groove a bit more. It's a fab melody and song. Flangy bit at the end is a nice addition.
Intro is like The Band on a stoned groove jam just before a Dylan concert. Great singing effort and structuring of the song. The signature riff is genius.
BIG Rhodes sound, interesting and tense start to the song. Develops nicely, although I'd have liked the Edge-guitar maybe to have debuted earlier. Very emotional.
Interesting intro sounds and mono feel. Beatlesy bridge, leading nicely on to the chorus part. Great songwriting!
Here we go again with the driving tom groove. This would go down well at any disco about 50 yrs ago... ;) Funky horn riffs, I need to hire you for some songs!
The riff king gets in the groove. Love the mid-8 with the bw-efx and build.
The love child of The Who and AC/DC. Pumping like hot iron.
Amazing, Mr Fox. An album of STANDOUTS.
Comments made by Gary Fox
Great playing, love the tone...
Great harp...
Great piece, love the open sound.
Oh, this sounds great!
Brett, these songs are fantastic!
Hey, this one kept surprising me with the twists. Love it...
That's a nice piece of wonderful right there. Excellent work both of you!
This is a great groove.
Love the fluid-like tones...sounds like the sun on the lake to me...wonderful...
Great sonic-scape, Kirk!
Great sound!
Cool track...
Such a great song, James.
Love the harmonized guitars...
It's definitely not a dirge. It's great.
This is awesome.
Great song, killer delivery! Love the tasty guitar parts.
Nice Tom Waits feel...
Love the vox as well.
That is some fantastic guitar! Nice work.