I think Tenochtitlan in Mexico City..Templo Mayor.. but I cannot remember if they are sculptures or real skulls.. I'm sure they were real skulls at one time :-)
oh.. Capuchin Crypt is in Italy... no have not been but I'm dying to go there someday. Oh crazy skulls! I've seen a similar stacking of skulls in Mesoamerican ruins
Capuchin Crypt? Haven't heard of it.. is this 'capuchin' as in the genus of monkey? I have some crazy capuchin vocal recordings, three species.. they would sound haunting with a bit of reverb.. hmmm
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
Glu guides you through an instructional song, revealing secrets along the way.
Instrumentation: Director's comments included! beat boxing, real swords, acoustic guitar, synthesizer, vocals, drum programming, tabla, and tambourine. My apologies…
Super fun track. I'm really interested in what software you use. I'm a software dev so when I hear something like "program some electronic rhythms" it interests me... :) Thanks for the great track.
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
Here's a partially-orchestrated preview of a song we're currently writing. Another big toe-tapper, this one, a lovely 6/4 piece, an ode to half-diminished sevenths, and minor ninths, wherever they may fall.
The title comes from a quote from…
Shaken, not stirred please.
Experimenting more with sandbags' Elysium. This time I used it to trigger elephant samples for part of the percussion section.
@ Licoresse.. yes most of what you think is gating exactly that. Some other chopping involved, but yeah, I experimented with gating for the first time! :-)
Lyrics:
Caged as a bird
free will is such a bitch
it's your responsibility to stay alive
pay the bills etc, etc
but how you enslave yourself
whether or not you enslave yourself
it's up to you
NOT FINISHED. another draft. just putting it up here so that i kick myself in the pants to flesh it out and write verses and whatnot and redo everything. great! this draft is continuously replaced with newer versions. check back, please! (oh yeah…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
I'm really digging all the layers and melodies. The rhythm section moves very nicely too. Loving where your music has been going over the past several months.
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
This one's for that little black and tan, Nahannah.
Lyrics:
I said nahnay nahnay nahnay hey
how'd you get so good
how'd you get so good
I said nahnay nahnay nahnay hey
how'd you get so good
how'd you get so good
first thing this…
It's the "do no harm" mix.
Because, theoretically you won't hear any difference between this and "technique 43".
Which is sad really, given how many hours I spent on it. Hours spent on the oh-so-exciting put-everything-in-Logic step…
Another one from back when I was tracking to actual tape. Was going to do a new version at some point, but decided I had lost interest. Sometimes there's no sense in recreating the past! Recorded probably the beginning of 2007
This is day 24 of my 24 day project. So that means it's over.
And if you're reading this on alonetone, this is lucky track number 100.
24 "songs" in 24 days. Really, the only requirement was to produce a minute of music each day.
I wish…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
Wrangled in the string band to a play a pleasant little toe-tapper.
Instrumentation
Resonator Guitar
Resonator Bass
Banjo
Guitar Case
Clapping
Serrated Knife
Voice
Comments on glu's stuff
I think Tenochtitlan in Mexico City..Templo Mayor.. but I cannot remember if they are sculptures or real skulls.. I'm sure they were real skulls at one time :-)
wich ruins??? Mexico, Perú, Chile ??? this one scary me ... buuuuu ;)
oh.. Capuchin Crypt is in Italy... no have not been but I'm dying to go there someday. Oh crazy skulls! I've seen a similar stacking of skulls in Mesoamerican ruins
Capuchin Crypt? Haven't heard of it.. is this 'capuchin' as in the genus of monkey? I have some crazy capuchin vocal recordings, three species.. they would sound haunting with a bit of reverb.. hmmm
yes hardrick, it's my spooky contribution. :-)
your halloween contribution?
As my son used to say when he was little - SMOOKY! w;-)
spooky!!! :)
I WANT MY MUMMY!
YES YES YES! This will be spinning in the Lynch house tonight! You captured the spirit of the holiday
reminds me of the Silent Hill soundtrack. Nice!
This is beautiful...
This is great!
Really nice developments. I was caught off guard by the delicacy to expansive transition. Binary winds.
Super fun track. I'm really interested in what software you use. I'm a software dev so when I hear something like "program some electronic rhythms" it interests me... :) Thanks for the great track.
...cool, man!
hii I heard your music on a video a friend made.. gooood stuff
Bravo! Bravo! Maestro! Encore!
Oh, this is a bit different. Love the way the track builds up and then decays at the end.
Yea! Heavy Glu, most impressive.
Comments made by glu
Love it!!! Kirk is right, you filled an awesome alonetone niche! w00t!
@ Licoresse.. yes most of what you think is gating exactly that. Some other chopping involved, but yeah, I experimented with gating for the first time! :-)
need to here these lyrics right about now. thanks!
yeah, composed in an intergalactic prison system!
YES!
I'm really digging all the layers and melodies. The rhythm section moves very nicely too. Loving where your music has been going over the past several months.
yes, where is Michael, my talking car?
Brando, you are my hero. Amazing work. Love each tune. Congrats on yet another 24h!
*sitting* lovely little ditty, Gumbo!
cathartic! sooooo nice to see a new one from you two!
now this is a novel idea!!!!
Le beauté! sounds great!
yeah, this is awesome. great beats! Really digging your stuff.
Love the rhythms!
yeah, that upright bass is great! Love the glitchy rhythms and that haunting sound that comes in right before 01:30.
haha awesome! looking forward to hearing more!
lovely swingin tune there, guv. Completely envious of your awesome guitar work! It dances!
agree with the sista! go all the way! 365!! :-)
Now including incriminating pictorial evidence in track description!
woah hermano y amigos! This one is great! love that twangy banjo/guitar and the vocal harmonies!