Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
Narrative: A lonely scientist was stationed to Tundzha Glacier in Antarctica to study fissures.
Instrumentation: I stretched, repitched, and looped two sections…
Narrative: A lonely scientist was stationed to Tundzha Glacier in Antarctica to study fissures.
Instrumentation: I stretched, repitched, and looped two sections…
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
I love this track, how simple the rhythm is but how rich it is with the drum and guitar timbres. Build up is awesome, as Sister Savage & kirklynch said. The break to the sustained texture at the end is fantastic.
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
From the 24 hour album. Began this one 47 minutes into the 24hr session. Listen to the full work here: http://alonetone.com/glu/tracks/glus-24
I haven't touched this track in over two months. What does it need?
Instrumentation: Bamboo flute…
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
@ ic42.. I think the hopes of change after a revolution fades out.. so in a way it's kind of a poetic ending.. maybe not though.. maybe it needs to go out with an explosion.. will think about it. Thanks for the comments.. and that goes for all of you! Really appreciate it!
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
crunchy steamroller. Delivered with a soft snarl. Great music, especially liked the beauty-break in the middle, falling back into angst for the end. However, there is something ironic about a song entitled coup d'etat, which slowly fades out. :-)
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Here's a partially-orchestrated preview of a song we're currently writing. Another big toe-tapper, this one, a lovely 6/4 piece, an ode to half-diminished sevenths, and minor ninths, wherever they may fall.
The title comes from a quote from…
Shaken, not stirred please.
Experimenting more with sandbags' Elysium. This time I used it to trigger elephant samples for part of the percussion section.
@ Licoresse.. yes most of what you think is gating exactly that. Some other chopping involved, but yeah, I experimented with gating for the first time! :-)
Lyrics:
Caged as a bird
free will is such a bitch
it's your responsibility to stay alive
pay the bills etc, etc
but how you enslave yourself
whether or not you enslave yourself
it's up to you
NOT FINISHED. another draft. just putting it up here so that i kick myself in the pants to flesh it out and write verses and whatnot and redo everything. great! this draft is continuously replaced with newer versions. check back, please! (oh yeah…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
I'm really digging all the layers and melodies. The rhythm section moves very nicely too. Loving where your music has been going over the past several months.
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
This one's for that little black and tan, Nahannah.
Lyrics:
I said nahnay nahnay nahnay hey
how'd you get so good
how'd you get so good
I said nahnay nahnay nahnay hey
how'd you get so good
how'd you get so good
first thing this…
It's the "do no harm" mix.
Because, theoretically you won't hear any difference between this and "technique 43".
Which is sad really, given how many hours I spent on it. Hours spent on the oh-so-exciting put-everything-in-Logic step…
Another one from back when I was tracking to actual tape. Was going to do a new version at some point, but decided I had lost interest. Sometimes there's no sense in recreating the past! Recorded probably the beginning of 2007
This is day 24 of my 24 day project. So that means it's over.
And if you're reading this on alonetone, this is lucky track number 100.
24 "songs" in 24 days. Really, the only requirement was to produce a minute of music each day.
I wish…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
Wrangled in the string band to a play a pleasant little toe-tapper.
Instrumentation
Resonator Guitar
Resonator Bass
Banjo
Guitar Case
Clapping
Serrated Knife
Voice
Comments on glu's stuff
This song pretty much rocks
I like it
this is great man, the build up is amazingly executed. the wall of distorted sound at the end is equally as mugasmic
Nice one Glu you got some good sounds happening here
you do come up with some cool sounds my man
Hi, 'Guest' -- I'd love a piano but for now I'll have to do with Sudara's 15min recording session.
love the piano in this song!!! Are you getting an upright for the studio!?
I love this track, how simple the rhythm is but how rich it is with the drum and guitar timbres. Build up is awesome, as Sister Savage & kirklynch said. The break to the sustained texture at the end is fantastic.
Classic Glu! That CRUNCH at about 1:40 is awesome!
Lovely.
Way Cool! Enjoyed this one man
Sweet!
Oh. No wonder this song has been "kicking ass" for so long, it kicks ass. I'm going to go punch Jon Kyl in the back of the head.
nice
Love it!
yeah... COOL!!!
@ ic42.. I think the hopes of change after a revolution fades out.. so in a way it's kind of a poetic ending.. maybe not though.. maybe it needs to go out with an explosion.. will think about it. Thanks for the comments.. and that goes for all of you! Really appreciate it!
crunchy steamroller. Delivered with a soft snarl. Great music, especially liked the beauty-break in the middle, falling back into angst for the end. However, there is something ironic about a song entitled coup d'etat, which slowly fades out. :-)
It's dark, It rocks, - I love it! w;-)
Great movie soundtrack!
Comments made by glu
Love it!!! Kirk is right, you filled an awesome alonetone niche! w00t!
@ Licoresse.. yes most of what you think is gating exactly that. Some other chopping involved, but yeah, I experimented with gating for the first time! :-)
need to here these lyrics right about now. thanks!
yeah, composed in an intergalactic prison system!
YES!
I'm really digging all the layers and melodies. The rhythm section moves very nicely too. Loving where your music has been going over the past several months.
yes, where is Michael, my talking car?
Brando, you are my hero. Amazing work. Love each tune. Congrats on yet another 24h!
*sitting* lovely little ditty, Gumbo!
cathartic! sooooo nice to see a new one from you two!
now this is a novel idea!!!!
Le beauté! sounds great!
yeah, this is awesome. great beats! Really digging your stuff.
Love the rhythms!
yeah, that upright bass is great! Love the glitchy rhythms and that haunting sound that comes in right before 01:30.
haha awesome! looking forward to hearing more!
lovely swingin tune there, guv. Completely envious of your awesome guitar work! It dances!
agree with the sista! go all the way! 365!! :-)
Now including incriminating pictorial evidence in track description!
woah hermano y amigos! This one is great! love that twangy banjo/guitar and the vocal harmonies!