There is nothing like the presence of a horse. The quiet understanding. The gentle strength.
Woodlake, California...1961. I had a horse. She was my friend.
There were times in my teens when Babe was the only being that did not judge me…
There is nothing like the presence of a horse. The quiet understanding. The gentle strength.
Woodlake, California...1961. I had a horse. She was my friend.
There were times in my teens when Babe was the only being that did not judge me…
This story is a poem sent to me by Lesley Sawyer from a blog on her MySpace site and I put it to music and am posting it so she can hear it and maybe see if it's alright. We don't know who wrote the poem. If anybody does please tell me. j mt
My 3 year old grand daughter is now almost old enough to understand this. She sat there fascinated the other day. When it finished she asked me to tell her the story and when I said how Suzy saved the others, she had such a triumphant look on her face.
Especially how Ruth tried to teach Suzy how to fly. Yes!!! I always knew she would love it. Thanks a lot.
key of C - no capo
We listen for years for words to explain ourselves. "I'm good but not THAT good," was such a moment for me. Good enough to stay in the game but never good enough to win.
Last night I kissed somebody
I kissed somebody…
I wrote another song but the general reaction suggested that I best "scrap the puppy." So, I salvaged what I could and started over. This is what I got...
I CAN'T BELIEVE SHE'S GONE
Slide Guitar man.
Yes, I asked Gary for an up-tempo slide track to fit my lyrics. Then I worked out a melody and Sister Savage put it all together. It was wavs and MP3's. Cheers Bee
I wrote another song but the general reaction suggested that I best "scrap the puppy." So, I salvaged what I could and started over. This is what I got...
I CAN'T BELIEVE SHE'S GONE
Still struggling with this one...
Maybe not possible to make this work in a country song...MY DICK DON'T KNOW SHE'S GONE
1. She's been gone for three years now. Three years since she walked out
Friends and folks I work with ask me what it…
Still struggling with this one...
Maybe not possible to make this work in a country song...MY DICK DON'T KNOW SHE'S GONE
1. She's been gone for three years now. Three years since she walked out
Friends and folks I work with ask me what it…
Still struggling with this one...
Maybe not possible to make this work in a country song...MY DICK DON'T KNOW SHE'S GONE
1. She's been gone for three years now. Three years since she walked out
Friends and folks I work with ask me what it…
Still struggling with this one...
Maybe not possible to make this work in a country song...MY DICK DON'T KNOW SHE'S GONE
1. She's been gone for three years now. Three years since she walked out
Friends and folks I work with ask me what it…
Still struggling with this one...
Maybe not possible to make this work in a country song...MY DICK DON'T KNOW SHE'S GONE
1. She's been gone for three years now. Three years since she walked out
Friends and folks I work with ask me what it…
Still struggling with this one...
Maybe not possible to make this work in a country song...MY DICK DON'T KNOW SHE'S GONE
1. She's been gone for three years now. Three years since she walked out
Friends and folks I work with ask me what it…
Still struggling with this one...
Maybe not possible to make this work in a country song...MY DICK DON'T KNOW SHE'S GONE
1. She's been gone for three years now. Three years since she walked out
Friends and folks I work with ask me what it…
This is freakin sweet. It sounds like one of those fret-stretching jazz like chords that hurt more and more as you play it....then you realize you have 3 minutes left in the song...HA!
FIREFLIES. capo @ 2
F walk down
We (C) spoke of them as (C/B) sweethearts
There (Am) in the Southern (F) sky
(C) Saturn, just a (G) twinkle, bold (F) Jupiter near (G) by
I (Am) guess we didn't (Am/G) notice
as they (Am/F)drifted a…
"Fireflies." has a stellar intro, and then you woot he listener in with your crooning and compelling vocals. I have always loved the topic of fireflies and your hook about chsing fireflies in the htickets of two hearts is Phenomenal. Lots of nostalgia in this one, especiually for the girl next door who played a game with me, a kiss for every firefly i caught for her. But man those bugs were elusive as hell. But when I got a few, I was enthralled by her gentle thank you on my lips. Matthew Blowers III
SKINNY GIRLS
Capo @ 3 in G
...and then he said,
I like skinny girls
Toothy girls
Flat chested girls
I like girls with Adam's apples
A mouth full of titty
And a hand full of ass...
A girl with a six pack
is my kind of...
And then…
Now "Skinny Girls.' is a riotus collection of just plain fun and some great humor, I was so dissappointed when the track just cut out. But then I unbderstood you were giving folks just a taste. I was actually starting to visualize all the descriptive bean pole girls you were listing. A great bar song for sure, and I can see all the slightly inebriated guys rethinking and checking out all the skinny girls nursing their beers. LOL Matthew Blowers III
CALIFORNIA
Capo @ 4 in C/Am
I’m (Am) going back to California
A little place in the San (E) Joaquin
(Am, stepping down A G F# F E)
Where the back pasture builds
To Sierra foothills
And Kaweah tumbles down cool and clean
I’m going back…
Matthew F. Blowers III
I am really liking your song on California, I have a special love for that state. You captured all the reaons I miss it, with your superb storytelling in lyrics and with the smooth harmonies and extremely well played music. It has a catchy beat, and I listened to the very last note.
I NEVER DREAM
I never dream of building bridges. I never dream I’ll build a dam
I never dreamed of a cathedral for the mighty God, I Am
I never dreamed of founding clinics or make donations to the cause
I don’t see my name on statues and…
So today, for some reason I decided to read the words first.. Just the words. And found it an absolutely beautiful experience. The metaphors you use to describe great and cosmic plans and intentions of great societal achievement, contrasted with the lines that begin with, "BUT I dreamed we met for breakfast".... (the switch and the contrast is very powerful) what a tiny, common human thing: meeting over the sharing of food,. Then followed by, "I dreamed I held your hand"... human touch/connection, as though those two simple things are worth more than all the highest achievements of worldly fame, and material ladders climbed! Which they are. They so are. The rest of the lyrics continue to develop & express that idea beautifully. Then I listened to the sing, and although it is good as a song, For me, the words in themselves stand strong and impactful w/o anything else. Not to contrast them and say one is "better" than the other. Just that sometimes I see lyrics that stand alone, And just saying, these words do that very well. Gwyn Henry
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
(Remastered 22/10/2021)
I found this one while I was digging through the shoe-box for the 1994 songs. Apparently I wrote it on 10th November 1995.
Foolishly, I thought it would only take a week or so to record... I was originally expecting…
(Remastered 22/10/2021)
So I got me a new geetar the other week.
Named her Lala, obviously. Seemed kind of appropriate - she wears a faded gold dress and is full of chunes and mischiefs.
This is our first effort together. It was meant…
I wrote this song after planting and fertalizing a crop of sudan grass just to have the sun shine down with no relief on it for 100 days and no rain. We, Texas Water, were heading home one night AFTER A GIG at Gringo's in Grapevine when the…
I hope Brian (one of us Proods) will forgive me for posting this before we could get together to work on it further. He first played it for me a few months ago and I've been obsessively tweaking it every chance I could get.
I like to imagine…
My attempt at this super fun sea shanty!
This is an old New Zealand whaling song. The popular recent version was recorded a cappella by The Longest Johns. I'm using the chords suggested by Piotrek_G on ultimate-guitar.
Edit: re-uploaded…
CALIFORNIA
Capo @ 4 in C/Am
I’m (Am) going back to California
A little place in the San (E) Joaquin
(Am, stepping down A G F# F E)
Where the back pasture builds
To Sierra foothills
And Kaweah tumbles down cool and clean
I’m going back…
California has a chorus that camouflages the dramatic irony of the verse narrative. If it weren’t for the unusual intro, it’d seem zirconium. Christopher Youngblood
VIDEO https://www.facebook.com/reel/629088762494393
https://www.facebook.com/100007692130538/videos/122358790913196/
THE CIRCLE OF NO REGRETS Key C
capo @ 5
C F G C C G C
If your heart must be broken…
Circle of No Regrets sounds quaint. That’s what makes it hit. Unless you turn your ears on, it’s a boring song, but once you do, it’s hard to take.
It’s almost like you’re giving the audience an option. Christopher Youngblood
Comments on James Michael Taylor's stuff
Great track mate very cool. And thank you for your recent kind comment. This is really good mate.
great work love the song
I see you do pewter castings. http://jamesmichaeltaylor.com A plug for ya :)
Very mellow, down home, country sounds. Nice!!
Ah, the master story teller. Lovely stuff and I enjoyed the waltz too.
Great one Jim. Love the narrative approach there.
Sweet memories!
My 3 year old grand daughter is now almost old enough to understand this. She sat there fascinated the other day. When it finished she asked me to tell her the story and when I said how Suzy saved the others, she had such a triumphant look on her face. Especially how Ruth tried to teach Suzy how to fly. Yes!!! I always knew she would love it. Thanks a lot.
Great song!
Slide Guitar man. Yes, I asked Gary for an up-tempo slide track to fit my lyrics. Then I worked out a melody and Sister Savage put it all together. It was wavs and MP3's. Cheers Bee
Ah, the clean version. Yeah and I love this too!
LMAO! w;-)
lmao! this is awesome!
HAHA! Now THAT is what country music should be!
Sounds pretty country to me! :-) Nice one, JMT.
Oh James, you need to get out more darlin. Having said that, I think it works in a country song well. You are outragious! ha, faved!
reminds me of "I"m Sorry You Married an Asshole"
this could be a huge radio hit.
This is freakin sweet. It sounds like one of those fret-stretching jazz like chords that hurt more and more as you play it....then you realize you have 3 minutes left in the song...HA!
Cool tune! w;-)
Comments made by James Michael Taylor
"Fireflies." has a stellar intro, and then you woot he listener in with your crooning and compelling vocals. I have always loved the topic of fireflies and your hook about chsing fireflies in the htickets of two hearts is Phenomenal. Lots of nostalgia in this one, especiually for the girl next door who played a game with me, a kiss for every firefly i caught for her. But man those bugs were elusive as hell. But when I got a few, I was enthralled by her gentle thank you on my lips. Matthew Blowers III
Now "Skinny Girls.' is a riotus collection of just plain fun and some great humor, I was so dissappointed when the track just cut out. But then I unbderstood you were giving folks just a taste. I was actually starting to visualize all the descriptive bean pole girls you were listing. A great bar song for sure, and I can see all the slightly inebriated guys rethinking and checking out all the skinny girls nursing their beers. LOL Matthew Blowers III
Matthew F. Blowers III I am really liking your song on California, I have a special love for that state. You captured all the reaons I miss it, with your superb storytelling in lyrics and with the smooth harmonies and extremely well played music. It has a catchy beat, and I listened to the very last note.
Very catchy! Too short, maybe. Gotta listen twice.
So today, for some reason I decided to read the words first.. Just the words. And found it an absolutely beautiful experience. The metaphors you use to describe great and cosmic plans and intentions of great societal achievement, contrasted with the lines that begin with, "BUT I dreamed we met for breakfast".... (the switch and the contrast is very powerful) what a tiny, common human thing: meeting over the sharing of food,. Then followed by, "I dreamed I held your hand"... human touch/connection, as though those two simple things are worth more than all the highest achievements of worldly fame, and material ladders climbed! Which they are. They so are. The rest of the lyrics continue to develop & express that idea beautifully. Then I listened to the sing, and although it is good as a song, For me, the words in themselves stand strong and impactful w/o anything else. Not to contrast them and say one is "better" than the other. Just that sometimes I see lyrics that stand alone, And just saying, these words do that very well. Gwyn Henry
This is cool. It gives me ideas.
WoW! Knocks me out. Really sizzles.
Makes me want to find a partner and do a little dance...very nice.
You had me at, "If I back off and shut my mouth..." Know exactly where you are. So afraid the answer is, "No."
Sounds like a 50s Buddy Holly era song. Very sweet sentiment. And, yes, I can dance to it.
Great characterization. Great kick drum sound.
WoW! Rock me, dude! Love the imagery.
Kim Triolo Feil James Michael Taylor that's a fantastic story and a very lovely song
Yes! A MONKEES song, for sure.
Interesting sounds. Cool chord shifts.
Aaah, if Love could only be forgotten... Nice.
Like it.
Very nice...
California has a chorus that camouflages the dramatic irony of the verse narrative. If it weren’t for the unusual intro, it’d seem zirconium. Christopher Youngblood
Circle of No Regrets sounds quaint. That’s what makes it hit. Unless you turn your ears on, it’s a boring song, but once you do, it’s hard to take. It’s almost like you’re giving the audience an option. Christopher Youngblood