VIDEO - https://www.facebook.com/100001468692811/videos/1120270078888215/
https://www.facebook.com/true.taylor.3/videos/397153049918748
GHOST TOWN capo @ 2 in C
C Em F G C
I…
VIDEO - https://www.facebook.com/100001468692811/videos/1120270078888215/
https://www.facebook.com/true.taylor.3/videos/397153049918748
GHOST TOWN capo @ 2 in C
C Em F G C
I…
VIDEO - https://www.facebook.com/100001468692811/videos/1120270078888215/
https://www.facebook.com/true.taylor.3/videos/397153049918748
GHOST TOWN capo @ 2 in C
C Em F G C
I…
I wrote this song with Lisa Aschmann. CAPO @ 3
Video - https://www.facebook.com/100001011201926/videos/1285714588695761/
HICKORY STIX
Dm Am
Billy Mac and Don McCray drive to work each dawn at six
Down the mountain to the factory, makes…
Tim Tandy
Hickory Stix has always captivated me. Dang, I gotta start getting out to open mics again. Might even get the chance to sing that high harmony on the "oohs!"
SLAUGHTER MOUNTAIN
My mom’s dad was a coal miner. Her mother died of TB when she was a kid. When she was twelve, her dad, dying of black lung, slit his throat with a butcher knife. That left her with a cripple little brother to take care of…
Peggy taught me an Eagles song toward the end off our life together. I think it was NEW BOY IN TOWN. (I had no idea what she was telling me.) I took the chord progression from that song and wrote this. Peggy said that was cheating.
WATERMELON…
OH JIMMY
capo @ 4 or 5 live
C Am F G
On page thirty of the yearbook he found a picture sweet
A girl named Marie Angel, in school right down the street
Dm walk down G
He didn’t notice…
Yes, it is obvious to anyone who actually listens to follow the story. The killer line ... the picture that finishes breaking what's left of the listener's heart is "but Jimmy bought the yearbook, and he hold it now and then". Lazarus Knight
capo @ 4 Am - 3/4 time (starts on A)
Am G Am G Am
Last night I said Good bye to Rose but long ago I learned.
The things that last we seldom know and think a bridge is burned.
Bb…
brush up on "Lest night I said goodbye to Rose" I know that's not exactly the title, but I think many people would like that song like I do. Lazareth Knight
OH JIMMY
capo @ 4 or 5 live
C Am F G
On page thirty of the yearbook he found a picture sweet
A girl named Marie Angel, in school right down the street
Dm walk down G
He didn’t notice…
SLAUGHTER MOUNTAIN
My mom’s dad was a coal miner. Her mother died of TB when she was a kid. When she was twelve, her dad, dying of black lung, slit his throat with a butcher knife. That left her with a cripple little brother to take care of…
COWTOWN
In a court yard down the alley
There's a grave yard, weeds and litter
Memories, undisturbed, await their doom
Beneath the glitter of COWTOWN
You take a building, old and crooked
Long ago the life forsook it
Paint it up and name…
I was talking about the Wight Hotel, directly across the street from The White Elephant. The things you mention were going on when The Beer Garden 1st took over that rat hole between the Elephant and the steak house.
Yeah, there's an "Indian" graveyard somewhere out there at the Stock Yards.
COWTOWN Key Em
Em C D Em
In a courtyard down the alley there’s a graveyard…
Tim Tandy
This one really grabs me, Jim. I enjoy the "play like" aspect of the Stockyards District today, but I KNOW what was real and what wasn't. When I grew up in East Fort Worth in the 50's thru the 70's, the Stockyards were a working affair. Everyone downwind got the dust and rancid odors that were a mixture of cattle manure, blood and guts, and rendered fat. Get up close, and you added in the panicked sounds of cattle going up the ramps to slaughter. The buildings along E and W Exchange were mostly delapidated flop-houses, and I recall there were usually destitute men in soiled undershirts leaning out the upstairs windows smoking cigarettes and taking it all in. When the slaughterhouses shut down and the development folks took over, they neatly "packed up" the ambience of the historical "Hell's Half Acre" - gambling halls, saloons, cheap hotels, bordello's and the site of gunfights such as the famous Luke Short/Jim Courtright affair - which had been razed in the 60's and replaced with the Water Gardens and Convention Center as an act of "urban renewal", and "relocated" them to the Stockyards. I really don't object to all of it, but just wish they were a bit more open about what's shit and what's Shinola, ya know? All the tourists crowd E Exhange at the appointed hour and hoot and holler and excitedly REAL Wild West every day when the "cattle drive" occurs. Oh, well, as Bruce Willis' character in "Die Hard" liked to say, "Yippi-ki-yay, MF!"
was a Texan.
Quannah Parker was the son born to Cynthia Parker, a white girl, stolen by Comanche raiders who grew up to be the wife of the chief. Quannah, in turn became the leader of his tribe. Eventually, Cynthia returned to her people. This…
Quanah is my fav. it triggered feelings between my son and me, the question of when are you enough to claim your ancestors? Tears did flow on listening.Beautifully performed by Barbara and beautifully written.
When this happened I couldn't get home before I had the song half written. What a lonely feeling.
NOBODY KNOW ME IN TOWN ANY MORE Key of G
G Em
There’s a bird in the gutter that…
Sad, and that was 11 years ago. How does it feel now ... like more of the same? It seems to me like your not just accepted but held in high esteem at the places where I've seen you perform. Lazarus Knight
Gramma's Shampoo
Gramma's shampoo is washing my hair
And I hope it will notice that gramma's not there
It's the kind that knows just what to do
Says it right there on the bottle, shampoo
"Automatically adjusts to your hair's cleansing needs…
This little miracle is a performance art piece, in addition to being a song track on an album. I can see this as an interlude in a dramatic stage play. Highly creative and outside the box here. And those harmonies are so tight you couldn't get a sliver between them! Amazling!
The lyrics of this song,
as they pertain to plot,
are my exact memory of the event.
I had spoken to the kid maybe a minute before the "action" started about how the pressure of the water was very strong. He was nestled down with his back…
Terry Rasor
I remember those daze Michael, y’all were awesome and I’m glad and proud to have known you all and have you at my Raz On The Braz festival so many years ago! Love ya my friend!
Roland Brown
Sorry to hear about Barbara. Texas Water was as good as you say. I’m thinking about adding “I’ll Be Glad to Let You Love Me” to our band’s set list.
One of the beautiful things about artists and songwriting is taking “fact & fiction”, and whipping them together in ways outsiders usually don’t know which is which or possibly nothing at all. This is something I’ve always admired regarding your craft!
- Scotty Lee Shuffield…Tyler, TX.
THE DUST ON THE PIANO
Capo at 2 in Dm
Dm C (2) or Em D
He used to play piano because it made her smile
Dm C (2)
She could be in any room. He'd sit and play a while
F C Bb (G)Dm or G D C Em
He didn't need to see her. He knew she loved…
FIREFLIES. capo @ 2
F walk down
We (C) spoke of them as (C/B) sweethearts
There (Am) in the Southern (F) sky
(C) Saturn, just a (G) twinkle, bold (F) Jupiter near (G) by
I (Am) guess we didn't (Am/G) notice
as they (Am/F)drifted a…
"Fireflies." has a stellar intro, and then you woot he listener in with your crooning and compelling vocals. I have always loved the topic of fireflies and your hook about chsing fireflies in the htickets of two hearts is Phenomenal. Lots of nostalgia in this one, especiually for the girl next door who played a game with me, a kiss for every firefly i caught for her. But man those bugs were elusive as hell. But when I got a few, I was enthralled by her gentle thank you on my lips. Matthew Blowers III
SKINNY GIRLS
Capo @ 3 in G
...and then he said,
I like skinny girls
Toothy girls
Flat chested girls
I like girls with Adam's apples
A mouth full of titty
And a hand full of ass...
A girl with a six pack
is my kind of...
And then…
Now "Skinny Girls.' is a riotus collection of just plain fun and some great humor, I was so dissappointed when the track just cut out. But then I unbderstood you were giving folks just a taste. I was actually starting to visualize all the descriptive bean pole girls you were listing. A great bar song for sure, and I can see all the slightly inebriated guys rethinking and checking out all the skinny girls nursing their beers. LOL Matthew Blowers III
CALIFORNIA
Capo @ 4 in C/Am
I’m (Am) going back to California
A little place in the San (E) Joaquin
(Am, stepping down A G F# F E)
Where the back pasture builds
To Sierra foothills
And Kaweah tumbles down cool and clean
I’m going back…
Matthew F. Blowers III
I am really liking your song on California, I have a special love for that state. You captured all the reaons I miss it, with your superb storytelling in lyrics and with the smooth harmonies and extremely well played music. It has a catchy beat, and I listened to the very last note.
I NEVER DREAM
I never dream of building bridges. I never dream I’ll build a dam
I never dreamed of a cathedral for the mighty God, I Am
I never dreamed of founding clinics or make donations to the cause
I don’t see my name on statues and…
So today, for some reason I decided to read the words first.. Just the words. And found it an absolutely beautiful experience. The metaphors you use to describe great and cosmic plans and intentions of great societal achievement, contrasted with the lines that begin with, "BUT I dreamed we met for breakfast".... (the switch and the contrast is very powerful) what a tiny, common human thing: meeting over the sharing of food,. Then followed by, "I dreamed I held your hand"... human touch/connection, as though those two simple things are worth more than all the highest achievements of worldly fame, and material ladders climbed! Which they are. They so are. The rest of the lyrics continue to develop & express that idea beautifully. Then I listened to the sing, and although it is good as a song, For me, the words in themselves stand strong and impactful w/o anything else. Not to contrast them and say one is "better" than the other. Just that sometimes I see lyrics that stand alone, And just saying, these words do that very well. Gwyn Henry
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
(Remastered 22/10/2021)
I found this one while I was digging through the shoe-box for the 1994 songs. Apparently I wrote it on 10th November 1995.
Foolishly, I thought it would only take a week or so to record... I was originally expecting…
(Remastered 22/10/2021)
So I got me a new geetar the other week.
Named her Lala, obviously. Seemed kind of appropriate - she wears a faded gold dress and is full of chunes and mischiefs.
This is our first effort together. It was meant…
I wrote this song after planting and fertalizing a crop of sudan grass just to have the sun shine down with no relief on it for 100 days and no rain. We, Texas Water, were heading home one night AFTER A GIG at Gringo's in Grapevine when the…
I hope Brian (one of us Proods) will forgive me for posting this before we could get together to work on it further. He first played it for me a few months ago and I've been obsessively tweaking it every chance I could get.
I like to imagine…
My attempt at this super fun sea shanty!
This is an old New Zealand whaling song. The popular recent version was recorded a cappella by The Longest Johns. I'm using the chords suggested by Piotrek_G on ultimate-guitar.
Edit: re-uploaded…
CALIFORNIA
Capo @ 4 in C/Am
I’m (Am) going back to California
A little place in the San (E) Joaquin
(Am, stepping down A G F# F E)
Where the back pasture builds
To Sierra foothills
And Kaweah tumbles down cool and clean
I’m going back…
California has a chorus that camouflages the dramatic irony of the verse narrative. If it weren’t for the unusual intro, it’d seem zirconium. Christopher Youngblood
VIDEO https://www.facebook.com/reel/629088762494393
https://www.facebook.com/100007692130538/videos/122358790913196/
THE CIRCLE OF NO REGRETS Key C
capo @ 5
C F G C C G C
If your heart must be broken…
Circle of No Regrets sounds quaint. That’s what makes it hit. Unless you turn your ears on, it’s a boring song, but once you do, it’s hard to take.
It’s almost like you’re giving the audience an option. Christopher Youngblood
Comments on James Michael Taylor's stuff
David Young Very sad song but your lyrics are wonderfully written, as always. You are a musical treasure!
Kat Angel Heartfelt and beautiful.
Leslie Young Sad song.
Bruce Balmer I like the parallel sixths in the backing vocals.
Tim Tandy Hickory Stix has always captivated me. Dang, I gotta start getting out to open mics again. Might even get the chance to sing that high harmony on the "oohs!"
Rose Jeffus - I agree. (with Lane. "I declare this album your #1 compilation."
Watermelon Wind is a good one too. Really inspiring images Lazarus Knight
Yes, it is obvious to anyone who actually listens to follow the story. The killer line ... the picture that finishes breaking what's left of the listener's heart is "but Jimmy bought the yearbook, and he hold it now and then". Lazarus Knight
brush up on "Lest night I said goodbye to Rose" I know that's not exactly the title, but I think many people would like that song like I do. Lazareth Knight
Oh Jimmy rings of a certain kind of pain that you've captured perfectly. Lazarath Knight.
Lane Beauvais By the power invested in me, I declare this album your #1 compilation.
I was talking about the Wight Hotel, directly across the street from The White Elephant. The things you mention were going on when The Beer Garden 1st took over that rat hole between the Elephant and the steak house.
Tim Tandy This one really grabs me, Jim. I enjoy the "play like" aspect of the Stockyards District today, but I KNOW what was real and what wasn't. When I grew up in East Fort Worth in the 50's thru the 70's, the Stockyards were a working affair. Everyone downwind got the dust and rancid odors that were a mixture of cattle manure, blood and guts, and rendered fat. Get up close, and you added in the panicked sounds of cattle going up the ramps to slaughter. The buildings along E and W Exchange were mostly delapidated flop-houses, and I recall there were usually destitute men in soiled undershirts leaning out the upstairs windows smoking cigarettes and taking it all in. When the slaughterhouses shut down and the development folks took over, they neatly "packed up" the ambience of the historical "Hell's Half Acre" - gambling halls, saloons, cheap hotels, bordello's and the site of gunfights such as the famous Luke Short/Jim Courtright affair - which had been razed in the 60's and replaced with the Water Gardens and Convention Center as an act of "urban renewal", and "relocated" them to the Stockyards. I really don't object to all of it, but just wish they were a bit more open about what's shit and what's Shinola, ya know? All the tourists crowd E Exhange at the appointed hour and hoot and holler and excitedly REAL Wild West every day when the "cattle drive" occurs. Oh, well, as Bruce Willis' character in "Die Hard" liked to say, "Yippi-ki-yay, MF!"
Quanah is my fav. it triggered feelings between my son and me, the question of when are you enough to claim your ancestors? Tears did flow on listening.Beautifully performed by Barbara and beautifully written.
Sad, and that was 11 years ago. How does it feel now ... like more of the same? It seems to me like your not just accepted but held in high esteem at the places where I've seen you perform. Lazarus Knight
This little miracle is a performance art piece, in addition to being a song track on an album. I can see this as an interlude in a dramatic stage play. Highly creative and outside the box here. And those harmonies are so tight you couldn't get a sliver between them! Amazling!
Terry Rasor I remember those daze Michael, y’all were awesome and I’m glad and proud to have known you all and have you at my Raz On The Braz festival so many years ago! Love ya my friend!
Roland Brown Sorry to hear about Barbara. Texas Water was as good as you say. I’m thinking about adding “I’ll Be Glad to Let You Love Me” to our band’s set list.
One of the beautiful things about artists and songwriting is taking “fact & fiction”, and whipping them together in ways outsiders usually don’t know which is which or possibly nothing at all. This is something I’ve always admired regarding your craft! - Scotty Lee Shuffield…Tyler, TX.
Joe Brunelle - I like this, Jim
Comments made by James Michael Taylor
"Fireflies." has a stellar intro, and then you woot he listener in with your crooning and compelling vocals. I have always loved the topic of fireflies and your hook about chsing fireflies in the htickets of two hearts is Phenomenal. Lots of nostalgia in this one, especiually for the girl next door who played a game with me, a kiss for every firefly i caught for her. But man those bugs were elusive as hell. But when I got a few, I was enthralled by her gentle thank you on my lips. Matthew Blowers III
Now "Skinny Girls.' is a riotus collection of just plain fun and some great humor, I was so dissappointed when the track just cut out. But then I unbderstood you were giving folks just a taste. I was actually starting to visualize all the descriptive bean pole girls you were listing. A great bar song for sure, and I can see all the slightly inebriated guys rethinking and checking out all the skinny girls nursing their beers. LOL Matthew Blowers III
Matthew F. Blowers III I am really liking your song on California, I have a special love for that state. You captured all the reaons I miss it, with your superb storytelling in lyrics and with the smooth harmonies and extremely well played music. It has a catchy beat, and I listened to the very last note.
Very catchy! Too short, maybe. Gotta listen twice.
So today, for some reason I decided to read the words first.. Just the words. And found it an absolutely beautiful experience. The metaphors you use to describe great and cosmic plans and intentions of great societal achievement, contrasted with the lines that begin with, "BUT I dreamed we met for breakfast".... (the switch and the contrast is very powerful) what a tiny, common human thing: meeting over the sharing of food,. Then followed by, "I dreamed I held your hand"... human touch/connection, as though those two simple things are worth more than all the highest achievements of worldly fame, and material ladders climbed! Which they are. They so are. The rest of the lyrics continue to develop & express that idea beautifully. Then I listened to the sing, and although it is good as a song, For me, the words in themselves stand strong and impactful w/o anything else. Not to contrast them and say one is "better" than the other. Just that sometimes I see lyrics that stand alone, And just saying, these words do that very well. Gwyn Henry
This is cool. It gives me ideas.
WoW! Knocks me out. Really sizzles.
Makes me want to find a partner and do a little dance...very nice.
You had me at, "If I back off and shut my mouth..." Know exactly where you are. So afraid the answer is, "No."
Sounds like a 50s Buddy Holly era song. Very sweet sentiment. And, yes, I can dance to it.
Great characterization. Great kick drum sound.
WoW! Rock me, dude! Love the imagery.
Kim Triolo Feil James Michael Taylor that's a fantastic story and a very lovely song
Yes! A MONKEES song, for sure.
Interesting sounds. Cool chord shifts.
Aaah, if Love could only be forgotten... Nice.
Like it.
Very nice...
California has a chorus that camouflages the dramatic irony of the verse narrative. If it weren’t for the unusual intro, it’d seem zirconium. Christopher Youngblood
Circle of No Regrets sounds quaint. That’s what makes it hit. Unless you turn your ears on, it’s a boring song, but once you do, it’s hard to take. It’s almost like you’re giving the audience an option. Christopher Youngblood