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GHOST TOWN capo @ 2 in C
C Em F G C
I…
I wrote this song with Lisa Aschmann. CAPO @ 3
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HICKORY STIX
Dm Am
Billy Mac and Don McCray drive to work each dawn at six
Down the mountain to the factory, makes…
Tim Tandy
Hickory Stix has always captivated me. Dang, I gotta start getting out to open mics again. Might even get the chance to sing that high harmony on the "oohs!"
SLAUGHTER MOUNTAIN
My mom’s dad was a coal miner. Her mother died of TB when she was a kid. When she was twelve, her dad, dying of black lung, slit his throat with a butcher knife. That left her with a cripple little brother to take care of…
WATERMELON WIND Capo @ 3 Key G
On a (G) road outside of Brownsboro there’s a (Bm) watermelon stand
Dm Dm - E
All boarded and bedraggled, fallen signs peak thru the sand
Am…
OH JIMMY
capo @ 4 or 5 live
C Am F G
On page thirty of the yearbook he found a picture sweet
A girl named Marie Angel, in school right down the street
Dm walk down G
He didn’t notice…
Yes, it is obvious to anyone who actually listens to follow the story. The killer line ... the picture that finishes breaking what's left of the listener's heart is "but Jimmy bought the yearbook, and he hold it now and then". Lazarus Knight
capo @ 4 Am - 3/4 time (starts on A)
Am G Am G Am
Last night I said Good bye to Rose but long ago I learned.
The things that last we seldom know and think a bridge is burned.
Bb…
brush up on "Lest night I said goodbye to Rose" I know that's not exactly the title, but I think many people would like that song like I do. Lazareth Knight
OH JIMMY
capo @ 4 or 5 live
C Am F G
On page thirty of the yearbook he found a picture sweet
A girl named Marie Angel, in school right down the street
Dm walk down G
He didn’t notice…
SLAUGHTER MOUNTAIN
My mom’s dad was a coal miner. Her mother died of TB when she was a kid. When she was twelve, her dad, dying of black lung, slit his throat with a butcher knife. That left her with a cripple little brother to take care of…
COWTOWN
In a court yard down the alley
There's a grave yard, weeds and litter
Memories, undisturbed, await their doom
Beneath the glitter of COWTOWN
You take a building, old and crooked
Long ago the life forsook it
Paint it up and name…
I was talking about the Wight Hotel, directly across the street from The White Elephant. The things you mention were going on when The Beer Garden 1st took over that rat hole between the Elephant and the steak house.
Yeah, there's an "Indian" graveyard somewhere out there at the Stock Yards.
COWTOWN Key Em
Em C D Em
In a courtyard down the alley there’s a graveyard…
Tim Tandy
This one really grabs me, Jim. I enjoy the "play like" aspect of the Stockyards District today, but I KNOW what was real and what wasn't. When I grew up in East Fort Worth in the 50's thru the 70's, the Stockyards were a working affair. Everyone downwind got the dust and rancid odors that were a mixture of cattle manure, blood and guts, and rendered fat. Get up close, and you added in the panicked sounds of cattle going up the ramps to slaughter. The buildings along E and W Exchange were mostly delapidated flop-houses, and I recall there were usually destitute men in soiled undershirts leaning out the upstairs windows smoking cigarettes and taking it all in. When the slaughterhouses shut down and the development folks took over, they neatly "packed up" the ambience of the historical "Hell's Half Acre" - gambling halls, saloons, cheap hotels, bordello's and the site of gunfights such as the famous Luke Short/Jim Courtright affair - which had been razed in the 60's and replaced with the Water Gardens and Convention Center as an act of "urban renewal", and "relocated" them to the Stockyards. I really don't object to all of it, but just wish they were a bit more open about what's shit and what's Shinola, ya know? All the tourists crowd E Exhange at the appointed hour and hoot and holler and excitedly REAL Wild West every day when the "cattle drive" occurs. Oh, well, as Bruce Willis' character in "Die Hard" liked to say, "Yippi-ki-yay, MF!"
was a Texan.
Quannah Parker was the son born to Cynthia Parker, a white girl, stolen by Comanche raiders who grew up to be the wife of the chief. Quannah, in turn became the leader of his tribe. Eventually, Cynthia returned to her people. This…
Quanah is my fav. it triggered feelings between my son and me, the question of when are you enough to claim your ancestors? Tears did flow on listening.Beautifully performed by Barbara and beautifully written.
When this happened I couldn't get home before I had the song half written. What a lonely feeling.
NOBODY KNOW ME IN TOWN ANY MORE Key of G
G Em
There’s a bird in the gutter that…
Sad, and that was 11 years ago. How does it feel now ... like more of the same? It seems to me like your not just accepted but held in high esteem at the places where I've seen you perform. Lazarus Knight
Gramma's Shampoo
Gramma's shampoo is washing my hair
And I hope it will notice that gramma's not there
It's the kind that knows just what to do
Says it right there on the bottle, shampoo
"Automatically adjusts to your hair's cleansing needs…
This little miracle is a performance art piece, in addition to being a song track on an album. I can see this as an interlude in a dramatic stage play. Highly creative and outside the box here. And those harmonies are so tight you couldn't get a sliver between them! Amazling!
The lyrics of this song,
as they pertain to plot,
are my exact memory of the event.
I had spoken to the kid maybe a minute before the "action" started about how the pressure of the water was very strong. He was nestled down with his back…
Terry Rasor
I remember those daze Michael, y’all were awesome and I’m glad and proud to have known you all and have you at my Raz On The Braz festival so many years ago! Love ya my friend!
Roland Brown
Sorry to hear about Barbara. Texas Water was as good as you say. I’m thinking about adding “I’ll Be Glad to Let You Love Me” to our band’s set list.
One of the beautiful things about artists and songwriting is taking “fact & fiction”, and whipping them together in ways outsiders usually don’t know which is which or possibly nothing at all. This is something I’ve always admired regarding your craft!
- Scotty Lee Shuffield…Tyler, TX.
THE DUST ON THE PIANO
Capo at 2 in Dm
Dm C (2)
He used to play piano because it made her smile
Dm C (2)
She could be in any room. He'd sit and play a while
F C Bb (G)Dm
He didn't need to see her. He knew she loved it so
He'd sit and…
THE DUST ON THE PIANO
Capo at 2 in Dm
Dm C (2)
He used to play piano because it made her smile
Dm C (2)
She could be in any room. He'd sit and play a while
F C Bb (G)Dm
He didn't need to see her. He knew she loved it so
He'd sit and…
THE DUST ON THE PIANO
Capo at 2 in Dm
Dm C (2)
He used to play piano because it made her smile
Dm C (2)
She could be in any room. He'd sit and play a while
F C Bb (G)Dm
He didn't need to see her. He knew she loved it so
He'd sit and…
Another collab with Jip, with me adding the vibes, pad of the orient, flute and vocals.
From the original da da da da das before I came up with any lyrics, I wasn't happy with any of the melodies. This is the result of me getting bored with…
Alone for the weekend so here's another.....Reg has really got to stop being a peeping Tom he's going to get caught one of these days.......
I Love her (Lyrics)
she wanders about inside my mind sending me crazy from time to time but i love…
Another one jip1965 sent to me for playing with!
Silent and magical
Calming and practical
Moonbeams, silver moonbeams
Filtering through the air
Twinkling in our hair
Moonbeams, silver moonbeams
Dancing on the leaves of trees
Shaking…
Really like your vocals. Reminds me of the girls that sang in a trio from Seattle back in the fifties called The Fleetwoods. They did Tragedy and Come Softly to Me.
Another lyrically-challenged collaboration with jip1965, who sent me a guitar, bongo, percussion track with a recorder playing named, simply, 'Love'.
I added the piccolo, crystals and windchimes from my virtual keyboard, renamed it 'What is…
Another early tune, this one remains forever unfinished... Still, it has some raw charm, and there's even some CMOR rapping happening!
From my 2006 album, 'Quip Hop'
This is a remix of this song.
It was recorded in 2010, and I was in a hurry to post it elsewhere because I'm so fond of the song itself. But I've always hated the old mix - I lost the essence of the guitars and choirs during mastering because…
Big time "like". Such an expanse of history/experience/pathos captured in so few words.
I dealt with this on a much smaller scale in a song I called THE INAPPROPRIATE QUESTION.
In my late teens I was in a hard rock band and this was one of our songs. This recording is not the band but myself doing all the instruments and vocals. Our singer Kevin wrote the lyrics but I forgot some of the lines and adlibbed a bit of it…
This is a lil tune I had written over fifteen years ago. It is one of my favorite progressions and I figure in the near future to record a full band arrangement with vocals. This is just a ruff take working out a melody over the changes.
Oh yet another nostalgic blast from the past. I found this unbelievable backing track surfing the web some years ago. I usually never use backing tracks because they usually suck bad . But this one is like having mitch and noel at your side. I…
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
New one from me. It's ended up as a bit of a "crying into yer beer at Bob's Country Bunker" sort of song lol...
I've been sat on these lyrics in some form or another for absolutely years. I first wrote them one very dark night a few years after…
First new one from me in a long time.
Kind of a love song, I guess.
Recorded in my new "studio" (3rd bedroom in the new house). Almost up and running now... shine and don't stop wondering!
****
**Shine - A A J Russe**
On my way…
A new original from me. Another one-voice, one-guitar, "live" performance in my broom-cupboard. This time it's the good ole tin guitar.
I wrote this one in 2002 during the "dark years" lol. I've ummed and aahed over the years on whether to…
Comments on James Michael Taylor's stuff
Leslie Young Sad song.
Bruce Balmer I like the parallel sixths in the backing vocals.
Tim Tandy Hickory Stix has always captivated me. Dang, I gotta start getting out to open mics again. Might even get the chance to sing that high harmony on the "oohs!"
Rose Jeffus - I agree. (with Lane. "I declare this album your #1 compilation."
Watermelon Wind is a good one too. Really inspiring images Lazarus Knight
Yes, it is obvious to anyone who actually listens to follow the story. The killer line ... the picture that finishes breaking what's left of the listener's heart is "but Jimmy bought the yearbook, and he hold it now and then". Lazarus Knight
brush up on "Lest night I said goodbye to Rose" I know that's not exactly the title, but I think many people would like that song like I do. Lazareth Knight
Oh Jimmy rings of a certain kind of pain that you've captured perfectly. Lazarath Knight.
Lane Beauvais By the power invested in me, I declare this album your #1 compilation.
I was talking about the Wight Hotel, directly across the street from The White Elephant. The things you mention were going on when The Beer Garden 1st took over that rat hole between the Elephant and the steak house.
Tim Tandy This one really grabs me, Jim. I enjoy the "play like" aspect of the Stockyards District today, but I KNOW what was real and what wasn't. When I grew up in East Fort Worth in the 50's thru the 70's, the Stockyards were a working affair. Everyone downwind got the dust and rancid odors that were a mixture of cattle manure, blood and guts, and rendered fat. Get up close, and you added in the panicked sounds of cattle going up the ramps to slaughter. The buildings along E and W Exchange were mostly delapidated flop-houses, and I recall there were usually destitute men in soiled undershirts leaning out the upstairs windows smoking cigarettes and taking it all in. When the slaughterhouses shut down and the development folks took over, they neatly "packed up" the ambience of the historical "Hell's Half Acre" - gambling halls, saloons, cheap hotels, bordello's and the site of gunfights such as the famous Luke Short/Jim Courtright affair - which had been razed in the 60's and replaced with the Water Gardens and Convention Center as an act of "urban renewal", and "relocated" them to the Stockyards. I really don't object to all of it, but just wish they were a bit more open about what's shit and what's Shinola, ya know? All the tourists crowd E Exhange at the appointed hour and hoot and holler and excitedly REAL Wild West every day when the "cattle drive" occurs. Oh, well, as Bruce Willis' character in "Die Hard" liked to say, "Yippi-ki-yay, MF!"
Quanah is my fav. it triggered feelings between my son and me, the question of when are you enough to claim your ancestors? Tears did flow on listening.Beautifully performed by Barbara and beautifully written.
Sad, and that was 11 years ago. How does it feel now ... like more of the same? It seems to me like your not just accepted but held in high esteem at the places where I've seen you perform. Lazarus Knight
This little miracle is a performance art piece, in addition to being a song track on an album. I can see this as an interlude in a dramatic stage play. Highly creative and outside the box here. And those harmonies are so tight you couldn't get a sliver between them! Amazling!
Terry Rasor I remember those daze Michael, y’all were awesome and I’m glad and proud to have known you all and have you at my Raz On The Braz festival so many years ago! Love ya my friend!
Roland Brown Sorry to hear about Barbara. Texas Water was as good as you say. I’m thinking about adding “I’ll Be Glad to Let You Love Me” to our band’s set list.
One of the beautiful things about artists and songwriting is taking “fact & fiction”, and whipping them together in ways outsiders usually don’t know which is which or possibly nothing at all. This is something I’ve always admired regarding your craft! - Scotty Lee Shuffield…Tyler, TX.
Joe Brunelle - I like this, Jim
Lazarus Knight That's a really good song. It resonates with truth.
Tim Tandy Brilliantly haunting! Like a character in a Hank Williams song, you're telling a poignant, sad story, but NOT seeking pity.
Comments made by James Michael Taylor
Very Pink Floyd/Beatles like. Very restful.
Like the funkyness of it.
Like how it grows. Swells and fades. Like the "radar" beep...
I haven't heard the original...but this is very cool. Very poppie. A little bit of DEVO here.
Really like your vocals. Reminds me of the girls that sang in a trio from Seattle back in the fifties called The Fleetwoods. They did Tragedy and Come Softly to Me.
Really evocative. You are using that program very expertly. I have been working in Logic Pro since my computer with Nuendo died.
This sounds ancient. Unlike the others I have listened to. Interesting bass line.
This is really solid. From note one. Love the tone on that bass.
Groovy.
Are your tunes all done with Midi? It's all so clean.
Likewise...
Very cool. Love the sparceness of it.
Big time "like". Such an expanse of history/experience/pathos captured in so few words. I dealt with this on a much smaller scale in a song I called THE INAPPROPRIATE QUESTION.
Stadium rock!!! Yeah!
Reminds me of The Fleetwoods. (Not Fleetw3ood Mac) A very specific time and place.
So Cream/Hendrix. Jack Bruce. Love the unrelenting drive. Stevie Ray too. (Thank you for your comment.
Thank you for the comments. You made my day. jmt
Yeah.Takes me back to high school.
Like. So clean.
Clean! Like the simplicity. The intensity.