David Young Very sad song but your lyrics are wonderfully written, as always. You are a musical treasure!

Kat Angel Heartfelt and beautiful.

Leslie Young Sad song.

Bruce Balmer I like the parallel sixths in the backing vocals.

Tim Tandy Hickory Stix has always captivated me. Dang, I gotta start getting out to open mics again. Might even get the chance to sing that high harmony on the "oohs!"

Rose Jeffus - I agree. (with Lane. "I declare this album your #1 compilation."

Watermelon Wind is a good one too. Really inspiring images Lazarus Knight

Yes, it is obvious to anyone who actually listens to follow the story. The killer line ... the picture that finishes breaking what's left of the listener's heart is "but Jimmy bought the yearbook, and he hold it now and then". Lazarus Knight

brush up on "Lest night I said goodbye to Rose" I know that's not exactly the title, but I think many people would like that song like I do. Lazareth Knight

Oh Jimmy rings of a certain kind of pain that you've captured perfectly. Lazarath Knight.

Lane Beauvais By the power invested in me, I declare this album your #1 compilation.

I was talking about the Wight Hotel, directly across the street from The White Elephant. The things you mention were going on when The Beer Garden 1st took over that rat hole between the Elephant and the steak house.

Tim Tandy This one really grabs me, Jim. I enjoy the "play like" aspect of the Stockyards District today, but I KNOW what was real and what wasn't. When I grew up in East Fort Worth in the 50's thru the 70's, the Stockyards were a working affair. Everyone downwind got the dust and rancid odors that were a mixture of cattle manure, blood and guts, and rendered fat. Get up close, and you added in the panicked sounds of cattle going up the ramps to slaughter. The buildings along E and W Exchange were mostly delapidated flop-houses, and I recall there were usually destitute men in soiled undershirts leaning out the upstairs windows smoking cigarettes and taking it all in. When the slaughterhouses shut down and the development folks took over, they neatly "packed up" the ambience of the historical "Hell's Half Acre" - gambling halls, saloons, cheap hotels, bordello's and the site of gunfights such as the famous Luke Short/Jim Courtright affair - which had been razed in the 60's and replaced with the Water Gardens and Convention Center as an act of "urban renewal", and "relocated" them to the Stockyards. I really don't object to all of it, but just wish they were a bit more open about what's shit and what's Shinola, ya know? All the tourists crowd E Exhange at the appointed hour and hoot and holler and excitedly REAL Wild West every day when the "cattle drive" occurs. Oh, well, as Bruce Willis' character in "Die Hard" liked to say, "Yippi-ki-yay, MF!"

Quanah is my fav. it triggered feelings between my son and me, the question of when are you enough to claim your ancestors? Tears did flow on listening.Beautifully performed by Barbara and beautifully written.

Sad, and that was 11 years ago. How does it feel now ... like more of the same? It seems to me like your not just accepted but held in high esteem at the places where I've seen you perform. Lazarus Knight

This little miracle is a performance art piece, in addition to being a song track on an album. I can see this as an interlude in a dramatic stage play. Highly creative and outside the box here. And those harmonies are so tight you couldn't get a sliver between them! Amazling!

Terry Rasor I remember those daze Michael, y’all were awesome and I’m glad and proud to have known you all and have you at my Raz On The Braz festival so many years ago! Love ya my friend!

Roland Brown Sorry to hear about Barbara. Texas Water was as good as you say. I’m thinking about adding “I’ll Be Glad to Let You Love Me” to our band’s set list.

One of the beautiful things about artists and songwriting is taking “fact & fiction”, and whipping them together in ways outsiders usually don’t know which is which or possibly nothing at all. This is something I’ve always admired regarding your craft! - Scotty Lee Shuffield…Tyler, TX.

Joe Brunelle - I like this, Jim

Like the funkyness of it.

Like how it grows. Swells and fades. Like the "radar" beep...

I haven't heard the original...but this is very cool. Very poppie. A little bit of DEVO here.

Really like your vocals. Reminds me of the girls that sang in a trio from Seattle back in the fifties called The Fleetwoods. They did Tragedy and Come Softly to Me.

Really evocative. You are using that program very expertly. I have been working in Logic Pro since my computer with Nuendo died.

This sounds ancient. Unlike the others I have listened to. Interesting bass line.

This is really solid. From note one. Love the tone on that bass.

Groovy.

Are your tunes all done with Midi? It's all so clean.

Likewise...

Very cool. Love the sparceness of it.

Big time "like". Such an expanse of history/experience/pathos captured in so few words. I dealt with this on a much smaller scale in a song I called THE INAPPROPRIATE QUESTION.

Stadium rock!!! Yeah!

Reminds me of The Fleetwoods. (Not Fleetw3ood Mac) A very specific time and place.

So Cream/Hendrix. Jack Bruce. Love the unrelenting drive. Stevie Ray too. (Thank you for your comment.

Thank you for the comments. You made my day. jmt

Yeah.Takes me back to high school.

Like. So clean.

Clean! Like the simplicity. The intensity.

Love the delicacy of it.