HOW
I've got a friend. He is in trouble
But he just stands there in the rubble
It seems each day his sorrows double
He needs to know. He needs to know
How do you keep your hand from shaking
How do you keep your fear from waking
How…
I CAN'T TELL
I can't tell if it's morning or evening
I can't tell night from day
I can't tell if I'm arriving or leaving
Doesn't mean a thing to me
Since you went away
I can't tell if it's sunny or raining
I can't tell if it's…
I CAN'T TELL
I can't tell if it's morning or evening
I can't tell night from day
I can't tell if I'm arriving or leaving
Doesn't mean a thing to me
Since you went away
I can't tell if it's sunny or raining
I can't tell if it's…
I CAN'T TELL
I can't tell if it's morning or evening
I can't tell night from day
I can't tell if I'm arriving or leaving
Doesn't mean a thing to me
Since you went away
I can't tell if it's sunny or raining
I can't tell if it's…
I CAN'T TELL
I can't tell if it's morning or evening
I can't tell night from day
I can't tell if I'm arriving or leaving
Doesn't mean a thing to me
Since you went away
I can't tell if it's sunny or raining
I can't tell if it's…
ADOBE & BLOOD
Thanks to David Kneller
for bringing up the subject
and creating that phrase:
ADOBE & BLOOD
I read a lotta stories about a lotta stuff
But I tell ya folks, I'll never read enough
To block out the memories what…
ADOBE & BLOOD
Thanks to David Kneller
for bringing up the subject
and creating that phrase:
ADOBE & BLOOD
I read a lotta stories about a lotta stuff
But I tell ya folks, I'll never read enough
To block out the memories what…
ADOBE & BLOOD
Thanks to David Kneller
for bringing up the subject
and creating that phrase:
ADOBE & BLOOD
I read a lotta stories about a lotta stuff
But I tell ya folks, I'll never read enough
To block out the memories what…
It seems our hunger to express awe is channeled
into petty things early in our life and when we break free we feel robbed because all the mighty expressions are tied up in silly stories about some jealous being making contradictory demands…
When you come to the end of the road
and all of the signs just say "No"
You never say, "Quit"
Cause that's not your bit
You're not a pup
You never give up...
It's so dark
she can't sleep
She needs more
ice in her water
She lost her smile
It went to Nashville
So she sent
me her address
I didn't know
if I should answer
or go to her
I could call a taxi
Too much wine
Too much coffee
Too…
Jeff's version
FLORENCIA
The tide is going out in Avila
I can feel it in my blood
Here I am in South Beach Florida
Just like you knew I would
There's a place in California
Where the coast is always clear
You said you'd be in…
Like it. I get the Glen Campbell vibe too.
I kinda like how the song is quite relaxed but the bass line is steaming along - almost like the bass-player thinks he's getting paid per note!
Jeff's version
FLORENCIA
The tide is going out in Avila
I can feel it in my blood
Here I am in South Beach Florida
Just like you knew I would
There's a place in California
Where the coast is always clear
You said you'd be in…
Jeff's version
FLORENCIA
The tide is going out in Avila
I can feel it in my blood
Here I am in South Beach Florida
Just like you knew I would
There's a place in California
Where the coast is always clear
You said you'd be in…
Kind of a Glen Campbell-era classy country sound and vibe. I think I like this version best, so far... who knows who might come along to do version of this version of that version of I'm confused already! ;)
THE GIFT - key C
An architect in Bakersfield gave him a gift of wine
Napa Valley, California, famous for the vine
When the grape is coupled with the peach, the promise is divine
But he would never pull the cork as he alone would dine…
sounds good. the lyrical tweaks worked. the production is simple and effective. the vocals on the last verse seem to be punched in and out a lot, i wasn't sure if you were going for an effect or what, but it distracted me from the song a little. otherwise, that's a gooder 'un.
jbp
THE GIFT - key C
An architect in Bakersfield gave him a gift of wine
Napa Valley, California, famous for the vine
When the grape is coupled with the peach, the promise is divine
But he would never pull the cork as he alone would dine…
It's so dark
she can't sleep
She needs more
ice in her water
She lost her smile
It went to Nashville
So she sent
me her address
I didn't know
if I should answer
or go to her
I could call a taxi
Too much wine
Too much coffee
Too…
Now these are some interesting lyrics. The music is rather dark and sad in its delivery. It's a good mixing/mastering job -- chilling! I like it, but I sense the pain.
This version was an effort to make it into a country song... an "effort."
Florencia Di Concilio is a composer who lives in Paris. Among other things, she writes music for movies. One of the movies she wrote music for is DARK BLOOD, the last…
This version was an effort to make it into a country song... an "effort."
Florencia Di Concilio is a composer who lives in Paris. Among other things, she writes music for movies. One of the movies she wrote music for is DARK BLOOD, the last…
IF IT MAKES YOU HAPPY
If it makes you happy I will tie your shoe
If it makes you happy I will tickle you
If it makes you happy I'm telling you true
If it makes you happy I'll be happy too
If it makes you happy I will wiggle my ears…
“I loved her against reason, against promise, against peace, against hope, against happiness, against all discouragement that could be.” - Charles Dickens
This song contains the body of the first song I ever wrote. A poem sent to me while I was away to school in Idaho in 1959 by Carolyn Opitz that I sat at an old pump organ and sang a thousand times when I was a junior in high school.
YOU CAN…
SLAUGHTER MOUNTAIN
My mom’s dad was a coal miner. Her mother died of TB when she was a kid. When she was twelve, her dad, dying of black lung, slit his throat with a butcher knife. That left her with a cripple little brother to take care of…
SLAUGHTER MOUNTAIN
My mom’s dad was a coal miner. Her mother died of TB when she was a kid. When she was twelve, her dad, dying of black lung, slit his throat with a butcher knife. That left her with a cripple little brother to take care of…
Candy Davis
I love that album. You gifted it to me a long time ago, and I still think about those hapless men becoming ill and dying, making hickory handled hardware. And "Help!' raises so many emotions in me--that people would just stand on the shore and do nothing while you risked your life alone to save that boy. All of the songs on Slaughter Mountain are ones that are so well written and so memorable!
Randy Brown and I did a little co-write this evening and this is what we came up with...
I MISTOOK IT FOR THE MOON Capo @ 2 Key D (Play in C positions)
I was coasting across West Texas/Had my top down, it was late at night
I caught a coyote…
I just listened to A YEAR IN JAIL. both versions. Yours is much better than mine.
Jeff
Jeff Prince
Thanks. I remember approaching it as a straight-ahead country-and-western song vocally, and the production is good, especially toward the end. Great song. The music is better from the 1st note.
My mom is 91 and still holding on.
The people that help her make it thru
each day have learned that there is no
sense in arguing with her about who they
are or when it is...thus the song.
MAMA HAS A TIME MACHINE key - Em
Mama has a…
You really broke me down on that one. It's like you have been looking into my living room. It took me a second to remember your names is James also. - James Bucannan
Worshiping at an abandoned alter...
Let my breaths be as long as her legs
Let my breaths be as smooth as her back
Let my breaths be as cool as her hips
Let my heart be as still as her tongue
Let my mind be as bright as her skin
Let my…
FOREVER
She stares out the window. That look in her eye
How deep can her heart know life's passing her by
The radio's playing. She holds back a tear
A song she's forgotten
Holds back the years...Forever
And she says,
"I wish I 'd loved…
FOREVER
She stares out the window. That look in her eye
How deep can her heart know life's passing her by
The radio's playing. She holds back a tear
A song she's forgotten
Holds back the years...Forever
And she says,
"I wish I 'd loved…
Well, it's like I went down town last night to see Guthrie playing with Ray and I came home with a song.
NOBODY KNOW ME IN TOWN ANY MORE Capo @ 1 in G
There’s a bird in the gutter that’s so sound asleep
He can’t hear the music that’s sweeping…
The lyrics of this song,
as they pertain to plot,
are my exact memory of the event.
I had spoken to the kid maybe a minute before the "action" started about how the pressure of the water was very strong. He was nestled down with his back…
NAAD -Just read your lyrics and liatend.to the son...w
Very beautiful, very moving...beautiful how you he'd on the rhyme scheme an dmade it work...so love the slave t rhymes as well...they're my favorite...super smooth transitions....tell me a bit about the inclusion of you garden reflections in the middle of the song...counter point? Balancing urgency and reality? Love, love, love thisnone...will.ha r to listen again.
"tell me a bit about the inclusion of you garden reflections in the middle of the song...counter point?" it all ties in when I relate it to the weather, "...there's lightning and thunder...but this summer is a wash...what we really need is rain." The reason the river was up that day was because there had been so much rain in the previous days, they were lowering the dam to lower the water lever in the lake that fed this river.
Refuge into the imagination:
Is it crazy?
Is it survival?
Is desire to survive crazy?
THERE SHE WAS Key - G 102811
G
She'd been gone for three years now so he'd been on the road
Playing every truck stop bar and every song he…
Now and perpendicular to now, where shadows are, as we will create the next song of music and make sounds together in the now but also in the perpendicular to now for the theme at sound in. of course any music on theme or not is ok. At right angles…
One night after three month of no rain, as we were driving home from singing at Gringos in Grapevine a splash of water hit the windshield.
I said to myself, "Sweet Rain."
I went home and wrote the song. It's on the soundtrack of a movie called…
I never sing this song the same two times in a row.
The lyric below is pretty close to how I sing it now.
Listening again, this is an awful version of this song...
I have my recording machine working again...I must redo this.
I PLAY C…
Like most or all of your songs, there is always something really stands out and pays off big time. That last verse (or is it the last two) is absolutely, powefully emotion packed. And it is somewhat Vonnegut like in that so much is conveyed so precisely and with elegant simplicity. "... in the dream we left behind" - my God man, it's pure genius. Not the first two times I heard the song, but the first time I "listened" to it, I thought WHAT WAS THAT! And the it sunk in.
I have a new love
Of course she doesn’t know
How can a work of art
Know when lovers come and go
And when the artist is the art!
My eyes are the eyes of the beholder
And my eyes are the eyes of the world…
…when the artist is the art…
CATTAILS AND BUTTERFLIES capo @ 4 in C
C G repeat
There was a field around the corner
And a stream flowed cross the field
There were cat tails in the summer time
And monarch butterflies
And tadpoles sprouting wings
E…
Comments on James Michael Taylor's stuff
Wow! Amazing!! Really powerful song. All the best to those who were in your mind as you wrote this one.
Love the chorus on this! Gonna be the song in my head today!!!
Good one....
Nice one, like it. Is there a February write-a-song thing? Cos I've written one too! (Might be September before I've finished recording it, though...)
I love the music and I totally adore the poetry!
Powerful message, and it just keeps coming in today's time. . . .all in the name of God.
Great song! Such visual lyrics and powerful melody!
R O C K - O N!!! A song of social conscious, like we use to write in the '60s! Great lyrics, great sounds, great attitude = GREAT JOB!
You create some stunning stuff.
Very short and sweet - love it.
I LOVE this.
Like it. I get the Glen Campbell vibe too. I kinda like how the song is quite relaxed but the bass line is steaming along - almost like the bass-player thinks he's getting paid per note!
The Glen Campbell-John Hartford era reference is spot on. I dig it
Kind of a Glen Campbell-era classy country sound and vibe. I think I like this version best, so far... who knows who might come along to do version of this version of that version of I'm confused already! ;)
sounds good. the lyrical tweaks worked. the production is simple and effective. the vocals on the last verse seem to be punched in and out a lot, i wasn't sure if you were going for an effect or what, but it distracted me from the song a little. otherwise, that's a gooder 'un. jbp
Bittersweet. Dark, painful, but beautiful. Very well recorded -- mixed and mustered with great care and taste.
Now these are some interesting lyrics. The music is rather dark and sad in its delivery. It's a good mixing/mastering job -- chilling! I like it, but I sense the pain.
This is a great song! Creates a great visual with the lyrics.
An interesting progression of chords. Good lyrics. Nice vocal mix.
Cool tune, it does make me happy!
Comments made by James Michael Taylor
“I loved her against reason, against promise, against peace, against hope, against happiness, against all discouragement that could be.” - Charles Dickens
Wow! Starts of so light and carefree. Then pow to rock lead guitar breaks the tranquility. Contrast. Js Bchard.
David Young That’s the album that got me started loving your music! I used to listen to it often on my drive to work and back.
Candy Davis I love that album. You gifted it to me a long time ago, and I still think about those hapless men becoming ill and dying, making hickory handled hardware. And "Help!' raises so many emotions in me--that people would just stand on the shore and do nothing while you risked your life alone to save that boy. All of the songs on Slaughter Mountain are ones that are so well written and so memorable!
Wow. That is a good one. Michelle Soto
I just listened to A YEAR IN JAIL. both versions. Yours is much better than mine. Jeff Jeff Prince Thanks. I remember approaching it as a straight-ahead country-and-western song vocally, and the production is good, especially toward the end. Great song. The music is better from the 1st note.
You really broke me down on that one. It's like you have been looking into my living room. It took me a second to remember your names is James also. - James Bucannan
Haunting voices and guitar work. Nuno
The line: "The window's a mirror when it's dark outside..." Wow! Nuno
Gerald Ray - I love this.
"Nobody Knows Me". Your voice is so different in that song. Deeper.NUNO
NAAD -Just read your lyrics and liatend.to the son...w Very beautiful, very moving...beautiful how you he'd on the rhyme scheme an dmade it work...so love the slave t rhymes as well...they're my favorite...super smooth transitions....tell me a bit about the inclusion of you garden reflections in the middle of the song...counter point? Balancing urgency and reality? Love, love, love thisnone...will.ha r to listen again. "tell me a bit about the inclusion of you garden reflections in the middle of the song...counter point?" it all ties in when I relate it to the weather, "...there's lightning and thunder...but this summer is a wash...what we really need is rain." The reason the river was up that day was because there had been so much rain in the previous days, they were lowering the dam to lower the water lever in the lake that fed this river.
Cory Michael -I listened to the song and think you should definitely sing it next week. You're a hell of a story teller, James!
Evocative stuff.
Cindy Grayson James Michael Taylor beautiful song
Pamela Steuber Anderson James Michael Taylor I love this song. Thank you.
Like most or all of your songs, there is always something really stands out and pays off big time. That last verse (or is it the last two) is absolutely, powefully emotion packed. And it is somewhat Vonnegut like in that so much is conveyed so precisely and with elegant simplicity. "... in the dream we left behind" - my God man, it's pure genius. Not the first two times I heard the song, but the first time I "listened" to it, I thought WHAT WAS THAT! And the it sunk in.
That is beautiful, James. Thank you. Rachel Eastman
It's fun trying to imagine the movie this is the sound to. "Hoooooonk." Thanks for listening to my music.
504 Hathaway, San Luis Obispo, California. 1954