great work pure data is kinda difficult for me to make massive constructions due to the complexity of the details that have to be correct when working with it but pure data is a great program -- :)
Improv on an idea on mountain dulcimer with current times in mind. Created for Sound-In A Moment Captured event. The title is in the positive of the word and not in the flame thrower use by the the idiot in the White House, if anything liberty…
My first experience with a mountain dulcimer was one that was refretted with glued on bits of wire to make each step 65 cents instead of the usual 100 cents. I like your calming playing. It is like a conversation with friends by a fire under the starry sky.
Different endless tape loop recordings of snippets of fretless guitar improvised then assembled and remixed in Pure Data Vanilla. For the Sound-In Event of Aug 1 2020
Similar in creation to Endless fusing analog cassette tape loop with Pure Data patch. This one I'm playing real time violin and manipulating in Pure Data. Like to thank Amulets (https://www.amuletsmusic.com) for some recent inspiration. This…
Of late I've been going through a fascination with cassette tape. Really it started in 2019 when I released a Bandcamp release of mine on a physical cassette tape which is available at the link below. That said I've been inspired by Randall…
this has some interesting turns going on and looping too.-- so this was a physical thing with tapes. -- great. lots of work here /// I might make things like this with my tape collection after I have them digitized I guess--
Short violin phrases played then manipulated in process in conjunction with a filtered noise floor, variable oscillator and a voice sample, all mixed live in my Pure Data patch, this one inspired by tape looping. Created for Phase 2 of Sound…
I never know what to say on these... except "interesting listen"... And this one was... I've also discovered they make a good soundtrack to working at home... not what I was expecting at all!
great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/
Created under Creative Commons for Sound-In…
I hadn't realised Colleen was listening same time... I was off checking out Mary Oliver... but yes, after the initial scratchiness that I got used too, I agree, very quickly the cacophony did seem "normal" to me and even commonplace... and the poem Egrets (I had to look up what an Egret was, I didn't know! I knew the word, but not that it was a white bird) ... that kinda emphasised it... there was magical, but normal, and natural, stuff going on, and even the cacophony itself was natural - as in not necessarily man-made - the thorns and mosquitos...
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/
Created under Creative Commons for Sound-In…
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/
Created under Creative Commons for Sound-In…
Initially a contribution to an upcoming Chris Vaisvil record. I did several short real time played or created samples and remixed live in a new Pure Data patch I'm developing the 53 seconds I did for Chris with my original samples enhanced…
I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..
subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..---
yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.
Using a hang drum and hand pan apps, Pure Data oscillators recorded live, mixed down with a manipulated oscillator track and a city market sample on the end from Freesound.org contributing member Klankbeeld https://freesound.org/people/klankbeeld…
Saccharin was produced first in 1879, by Constantin Fahlberg, a chemist working on coal tar derivatives in Ira Remsen's laboratory at the Johns Hopkins University. Fahlberg noticed a sweet taste on his hand one evening, and connected this with…
quite something, art reflecting the times pretty much and that's what it's supposed to do. Well done Chris. Hope against hope though. Nice layering in the guitar in this.
delicate and great control, keep thinking the high glasslike on this is Jame's track mixed in. Lovely textures on all these Roger but particularly this one.
Nikola Tesla turned to pigeons in his extreme old age for companionship, feeding them through his open hotel window. After a life of dedication to improving the life of humanity, Nikola finally allowed himself time to find his own human nature.
Really like this. Your voice is getting defined in all these songs this one no less and the feeling between the self driven ensemble is tightening. Good work Chris!
Comments on jimgoodinmusic's stuff
this is pure joy,.. it has such a twang that gets emphasized by some kind of tape manipulations it is amazing --- thanks for the upload-
great work pure data is kinda difficult for me to make massive constructions due to the complexity of the details that have to be correct when working with it but pure data is a great program -- :)
Lovely atmospheric sound on an instrument that has always intrigued me.
great 000 it has a kind of textured effects to it.
My first experience with a mountain dulcimer was one that was refretted with glued on bits of wire to make each step 65 cents instead of the usual 100 cents. I like your calming playing. It is like a conversation with friends by a fire under the starry sky.
This has a distant, lonesome, Ry Cooder-like feel. Like driving through the desert.
Sounds like something I might've done with my fretless, back in the old tape days. Lovely!!
just excellent --- this is art for me-- I love this. --- :)
Crazy cool
wow-- just intense this is--
this has some interesting turns going on and looping too.-- so this was a physical thing with tapes. -- great. lots of work here /// I might make things like this with my tape collection after I have them digitized I guess--
I never know what to say on these... except "interesting listen"... And this one was... I've also discovered they make a good soundtrack to working at home... not what I was expecting at all!
Not sure what is going on, but your tracks definitely sound interesting
great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.
I hadn't realised Colleen was listening same time... I was off checking out Mary Oliver... but yes, after the initial scratchiness that I got used too, I agree, very quickly the cacophony did seem "normal" to me and even commonplace... and the poem Egrets (I had to look up what an Egret was, I didn't know! I knew the word, but not that it was a white bird) ... that kinda emphasised it... there was magical, but normal, and natural, stuff going on, and even the cacophony itself was natural - as in not necessarily man-made - the thorns and mosquitos...
I read the description and thought "ummmm, ok"... and, indeed, it did start like that for me. But then it was strangely compelling.
Somehow this is a perfect representation of how "noisy" our daily lives are, and how the cacophony seems almost normal.... Cool stuff here
I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..
subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..--- yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.
nice stuff. here.
Comments made by jimgoodinmusic
ghost in machine. Nice and short to the point!
Really nice mix of live and environment and production Kav
world calamity!
nice phrasing Jim, sounds electronic but not!
nice curve to this Bill
this is excellent particularly the opening as the guitar vibe is great tone and interspersed nicely Chris. The latter goes to surprising places.
wonderful!
really nice Kavin
echo Bill, lovely melody and sense of explore. Interesting fact re the artificial sweetner.
quite something, art reflecting the times pretty much and that's what it's supposed to do. Well done Chris. Hope against hope though. Nice layering in the guitar in this.
delicate and great control, keep thinking the high glasslike on this is Jame's track mixed in. Lovely textures on all these Roger but particularly this one.
brilliant and perfect!
love the subtly of this and the way you evolve each section.
subtly marvelous Peter!
lovely - movie score!
Really like this. Your voice is getting defined in all these songs this one no less and the feeling between the self driven ensemble is tightening. Good work Chris!
Like the eno and cool synth tones in this which I'm feeling lot these days! Nice beat and flow.
Amazing Kavin! Gotta see that one day. Excellent piece, glitch like but progresses to a great groove!
Touching, pensive and on point - good one for James!
Bach like and holidayish at same time.