yes Sonic-Pi.net is great I am just working with the examples they have and adding to that.. in the coding.. it is .. really great the things.. and the random possibilities that are there.--
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This is a live mix of 6 oscillations created in Pure Data. CDBAF#E according to my notes. Discovered this patch from making it about a year ago on a Linux machine. I opened up and created this live interaction.
This started as a test for a removable piezo pickup I got for my baritone ukulele. I was using my current Pure Data looping and oscillator patch and continued layering 6 loops off my first test and got into the groove. I added in two oscillators…
Created from ongoing trying to improve a Pure Data performance patch for live. This was 5 test voice samples pitched up slightly and mixed live with 2 oscillators pitched at 222 and 242 and 2 noise generators.
the controls to the acapella voices is a really interesting concept ,,, I will have to wait for this PD performance.. algorithm ,, to grow ,,, I am looking forward to these new experiments and enjoying where the process is now.
I've been inspired all week by Steve Reich's Electric Counterpoint. This piece of 6 parts done by me on baritone ukulele is my response to it, very loosely based and the core repetitive rhythmic part based on the 3rd movement, Fast. Additional…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
the saturated sound creation seems to overload the --- audio recording of it.. :( it is good I try to eliminate the crackle going on from that in my music as I too do that supersaturated sounds and effect...
I haven't done anything in Pure Data in several weeks and today amidst the Thanksgiving festivities, started playing with a foundation for a piece. I resurrected an acoustic guitar sample I had recorded in a reworking several months ago for a…
First completed solo project after a years-long home recording hiatus. Recorded into BandLab running on an old iPhone, which is a surprisingly fun way to work.
A sense of Roxy Music in this and for a home recording has a very nice present feel Ben. Congratulations on new work after a year long, it happens, sometimes as in my case with another muse coming to surface. I'm glad you returned! Thanks too for your recent listen to my ukulele piece and the kind words.
Lovely melancholy and lyricism btwn recover and take ii with tongue and cheek intensity in Prayer, all interesting and my first hearings of your music in all this time on Alonetone Sudara. Thanks for this and for what you do in providing Alonetone for all of us with no expectations. Thanks too for listening to my track from Good Friday recently and the kind words. I am in turn and nice to hear what you do as well.
Digital Sea is an ambient generative music piece written in the Pure Data programming language. It is constantly changing, circulating, and flowing.
The program written to record this piece is capable of generating a unique, endless performance…
Marley thanks for the kind words re my Gentle Dark. Excellent that you too are working with Pure Data. Your evolving bubble like raising tonal glissandos are like bubbles from the ocean floor and the occasional 'noise' element winds, waves are cool. The continual weaving voice in this is very inventive - check out the Sound-In community on Facebook - we are small but long running group of creative composers working in a supportive atmosphere. I'm not as active right now as I'm working with another muse but will return.
Test recording of voice modified by a EHX Voice Box on vocoder setting; the modulating signal is the sound from a one-string instrument made from an old crutch. Post production involved adding two copies of the original mono track, panned slightly…
Sound source is Miss Hackbrett, a zither-like device constructed by a friend from the remains of an old door. It includes a contact mic for easy amplification. There are two separate sets of (guitar) strings, one all metal, the other nylon. Apart…
Comments on jimgoodinmusic's stuff
Eeriest of eeriest!
yes Sonic-Pi.net is great I am just working with the examples they have and adding to that.. in the coding.. it is .. really great the things.. and the random possibilities that are there.--
Very interesting... just searched Sonic Pi... VERY interesting.
Always pleasantly surprised by the imagery your music creates for me. love this.
It certainly is an interesting experience in the head phones!
Excellent! This track is screaming for visualization.
Excellent work
Yeah...still a fan! This is very interesting.
I am here.. and there.. and everywhere --- we all are. :) great experiments, I think the sounds are true--
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definite workings in sound.. it is.. consistent and well played. here-
so experimental there is a way about this that has,,.. mmm a way about it.
I, have to say it. Since you’re in the groove, it’s happening really groovy.. keep doing these Jim! With a groove like that don’t stop..
I seriously like the progress in these constructions..it’s really developing into new music.
the controls to the acapella voices is a really interesting concept ,,, I will have to wait for this PD performance.. algorithm ,, to grow ,,, I am looking forward to these new experiments and enjoying where the process is now.
<3 me Reich-ish things on stringed instruments. Nice one!
A cool microtonal experimental piece!
Linda: “what is your phone doing?” :D
the saturated sound creation seems to overload the --- audio recording of it.. :( it is good I try to eliminate the crackle going on from that in my music as I too do that supersaturated sounds and effect...
wow Love this.. --- I don't even hear the cover Tomorrow Never Knows in there so that makes it even better.. --
Comments made by jimgoodinmusic
This is cool with an occasional nod to a reggae beat. Your bass parts are very pronounced and on the spot and the reggae beat has returned.... Police!
A sense of Roxy Music in this and for a home recording has a very nice present feel Ben. Congratulations on new work after a year long, it happens, sometimes as in my case with another muse coming to surface. I'm glad you returned! Thanks too for your recent listen to my ukulele piece and the kind words.
Lovely melancholy and lyricism btwn recover and take ii with tongue and cheek intensity in Prayer, all interesting and my first hearings of your music in all this time on Alonetone Sudara. Thanks for this and for what you do in providing Alonetone for all of us with no expectations. Thanks too for listening to my track from Good Friday recently and the kind words. I am in turn and nice to hear what you do as well.
Marley thanks for the kind words re my Gentle Dark. Excellent that you too are working with Pure Data. Your evolving bubble like raising tonal glissandos are like bubbles from the ocean floor and the occasional 'noise' element winds, waves are cool. The continual weaving voice in this is very inventive - check out the Sound-In community on Facebook - we are small but long running group of creative composers working in a supportive atmosphere. I'm not as active right now as I'm working with another muse but will return.
Jim it's great where things that you will utilize become such potential instruments. The higher linear voice is cool and exotic here. Good piece!
a subtle arcade video game or maybe signals from a radio telescope
Wild, Bill! Like falling in a vortex and the heartbeat I didn't note on first listen!
lovely, one of your more sobering 'Tolkin' like pieces.
Really like this Kavin - I can hear it. Haunting and sterile!
this is really cool and I don't recall it Kavin. First thought you were working with your Koto.
Rich song - lovely and weighty!
Good piece! Groove that develops is sweet and making me think of Weather Report a little.
melancholy and looking in the water
Will of the whisp and slipping out the door mystery!
some nice dirthy chords and colors and cool modulations
Liquid space Bill, fluid and magical!
Kavin one of your bests! Lovely - the opening acoustic is artful and the emergence of the electronics is subtle and sweet, love the long trail on it.
feels like under a shed out of a downpour and everything in the distance.
great sense of growing rhythm and a sound of strumming at times and electronic noise and then the wind... inventive Jim.
has a sitar like feel that sounds like going through a wahwah or some such. Like the edge of it K...