#4 for the RPM Challenge.
Have you heard this melody before? This is one of those where I wonder if I've unconsciously "borrowed" something from someone. Translation: the Fly Boat, like the tourist boats that ply the river Seine and their bright…
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Song #2 for the RPMC. My goal is to have 12 short tunes (1-3 minutes long), so I need to pick up the pace.
Again, quartal tuning on the top 3 unison pairs of the 12 string. I've been listening to Ralph Towner's Blue Sun, hence the title.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
One of my first experiments with DADGAD tuning. I was hoping to get a dark,droning sound. I lived in Missouri for a lot of years and this sounds like what it feels like to be out in the sticks there.
Done by the Blind Boys of Alabama and Johnny Cash but NEVER like this. The base for this song was constructed from home made samples, including the sound of a 9mm Sig Sauer being fired. Bass was my first attempt at using a synth (Massive).
Recorded in 1990, this music brings together the alto sax of Carlos Ward, the late Tim Green on tenor, Louis Moholo on drums, and Paul Rogers on bass, along with Dallas trumpeter Dennis Gonzalez.
A tribute to my good friends Saturn's Return from Southport, ME. A great hard punk/metal band. The first three parts were instrumental songs, so I felt I could offer my playing this way. Check em out on Facebook!
More from the archives. This was the opening cut on Scartaglen's 1986 album "The Middle Path". A double jig, a slip jig, and 2 reels. I played bouzouki and Uilleann pipes on this cut
Comments on kavin.'s stuff
Nice acoustic work. :)
Lovely taste of France. Great playing Kavin! Bee
I didn't make out what you said, listening again... Sounds Russian! And also, do you think I sound like Mac? :)
It sure did. And now for something completely different! Nice one!
far out
Sooooo beautiful! w;-)
Interesting and unique. I like that balance between staccato and drone.
OMG - can you say brilliant? w;-)
Absolutely LOVE this track! w;-)
You amaze us, & we always want more! Superb track! k&w
Inspiring!
Someone plays guitar like George Harrison!! It's beautiful...
Oh yes! Like that slide...
Superb album, K.
Has someone brought their A-game this year???
Just spectacular!
you really into led zeps eh?..u got their soul in this one..i love it.."it doesnt matter now.."
love this one..its like gushing water in the stream..greatt..cool cool progression
Has a Led Zep feel to it, great
I think it worked out just fine. If you tap out the creative well, fall back on what you know, and you do so damn good at it
Comments made by kavin.
I like this, whoever it is.
a lovely, tranquil guitar piece
Nice textures!
Nice shredding!
Smooth moody piece, much like.
nice
Really good.
Nicely done!
So good. Need more jazz around here.
dig dat fuzz
hellz yuh
Love those pipes.
Sweeet
sweet jam.
Youre really on to something here.
Sorry for your loss. What a great tribute.
Real nice!
New remix has storm sfx at end. thanks yawl.
Wow. Great stuff. Playing, arrangements, everything. Just wow.
sweeet soundz