Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
My RPM challenge this year: acoustic guitar instrumental album with no more than three tracks on each tune (ok, maybe four!)
This one is a single track with no overdubs. On the 12 string, the 4th,5th and 6th string pairs are tuned a fourth apart.
very excellent,,, once a long time ago, when i lived in Del Rio i built a 6" newtonian,, at night i used to go down to the end of the road,,then on to the dirt and set up,,, with a dark sky from horizon to horizon,,,, wowieee,, Orion has always been a treat,, if you have a scope or even binoculars,, the sword contains one of the best of all treats to see,,, this is a really nice piece,, im on #7 for my rpm....
Beautifully crisp Kavin.
I understand your love of the universe. Tess and I were gazing at the crescent moon and Jupiter last night totally spellbound. Makes one feel very small!
One of my first experiments with DADGAD tuning. I was hoping to get a dark,droning sound. I lived in Missouri for a lot of years and this sounds like what it feels like to be out in the sticks there.
Done by the Blind Boys of Alabama and Johnny Cash but NEVER like this. The base for this song was constructed from home made samples, including the sound of a 9mm Sig Sauer being fired. Bass was my first attempt at using a synth (Massive).
Recorded in 1990, this music brings together the alto sax of Carlos Ward, the late Tim Green on tenor, Louis Moholo on drums, and Paul Rogers on bass, along with Dallas trumpeter Dennis Gonzalez.
A tribute to my good friends Saturn's Return from Southport, ME. A great hard punk/metal band. The first three parts were instrumental songs, so I felt I could offer my playing this way. Check em out on Facebook!
More from the archives. This was the opening cut on Scartaglen's 1986 album "The Middle Path". A double jig, a slip jig, and 2 reels. I played bouzouki and Uilleann pipes on this cut
Comments on kavin.'s stuff
Has a Led Zep feel to it, great
I think it worked out just fine. If you tap out the creative well, fall back on what you know, and you do so damn good at it
Such a full sound and terrific tempo. Well played! Nice tones too, yes, lovely!
wow - great stuff!
Nice slidework
Mighty cool change ups, paralell harmony, call and responce. I can tell this has been developing a while . Trully fine playing and writing.....Steve
Great playing.
Nothing wrong with acoustic breaking light as far as I'm concerned. Nice stuff man!
Sweet! Like the slide work
super pretty! I love the change at 3:20
Very lovely - evokes feelings of dusk in the summer time.
Beautiful playing man.
very excellent,,, once a long time ago, when i lived in Del Rio i built a 6" newtonian,, at night i used to go down to the end of the road,,then on to the dirt and set up,,, with a dark sky from horizon to horizon,,,, wowieee,, Orion has always been a treat,, if you have a scope or even binoculars,, the sword contains one of the best of all treats to see,,, this is a really nice piece,, im on #7 for my rpm....
Beautifully crisp Kavin. I understand your love of the universe. Tess and I were gazing at the crescent moon and Jupiter last night totally spellbound. Makes one feel very small!
this is incredible work
very very beautiful/sweet,,, this is a 12 string?.. sooo well done
Stands good as a solo track, but really Orion's belt mix
Damn...amazing.....
Lost for words......great mix!!!FAV'D
Very nice!
Comments made by kavin.
I like this, whoever it is.
a lovely, tranquil guitar piece
Nice textures!
Nice shredding!
Smooth moody piece, much like.
nice
Really good.
Nicely done!
So good. Need more jazz around here.
dig dat fuzz
hellz yuh
Love those pipes.
Sweeet
sweet jam.
Youre really on to something here.
Sorry for your loss. What a great tribute.
Real nice!
New remix has storm sfx at end. thanks yawl.
Wow. Great stuff. Playing, arrangements, everything. Just wow.
sweeet soundz