So thought provoking. I’ve been finding that many of the musicians I follow are composing wistful soundscapes that invoke an emotional response. It’s like the musical world is trying to work its way through some heavy stuff. Well done, sir!
A collaboration with Chris Vaisvil! I'm so jazzed he took a Thumbjam sketch of an idea and ran with it. Either an alternate Star Wars imperial march or Amon Duul jamming with Mahavishnu, don't know which.
Chris Vaisvil: guitars
Kavin.: Synths…
Mellow morning mist fall
Melting into day
This summer said son, you are lazy
Don’t follow any example, break every rule
After awhile you’ll find it’s so easy to do
Just stay within the limits of your love
Soon the air will turn colder…
As a teen Ringo had wanted to emigrate to Texas to meet Lightnin' Hopkins.. what if?
Liverpool to Houston
Liverpool is far from Houston
1960 to present day too
What if fab was just fine
And Ringo had gone to Texas to hear Sam sing the…
As a teen Ringo had wanted to emigrate to Texas to meet Lightnin' Hopkins.. what if?
Liverpool to Houston
Liverpool is far from Houston
1960 to present day too
What if fab was just fine
And Ringo had gone to Texas to hear Sam sing the…
One of my first experiments with DADGAD tuning. I was hoping to get a dark,droning sound. I lived in Missouri for a lot of years and this sounds like what it feels like to be out in the sticks there.
Done by the Blind Boys of Alabama and Johnny Cash but NEVER like this. The base for this song was constructed from home made samples, including the sound of a 9mm Sig Sauer being fired. Bass was my first attempt at using a synth (Massive).
Recorded in 1990, this music brings together the alto sax of Carlos Ward, the late Tim Green on tenor, Louis Moholo on drums, and Paul Rogers on bass, along with Dallas trumpeter Dennis Gonzalez.
A tribute to my good friends Saturn's Return from Southport, ME. A great hard punk/metal band. The first three parts were instrumental songs, so I felt I could offer my playing this way. Check em out on Facebook!
More from the archives. This was the opening cut on Scartaglen's 1986 album "The Middle Path". A double jig, a slip jig, and 2 reels. I played bouzouki and Uilleann pipes on this cut
Comments on kavin.'s stuff
sweet
So thought provoking. I’ve been finding that many of the musicians I follow are composing wistful soundscapes that invoke an emotional response. It’s like the musical world is trying to work its way through some heavy stuff. Well done, sir!
Kavin one of your bests! Lovely - the opening acoustic is artful and the emergence of the electronics is subtle and sweet, love the long trail on it.
Dah dee dah dee dum - nice one fella.
mix feels off-balance but that bass is massive and fresh sounding. i dig the closing splash
nice work here!
Good stuff.
Beautiful work!
E.X.C.E.L.L.E.N.T.!!!!!
Great guitar presence. What were you playing?
Thanks for the collaboration - all I can say is - I'd like to do more. :-)
It is so hard to cut through the end of RPM - I really like what you added to my bass line! Thank you for this! Your work is excellent!
This one is perfect for where I live... where walking the lake is a frozen under foot experience
Very "cool."
Awww! Happy Valentines Day!
Really clean!
very cool, I like the frippertronics/snake guitar sorta thing mixed with the cascading in the left channel.
This is really pretty
Great idea. Killer production.
This is killer stuff. Is that all you?
Comments made by kavin.
I like this, whoever it is.
a lovely, tranquil guitar piece
Nice textures!
Nice shredding!
Smooth moody piece, much like.
nice
Really good.
Nicely done!
So good. Need more jazz around here.
dig dat fuzz
hellz yuh
Love those pipes.
Sweeet
sweet jam.
Youre really on to something here.
Sorry for your loss. What a great tribute.
Real nice!
New remix has storm sfx at end. thanks yawl.
Wow. Great stuff. Playing, arrangements, everything. Just wow.
sweeet soundz