Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
This is a snippet of acoustic guitar recorded a year or so ago which was already loaded with effects. I ran that through paulstretch and came up with this. It created almost orchestral or choral sounds in places.
Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
This is a Phil Keaggy tune. I swiped his original loop and then built my own thing on top of it. Might have been longer, but my volume swell effect keeps slipping out of sync with everything else. May work on it more at a later date
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
This is a snippet of acoustic guitar recorded a year or so ago which was already loaded with effects. I ran that through paulstretch and came up with this. It created almost orchestral or choral sounds in places.
OK, now this is just too groovy! Really digging that bass line. The melody ROCKS! What a far out, fabulous scale, and you execute it well. Everything's delivered nicely, and the mix down/mastering job is delicious. Keep doing this!
This is a snippet of acoustic guitar recorded a year or so ago which was already loaded with effects. I ran that through paulstretch and came up with this. It created almost orchestral or choral sounds in places.
A song written for my dear old friend, Kirk Lynch, who I've known for almost 20 years. For those who don't know, Kirk and I live less than an hour apart, but I swear it's been five years since we've seen each other in person, which just ain't…
I've been working on this one little by little; now I'm at a point where I do not feel like revisiting the feeling. Moves from 3/4 to 4/4, or so I think.. kind of like a 7/4 time sig but not really. typical glu instrumentation, etc.
Everyone…
School started on September 8th, so I haven't been doing a lot; this is my first piece all week, and I wrote it in about 3 hours, so it isn't that great... My definition of not that great is getting better, though... It's a nice piece, I think…
We celebrate the passing of a great musical instrument. Hobart M. Cable, the piano lent to us this summer, is going back to his kind owner, Danny. He will be dearly missed.
We hastily wrote this little ditty in his last few hours in our possession…
An experiment in simplicity. Back to the basics. It's the only counter to stagnation. Don't over think!
This was pieced together quickly while in front of the microphone. Revisiting the editing/mastering process was fun.
Used:
Martin…
A test run with my new Line 6 DL4 delay pedal. Recorded with a handheld mp3 recorder, hence the ambient room noise. The DL4 was fed into a BOSS loop pedal also. No overdubs, all on the fly.
This is my 2007 Pirate Day song, written and recorded September 19th 2007. I like the innuendo, but maybe it's too subtle - nobody else seems to notice ;~)
I just read your comment that said these were all IMPROVISED? My admiration for your skills, which was substantial already, just went up another couple of notches!!
Similar in feel to the other Fragile Moment track. Mostly acoustic guitars recorded sitting in my shop on the H4N and then finished up in Cubase just this morning. September 9 09. Maybe a nice one for bedtime
@Mannequin Races. Thanks - I was not sure about the mix- Just got sick of messing with it! The lead tone was recorded with a Rode NT1A into the Zoom H4N with an edited preset that was a vocal mic pre in combo with pretty extreme compression. I was kinda going for the sound of single line stuff on a classical guitar, but don't have one!
This song is a tribute to the space monkeys named Albert. They all died tragic deaths of various kinds during their forced service to the American space program.
Comments on kirklynch's stuff
this has a profound sound....
danger in diction...
thanks for listening to Tony South Dakotah...I applaud your work.
Well played!
Waiting for you in New Mexico!
Really Sweet !
Love the musical bed in the back with the backwards parts. The whole piece is really serene and transports the listener to another place.
Reminds of Signs of Life
great piece, love those chords.
Very nice. Would fit right in with the delay project Jim Goodin and Ihave been working on.
I like it too - like raindrops in the sea of tranqulity.
I enjoyed it -- looking forward to hearing the end results.
beautiful like always!
As always this is a great one. Of course I am a sucker for reverse effects :) Great job man :)
!!! excellent!!! Grande MAESTRO!
Great groove, really like your phrasing and note choices!
It moves me!
Yup. good one
OK, now this is just too groovy! Really digging that bass line. The melody ROCKS! What a far out, fabulous scale, and you execute it well. Everything's delivered nicely, and the mix down/mastering job is delicious. Keep doing this!
Gorgeous!
Comments made by kirklynch
I'm touched man! This is just gorgeous! What a nice thing to wake up to this morning. Thank you soooo much!
Great stuff- Dark!
Interesting- different
Great vocals!
You folks have a strangle hold on ORIGINAL!!
Great stuff. Nice to hear a new track from you
Beautiful! More please
Air tight- what a groove!
Lovely track!
Fantastic! Don't know how I missed this one
AAAAARRRRRHH! Matey! I don't have my pirate to English dictionary in front of me, but I think that translates as "brilliant"
Very cool- Like it!
Oooh- this is great. I'm enjoying the whole album while working in the shop
Lovely slide work!
Wicked good rockin' track!!
I just read your comment that said these were all IMPROVISED? My admiration for your skills, which was substantial already, just went up another couple of notches!!
@Mannequin Races. Thanks - I was not sure about the mix- Just got sick of messing with it! The lead tone was recorded with a Rode NT1A into the Zoom H4N with an edited preset that was a vocal mic pre in combo with pretty extreme compression. I was kinda going for the sound of single line stuff on a classical guitar, but don't have one!
Great Glu groove. Love that shift at about 2:40
Wow- Intense! Thanks for your comment. I must check out more of your stuff
Had me hooked withing the first 30 seconds. Great groove!