A moody solo acoustic thing that I came up with playing in a long forgotten tuning. Just got a new Zoom H4N, so this was recorded in my shop sitting at my reedmaking bench may 12 2009
A moody solo acoustic thing that I came up with playing in a long forgotten tuning. Just got a new Zoom H4N, so this was recorded in my shop sitting at my reedmaking bench may 12 2009
A moody solo acoustic thing that I came up with playing in a long forgotten tuning. Just got a new Zoom H4N, so this was recorded in my shop sitting at my reedmaking bench may 12 2009
yeah, i just checked out Kirk's site. Those look like some sweep pipes! Wish I could afford your talented craftsmanship, those instruments look very inspiring!
A moody solo acoustic thing that I came up with playing in a long forgotten tuning. Just got a new Zoom H4N, so this was recorded in my shop sitting at my reedmaking bench may 12 2009
this is absolutely one of the most tasteful acoustic guitar pieces i've ever heard. the transitions are all natural and believable. this is incredible, and i mean that sincerely. i like the rest of what you've recorded, but i really enjoyed listening to this. it caught my attention and held it on more than one occasion.
your guitar work is great. it's so reminiscent of something and i just can't figure it out...it's like the result of david gilmour and robert fripp's kids having a kid.
A moody solo acoustic thing that I came up with playing in a long forgotten tuning. Just got a new Zoom H4N, so this was recorded in my shop sitting at my reedmaking bench may 12 2009
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
digital metronome noise kills me. it's sort of like a less irritating alarm clock, and if there is any single noise that totally destroys my happiness it's alarm clock buzzing.
other than the metronome, though, this song is awesome. it's very unique, though i'm trying to pinpoint something it sounds similar to. i don't know if it's the reversed guitar that gives off a robert fripp vibe, or if i'm just projecting that because of your electric guitar jams cover.
either way, i dig the music. i'm listening to 'sunday afternoon' now. you're an accomplished guitar player. i really love the subtlety and texture of the synth noise, or whatever is going on in the background. this is all great so far.
A moody solo acoustic thing that I came up with playing in a long forgotten tuning. Just got a new Zoom H4N, so this was recorded in my shop sitting at my reedmaking bench may 12 2009
Rough sketch of a proposed dreamy 12 string piece that I couldn't pull off on the 12 string so did this quick electric version with vocal pads. Not sure of the recording quality- sounds OK in my cans and kinda crappy on my monitors. Recorded march…
One from a year ago or so. Never was happy with the recording quality, but never got around to re recording it. My attempt at a kind of late 70's Phil Keaggy thing
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
One from a year ago or so. Never was happy with the recording quality, but never got around to re recording it. My attempt at a kind of late 70's Phil Keaggy thing
What happened after too much time on youtube watching live vids of "voodoo chile" Noisy obnoxious and very cathartic for me! Live to 2tracks with the Jamman
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
Written and Recorded August 29, 2009
Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge.
I can't hide the fact that I've listened to Pierre Bensusan. Or that I've longed to return to Paris.
I hereby name this the "bridge to nowhere" mix since it was the musical content of the bridge that I spent the most time on.
If you've heard the song before, I've provided a shortcut video that plays the bridge from last night's version vs. tonight…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
It's the "do no harm" mix.
Because, theoretically you won't hear any difference between this and "technique 43".
Which is sad really, given how many hours I spent on it. Hours spent on the oh-so-exciting put-everything-in-Logic step…
Written and Recorded August 29, 2009
Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge.
Late night improvisation in remembrance of my father.
That twanging sound at the beginning of the song is me putting my acoustic through an amp with all knobs on 10. Acoustics feedback at 440mhz, which is an A note. The song is in A. It kind of sounds like a high tension electrical wire.
Recorded August 28, 2009
Details: Martin D1 (DADFGC - capo II), Shure SM57, Audacity, Sound Forge.
After digging this tune up really I really wanted to try it again on acoustic (which I don't play much). This is a second take recorded in…
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
This is the audio version of my blacksmithing lesson from http://ironangelforge.blogspot.com/
This lesson is Blacksmithing Basics - Absolute Basics. It covers terms and the most basic tools in a quick overview, so that students of the craft…
Recorded August 26, 2009
Details: Epiphone Les Paul (DADFGC - capo II), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge.
Written in 1982 after a trip to Wyoming with a couple of Alex DeGrassi cassettes....
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
A Prog Rock instrumental with guitar and keyboard melodies and solos. Three parts to this song. Depicting peace and joy on The Path of Light. A cross between Yes and jam band music. Randal Pflum, all instruments except drums.
Comments on kirklynch's stuff
another beauty, Kirk!
such a beautiful piece...so soothing.
yeah, i just checked out Kirk's site. Those look like some sweep pipes! Wish I could afford your talented craftsmanship, those instruments look very inspiring!
this is absolutely one of the most tasteful acoustic guitar pieces i've ever heard. the transitions are all natural and believable. this is incredible, and i mean that sincerely. i like the rest of what you've recorded, but i really enjoyed listening to this. it caught my attention and held it on more than one occasion.
your guitar work is great. it's so reminiscent of something and i just can't figure it out...it's like the result of david gilmour and robert fripp's kids having a kid.
Love it, Kirk! What amazing reeds you must make!
digital metronome noise kills me. it's sort of like a less irritating alarm clock, and if there is any single noise that totally destroys my happiness it's alarm clock buzzing. other than the metronome, though, this song is awesome. it's very unique, though i'm trying to pinpoint something it sounds similar to. i don't know if it's the reversed guitar that gives off a robert fripp vibe, or if i'm just projecting that because of your electric guitar jams cover. either way, i dig the music. i'm listening to 'sunday afternoon' now. you're an accomplished guitar player. i really love the subtlety and texture of the synth noise, or whatever is going on in the background. this is all great so far.
nice classical/electric sound and good fretboard work i especially liked the chromatic downdrift in the main chordal theme.
this sounds incredibly familiar.. but I cannot seem to put my finger on it... Very nice melodies.
such a lovely vibe on this one. And thanks for all of the feedback, I really appreciate it!
I like this one a lot. Very nice feel to it.
A thing of beauty. Especially the bow parts :-)
m, i like ur stuff.
beautiful!
this is sweet.
thank you kirklynch
real nice! shades of phil keaggy's acoustic work
...cool, Kirk; 'here to check your stuff more carefully now. Thanks, by the way, for checking out my stuff and for the comments; Bless your day.
Every time I listen to this, I fall in love with this track all over again! I hear so many different genres in the piece. I LOVE that kind of work!
Kirk, thank you so very much for your support! It means so much to us! I LOVE your work! wendy
Comments made by kirklynch
Wow! Nice playing man. Love this one
Lovely this time around as well!
I'm a sucker for heavy guitars with a ton of effects. Love it!
You amaze me once again with your creativity !!
Lovely track there!!
That's just beautiful man. Tugs at the heartstrings
Nice ditty and a kind of change of pace for you. Like it!
Very cool. Mix sounds great in headphones
Yeah- great atmosphere! Wish it were longer
Dig it- Rocks hard. Love the guitar sounds
I like it. nice dark feel to it
OOoooh- Doug this is just gorgeous. you gotta do more acoustic stuff man!
very cool- inspirational
Interesting stuff man. I actually use a piece of railroad iron myself to forge the keys for the instruments that I build
Beautiful one Doug!
Incredible! Love it
Very cool- Dig it!
Really nice- great sounding production!
Really pretty- would love to hear a longer version
Nice-I like it. Oddly fits my mood this morning