Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
This is a snippet of acoustic guitar recorded a year or so ago which was already loaded with effects. I ran that through paulstretch and came up with this. It created almost orchestral or choral sounds in places.
Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
This is a Phil Keaggy tune. I swiped his original loop and then built my own thing on top of it. Might have been longer, but my volume swell effect keeps slipping out of sync with everything else. May work on it more at a later date
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
This is a snippet of acoustic guitar recorded a year or so ago which was already loaded with effects. I ran that through paulstretch and came up with this. It created almost orchestral or choral sounds in places.
OK, now this is just too groovy! Really digging that bass line. The melody ROCKS! What a far out, fabulous scale, and you execute it well. Everything's delivered nicely, and the mix down/mastering job is delicious. Keep doing this!
music by Bryan Baker & Joe Maki. Rhythm guitar, electric piano, synth strings, percussion, drums, vocals by Bryan Baker. Lead guitars, bass by Joe Maki.
Something you don't often hear from me and that's
straight drummin'. On this track I left the
original L/R kit track because it just sounded
more raw and nasty. Listen close and you'll hear different levels on the high hat. Plus, you can…
This is inspired by Frippitronics. Frippontroncis is I call non-traditional mood music invented by Robert Fripp master guitarist for King Crimson. It involves loops of sustained guitars, in this case using an e-bow. I usually do one of these…
Hey Kids, Happy RPM. Surf's up! I played this one for my lady, she said she wants to move to California. I'm not sure if that's because I've been wired up in the Dog House for 9 days or if she wishes to try some surfing. Go figure....
Anyway…
Well I *had* intended to try doing something different this week.
So technically I succeeded.
It's solo piano again, but I had to teach my left hand how to play this somewhat syncopated bass line, before I could actually compose against it…
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
Dark and sinister indeed! I like the use of your voice and the fact this it's incoherent makes it better. OOOOOH! That laughter at the end just caps it off!
Written and Recorded: Feb 07, 2010
Details: Epiphone Les Paul (DADGAD - capo VII), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity...all fingers, no picks.
2010 RPM Challenge
War is tough. War is tough on everyone. and War has it's dues. So without further ado I entreat our men and women of the US Military an awesome Electronica piece that will rock your heart out.
just finished this one, represents a slightly new direction i am taking i think.
i am particuarly proud of the polyrhythmic sound i achieved. i was worried it mite become too cluttered (at the beginning) but i think i achieved clarity.
Comments on kirklynch's stuff
if you email me a Wav file, I can sing some background vocals to this that would invoke the great feeling. My email is Tonysouthdakotah@outlook.com
this has a profound sound....
danger in diction...
thanks for listening to Tony South Dakotah...I applaud your work.
Well played!
Waiting for you in New Mexico!
Really Sweet !
Love the musical bed in the back with the backwards parts. The whole piece is really serene and transports the listener to another place.
Reminds of Signs of Life
great piece, love those chords.
Very nice. Would fit right in with the delay project Jim Goodin and Ihave been working on.
I like it too - like raindrops in the sea of tranqulity.
I enjoyed it -- looking forward to hearing the end results.
beautiful like always!
As always this is a great one. Of course I am a sucker for reverse effects :) Great job man :)
!!! excellent!!! Grande MAESTRO!
Great groove, really like your phrasing and note choices!
It moves me!
Yup. good one
OK, now this is just too groovy! Really digging that bass line. The melody ROCKS! What a far out, fabulous scale, and you execute it well. Everything's delivered nicely, and the mix down/mastering job is delicious. Keep doing this!
Comments made by kirklynch
Great song man!
Really beautiful!
Nice one man! Love the drums!
Yes- Very different for you and very cool. Love this sort of thing!
What a riot! That had to have been big fun to do!
Lovely meditative quality about it!
Nice!
Dark and sinister indeed! I like the use of your voice and the fact this it's incoherent makes it better. OOOOOH! That laughter at the end just caps it off!
Yes! Very good tune!
Hooked after the first 10 seconds!
Beautiful man! You must be recording at least partly using a pickup- has that distinctive sound
Lovely layered vocals!
Love cool! Love those harmonics in the outro. Great stuff man!
Had a productive weekend I see! Really nice. Your tracks all have such a distinctive sound
Nice moody one guys!
Nice! Intense!
Haunting!
I can't imagine what it took to put this together. It's so dense, but it works really well!
I'm loving the way this is slowly developing at about the 5 and 6 minute marks. I'm still jealous of your clean guitar sounds!
Wow! Great stuff! This would be a blast to improvise over