Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
Kirk, I like how you make it up, ( the last three words would be italicised if I could) What I mean is, you pull these songs out of a moment. And get to go someplace new and different. Getting to go there vicariously we ride along. Those are the moments we who play,sing write live for: when we touch into the other places. I admire how you find your self there. Does your world around you get what you do? And, thanks for your comments. And and, yeah, I realized Underneath My Skin had about 30 seconds of silence magically appended to it. My computer has had a ghost in the machine ever since the dread virus/trojan horse of February trashed its way through it. It's healed, but still has nightmares I guess. I'm pushing Steve my collaborator to get together again for some real sessions, so we can finally finish that song, and figure out what to do with the really great stuff we weren't able to get to in the RPM.
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
oh ho! somebody rocks! so very tasty. had me movin' right across the floor. I would be very calm and satisfied afte laying down those lines..... so it must work, this anger management.
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Several years ago I had a short lived duo with an oboe and English horn player named Nat. This is a demo from that period. It's an old old chord progression of mine that never really had a melody and Nat improvised this melody in the studio to…
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Straight ahead stone city electric blues for an old friend who used to spend hours spinning BB King and Mike Bloomfield records for me. Recorded back sometime at the end of 2006 on old analog equipment
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
Written and Recorded August 29, 2009
Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge.
I can't hide the fact that I've listened to Pierre Bensusan. Or that I've longed to return to Paris.
I hereby name this the "bridge to nowhere" mix since it was the musical content of the bridge that I spent the most time on.
If you've heard the song before, I've provided a shortcut video that plays the bridge from last night's version vs. tonight…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
It's the "do no harm" mix.
Because, theoretically you won't hear any difference between this and "technique 43".
Which is sad really, given how many hours I spent on it. Hours spent on the oh-so-exciting put-everything-in-Logic step…
Written and Recorded August 29, 2009
Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge.
Late night improvisation in remembrance of my father.
That twanging sound at the beginning of the song is me putting my acoustic through an amp with all knobs on 10. Acoustics feedback at 440mhz, which is an A note. The song is in A. It kind of sounds like a high tension electrical wire.
Recorded August 28, 2009
Details: Martin D1 (DADFGC - capo II), Shure SM57, Audacity, Sound Forge.
After digging this tune up really I really wanted to try it again on acoustic (which I don't play much). This is a second take recorded in…
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
This is the audio version of my blacksmithing lesson from http://ironangelforge.blogspot.com/
This lesson is Blacksmithing Basics - Absolute Basics. It covers terms and the most basic tools in a quick overview, so that students of the craft…
Recorded August 26, 2009
Details: Epiphone Les Paul (DADFGC - capo II), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge.
Written in 1982 after a trip to Wyoming with a couple of Alex DeGrassi cassettes....
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
A Prog Rock instrumental with guitar and keyboard melodies and solos. Three parts to this song. Depicting peace and joy on The Path of Light. A cross between Yes and jam band music. Randal Pflum, all instruments except drums.
Comments on kirklynch's stuff
that's funny i have a talking toy in one of my songs too..sludz
beautiful. nothing more to say...
Kirk, I like how you make it up, ( the last three words would be italicised if I could) What I mean is, you pull these songs out of a moment. And get to go someplace new and different. Getting to go there vicariously we ride along. Those are the moments we who play,sing write live for: when we touch into the other places. I admire how you find your self there. Does your world around you get what you do? And, thanks for your comments. And and, yeah, I realized Underneath My Skin had about 30 seconds of silence magically appended to it. My computer has had a ghost in the machine ever since the dread virus/trojan horse of February trashed its way through it. It's healed, but still has nightmares I guess. I'm pushing Steve my collaborator to get together again for some real sessions, so we can finally finish that song, and figure out what to do with the really great stuff we weren't able to get to in the RPM.
I really like your style of playing sir.
very nice track Kirk.
That was the best 1:39 of my entire day. Wow.
Very nice guitar playing!
You Have Tapped into Something Special Here Mr Lynch....... Sublime..
really too pretty. Much enjoyed.
Flying on, flying free
oh ho! somebody rocks! so very tasty. had me movin' right across the floor. I would be very calm and satisfied afte laying down those lines..... so it must work, this anger management.
very very nice.
Loved the oboesque solo voice, very lyrical. Not so sure about the FM harp/bell sounding thing. Beautiful composition though.
nice guitar tone
cool - title says it all
nice playing
You just play so well!
Beautifully played guitar. I love the tone you got here, both the clean and overdriven sounds.
This is awesome! I love the percussion sounds.
your guitar is complaining with a suppressed anger... I think she want more heavy tracks like this :) of course me too. Excellent track
Comments made by kirklynch
Wow! Nice playing man. Love this one
Lovely this time around as well!
I'm a sucker for heavy guitars with a ton of effects. Love it!
You amaze me once again with your creativity !!
Lovely track there!!
That's just beautiful man. Tugs at the heartstrings
Nice ditty and a kind of change of pace for you. Like it!
Very cool. Mix sounds great in headphones
Yeah- great atmosphere! Wish it were longer
Dig it- Rocks hard. Love the guitar sounds
I like it. nice dark feel to it
OOoooh- Doug this is just gorgeous. you gotta do more acoustic stuff man!
very cool- inspirational
Interesting stuff man. I actually use a piece of railroad iron myself to forge the keys for the instruments that I build
Beautiful one Doug!
Incredible! Love it
Very cool- Dig it!
Really nice- great sounding production!
Really pretty- would love to hear a longer version
Nice-I like it. Oddly fits my mood this morning