Some kind of rap-music. Made with a little bit tongue in cheek approach. I've filtered the rap artists voice so much that i'd rather leave his name unpublished.
Some kind of rap-music. Made with a little bit tongue in cheek approach. I've filtered the rap artists voice so much that i'd rather leave his name unpublished.
Some kind of rap-music. Made with a little bit tongue in cheek approach. I've filtered the rap artists voice so much that i'd rather leave his name unpublished.
Some kind of rap-music. Made with a little bit tongue in cheek approach. I've filtered the rap artists voice so much that i'd rather leave his name unpublished.
Some kind of rap-music. Made with a little bit tongue in cheek approach. I've filtered the rap artists voice so much that i'd rather leave his name unpublished.
Smooth jazz piece, mainly guitar solo though.First i got that 'flow' feeling while improvising, which quite usually happens in my ambient work. Unfortunately i did not record my solo during this 'flow' so i were obligated to record my solo without…
Smooth jazz piece, mainly guitar solo though.First i got that 'flow' feeling while improvising, which quite usually happens in my ambient work. Unfortunately i did not record my solo during this 'flow' so i were obligated to record my solo without…
Not so long ago my daughter came from school and told me that they had a litterature lesson in where they had to do an analysis of a short story. The short story happened to be one of my favourite writer's, Ray Bradbury's, story 'One Timeless…
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Thanks, at first i was worried that is there enough room for my guitar, but while soloing i noticed that there is even too much and in times i got lost and kept repeating with almost no purpose
Some kind of rap-music. Made with a little bit tongue in cheek approach. I've filtered the rap artists voice so much that i'd rather leave his name unpublished.
Chaotic but cool. Reminds me of Massacre (Fred Frith, Charles Hayward and... i've forgotten the name of that third guy... er... Bill Laswell). An according your avatar you play lefthanded guitar like i
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Rough sketch of a proposed dreamy 12 string piece that I couldn't pull off on the 12 string so did this quick electric version with vocal pads. Not sure of the recording quality- sounds OK in my cans and kinda crappy on my monitors. Recorded march…
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Well now, this is actually a very old track, made back in March '09 and not that long after I started learning piano.
I was learning a very simple 12-bar blues piece and getting bored with the piano sound I started messing about with the Logic…
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
Satie didn't came to my mind, maybe because i haven't listened to his music so much, but in my opinion this piece carries quite resemblance to compositions of Philip Glass
Actually I made this track back in 90's. While making it I imagined a lounge bar in a lunar space station. In this bar travellers of different species meet each other. When you sit there you might hear some fragments of discussions in a language…
The alien "speech" is actually Shakespeare's sonet nr. 1's first sentence ""From fairest creatures we desire increase". I've molded it quite a bit, though
Comments on These Metal Days's stuff
very coool!
Don't normally like rap but this is cool
Nice groove!
Thanks, man. I felt like walking on thin ice and way out of my league while making this.
That's pretty cool. Wasn't sure what to expect, but I like it.
That's nice on a Sunday morning!
Very cool, yes smooth, like buttah.
Yes
Is your artist name an Eno reference?
Like.
spacey with some good ticks.
The guitar sounds great on this.
nice
Wonderfully atmospheric
Love RB, and this is a nice musical reference.
calming..
Yup.
What Kirk said. +1 on the guitar Is that you playing?
nice and chill, see. that's the way to do it. nice. and. chill. (oblique Flintstone's reference)
Great atmosphere you've created here! Sounds like film score material
Comments made by These Metal Days
Clint vs. Lee Van Cleef in the distance
I have also a longer, about 7 minutes version of this piece. That's why this is called Blue Grass 2
Thanks, at first i was worried that is there enough room for my guitar, but while soloing i noticed that there is even too much and in times i got lost and kept repeating with almost no purpose
Thanks, man. I felt like walking on thin ice and way out of my league while making this.
So pure
Chaotic but cool. Reminds me of Massacre (Fred Frith, Charles Hayward and... i've forgotten the name of that third guy... er... Bill Laswell). An according your avatar you play lefthanded guitar like i
Yes
Yup.
From a minimalistic beginning this grows into well orchestrated piece. I like it.
Calm japanese feeling. Rsesembles a bit of Sakamoto's work
I like those arpeggios. Reminds me of Robert Fripp
Very nice piano. Tranquility
Awesome horns
Oriental feel, peaceful
Reminds me of Eno's Apollo
Calm
I like this a lot.
You've managed to avoid nearly all the common cliches of this kind of ambient music production
Satie didn't came to my mind, maybe because i haven't listened to his music so much, but in my opinion this piece carries quite resemblance to compositions of Philip Glass
The alien "speech" is actually Shakespeare's sonet nr. 1's first sentence ""From fairest creatures we desire increase". I've molded it quite a bit, though