I'm downloading it and running it through my studio software because something about it makes me want to hear it backwards. Enchanting and intriguing, pricking the brain.
The accapella, which I added into this song was very nice resembling the voice of Björk, but unfortunately the original pella was so out of tune, that I had to use autotune to make it fit properly, and I hate using autotune and hearing it. So…
The accapella, which I added into this song was very nice resembling the voice of Björk, but unfortunately the original pella was so out of tune, that I had to use autotune to make it fit properly, and I hate using autotune and hearing it. So…
there is so much in this to appreciate. You have frea taste when it comes to compiling sounds and manipulating with effects and then mixing down the tracks and mastering the final sound file. You're a sound engineering master artist!
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Thanks, at first i was worried that is there enough room for my guitar, but while soloing i noticed that there is even too much and in times i got lost and kept repeating with almost no purpose
Some kind of rap-music. Made with a little bit tongue in cheek approach. I've filtered the rap artists voice so much that i'd rather leave his name unpublished.
Chaotic but cool. Reminds me of Massacre (Fred Frith, Charles Hayward and... i've forgotten the name of that third guy... er... Bill Laswell). An according your avatar you play lefthanded guitar like i
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Rough sketch of a proposed dreamy 12 string piece that I couldn't pull off on the 12 string so did this quick electric version with vocal pads. Not sure of the recording quality- sounds OK in my cans and kinda crappy on my monitors. Recorded march…
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Well now, this is actually a very old track, made back in March '09 and not that long after I started learning piano.
I was learning a very simple 12-bar blues piece and getting bored with the piano sound I started messing about with the Logic…
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
Satie didn't came to my mind, maybe because i haven't listened to his music so much, but in my opinion this piece carries quite resemblance to compositions of Philip Glass
Actually I made this track back in 90's. While making it I imagined a lounge bar in a lunar space station. In this bar travellers of different species meet each other. When you sit there you might hear some fragments of discussions in a language…
The alien "speech" is actually Shakespeare's sonet nr. 1's first sentence ""From fairest creatures we desire increase". I've molded it quite a bit, though
Comments on These Metal Days's stuff
These beautiful ethereal days of tranquility and soft light...as I float float float...
Beautiful
Very beautiful.
Nice.
I think I got a little high off that one.
Marvelous soundscape.
Oceanic pipes...very potent.. Great tension created here.
Outstanding.
Spora is a finnish slang word meaning a streetcar or a trolley (actually it comes from swedish spårvagn)
Finland is a fabulous nation, Helsinki is a fabulous city, and you are a fabulous composer.
I found this to be delightfully entertaining in either directions, but it really was particularly pleasant and delicious in reverse.
I'm downloading it and running it through my studio software because something about it makes me want to hear it backwards. Enchanting and intriguing, pricking the brain.
You are a fountain of gorgeous compositions, ever flowing with sweet, refreshing sounds.
That's some top notch synth performance.
One more time.
Distinctively unique. Love your style man and nice to hear you again.
Some sweet, fun sounds zipping to and fro!
The echoing is tasteful, choice, delightfully entertaining. I'm eating it up!
The vocals and guitar I dig most.
there is so much in this to appreciate. You have frea taste when it comes to compiling sounds and manipulating with effects and then mixing down the tracks and mastering the final sound file. You're a sound engineering master artist!
Comments made by These Metal Days
Clint vs. Lee Van Cleef in the distance
I have also a longer, about 7 minutes version of this piece. That's why this is called Blue Grass 2
Thanks, at first i was worried that is there enough room for my guitar, but while soloing i noticed that there is even too much and in times i got lost and kept repeating with almost no purpose
Thanks, man. I felt like walking on thin ice and way out of my league while making this.
So pure
Chaotic but cool. Reminds me of Massacre (Fred Frith, Charles Hayward and... i've forgotten the name of that third guy... er... Bill Laswell). An according your avatar you play lefthanded guitar like i
Yes
Yup.
From a minimalistic beginning this grows into well orchestrated piece. I like it.
Calm japanese feeling. Rsesembles a bit of Sakamoto's work
I like those arpeggios. Reminds me of Robert Fripp
Very nice piano. Tranquility
Awesome horns
Oriental feel, peaceful
Reminds me of Eno's Apollo
Calm
I like this a lot.
You've managed to avoid nearly all the common cliches of this kind of ambient music production
Satie didn't came to my mind, maybe because i haven't listened to his music so much, but in my opinion this piece carries quite resemblance to compositions of Philip Glass
The alien "speech" is actually Shakespeare's sonet nr. 1's first sentence ""From fairest creatures we desire increase". I've molded it quite a bit, though