This track started with an accident.
I started building a pattern in Elysium. When I was happy with that, I recorded a bunch of it with Live. I loop recorded with quantization. When the thing looped around, I realized that Elysium was still…
A 30 minute track (creation time).
Went for dinner with friends that were having trouble getting along.
They were in my thoughts whilst I put this together.
It starts out with trashcan drumming.. makes me want to move! Then it evolves with all the rhythmic synth layers... I likey.. If you are passively looking for input, I'd recommend thinking about how to utilize more negative space to emphasize that trash can rhythm at parts...I think you do this in a different way.. in sections rather than throughout the track.. and well, my recommendation comes with a big fat disclaimer... I tend to want to hear the wall of sound layers deferring to tribal beats :-) , Maybe gate or cut out parts of those polyrhythms on certain beats. I like the grinding end too.
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
When you do this kind of track it evokes a feeling of travelling without moving.
It reminds me of being a passenger in a car on a motorway at night, slightly tired and letting the world glide, carelessly, past me.
I've always liked that feeling.
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
Sometimes magic happens. Sometimes it even happens to me.
Open D tuning (low to high D A D G A D). Just a practice session where I had the guts to press record.
No drugs. Just beer with dinner. Maybe they put something in the creme brule…
Started off with me just goofing around with Battery and a couple of other NI things (which are new to me) and grew into this...
It may still have places to go.
I got stuck on a silly little musical phrase, noodling around with it on the piano, unable to let go of it and unable to really develop it into something more.
I recorded myself playing a number of variations as I searched in vain for a deeper…
Made with the Boité Diabolique playing some piano and cello samples. I did a bit of hand editing in Live and then added some light compression, reverb, and limiting.
Once again the source material is a snippet of beautiful piano from [Sudara](http://alonetone.com/sudara) only this time I fed it to a new Reaktor instrument that I am working on call Tukuramu.
Okay so tukuramu does not mean earth-quake but…
I was working on a piano phrase played by Alonetone supremo [Sudara](http://alonetone.com/sudara) (about which, more later).
One of the approaches I took was to load the phrase into the Time Freezer instrument and play it. I kind of got lost…
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
An experiment I recorded yesterday with a rig I put together for more or less ambient sounds using two loopers and nearly every effects unit I own. I have no idea who Clark was but he owned the '58 Harmony Stratotone that I used on this cut. His…
This one is live from the cellar last night...Unplugged recorded with one mic..so close your eyes and imagine me here alone on a wet Monday night in Sheffield in the cellar alone as Elvis and Jim had heard about an Happy hour round the corner…
I'm trying to experiment with intentionally combining two different sounds. Since I seem to find this difficult I am starting with using a drone as one of the sounds taking my inspiration from the opening tracks of the Brian Eno & Jah Wobble…
Comments on mmi's stuff
very solid beats. nice base and pads
Way cool! This really drives! Nice!
You got a great track out of it. I dig the blend of synth/guitar.
very atmospheric. I found myself staring off into the middle distance. chill
Ooh, I like my rhythm hot.
It starts out with trashcan drumming.. makes me want to move! Then it evolves with all the rhythmic synth layers... I likey.. If you are passively looking for input, I'd recommend thinking about how to utilize more negative space to emphasize that trash can rhythm at parts...I think you do this in a different way.. in sections rather than throughout the track.. and well, my recommendation comes with a big fat disclaimer... I tend to want to hear the wall of sound layers deferring to tribal beats :-) , Maybe gate or cut out parts of those polyrhythms on certain beats. I like the grinding end too.
Love this!
Another one that made me come running over...wonderful, MMI, a rip yer heart out beauty.
What a wonderful feeling this evokes! Lovely!
good work..hard chords to get on the guitar..
Oh, this is delicately gorgeous!
When you do this kind of track it evokes a feeling of travelling without moving. It reminds me of being a passenger in a car on a motorway at night, slightly tired and letting the world glide, carelessly, past me. I've always liked that feeling.
Very nice, subtle, wonderful atmosphere. . Makes me want to get out the guitar and looper.
Damn.. it makes me want to throw this book across the room and hook up the studio proper.
super lush. It just keeps getting better.
Still a great track- hadn't heard it for a while
like the ear candy!
yeah.
Smartly wistful. No clutter. I really like it.
Wonderful, well done.
Comments made by mmi
Nice. I listed a pile of times. Apparently I fall into the quite pleasing camp :)
Super cool. I love the dark tension.
There's gold in them thar waves.
Very cool. Took me back to my days of listening to Michael Brook.
Very cool and fruitful sonic mining. Inspiring.
Nice! Had to do some googling while listening to learn about quartal harmony.
you should sell tickets to your soundchecks; I'd pay
Very cool. Be interested in hearing how you connected all the bits.
Really nice. Wow.
Great collab!
Good groove. Definitely worth exploring more.
What MtC said. Longer.
Out of the park! Great fun!
Sweet cinematic goodness. Autumn leaves flying as I drive my car a twisty New England road.
simple and very cool
And groove it more certainly does!
Dude! Dude! More!
So very beautiful... can never have too much.
More!
lovely jam