*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
Hahaha! I like the opening riff too! That's a hilarious back story. It must be from a long time ago if Chris was still playing in 12 TET. Whoot! I actually used the phrase "12 TET"!
Cool ending too. Well done.
A Christmas song about what really matters.........i got the idea for the music listening to Jarvis and his accordian the other evening so thanks J........
A CHRISTMAS SONG (Lyrics)
Welcome to christmas eve the show begins again
were going…
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a remix of an improvised track I did for our first RPM album. For this new mix, I got rid of the vocals & added a most excellent electric guitar part by our good friend, Chris Mitchell. He listened to the track just once and proceeded…
I was inspired to make this instrumental track when I heard some great drum loops made by alividlife and uploaded to Looperman.
I hope you enjoy listening as much as I did making it.
Well if you have to be in Oklahoma, you might as well be on one of the largest resevoirs in the USA so you can jump in and wash some of that hot red dust off.
As a Kansas man, that's just a bit too close to Texas for me.
After Brook drowned.
Ra Byn did everything but rhythm guitar.
He must have been about 12.
Open 9th tuning...
Well, you say that you're lonely
I see that you are
Tell me, where have you been
Life ain't no lay pen
Yeah, you call it a…
Tesla...maybe the smartest man that ever lived.
TESLA
Who invented remote control? TESLA
Who invented the fluorescent light? TESLA
Who invented the radio? TESLA
And who died alone and forgotten in 1943? TESLA
So, you say now, “Don’t…
Sometimes it might be best not to even think about what terrible things might happen. It might be part of setting those very terrible things in motion. How can one know?
Comments on Norm's stuff
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
Love that rhythm Norm! What's the 3 repeated, quiet scraping sounds made by? Sounds a bit like a chicken! Interesting!
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
If I could play drums like this my rhythm tracks would be much better. Enjoy just sitting back and listening to the many tones and varied rhythms.
thanks Norm - I bet Francis would have loved the persistent introspection of this groove! "..illumina le tenebre de lo core mio...
Excellent organic percussion! Solid gold.
Very, very interesting and addictive pattern here Norm.
Thanks Norm!!
thanks for the listen and rating!
I hear that
Very cool! I can explain the beer being gone!!
Oooo, 2.30 ish the little bit of quiver comes in. Nice! And, gets louder. Like it!
"4" does it for me. I like the, "I mean business" beats.
Ive done a collab with Mark , but never Tharek , this is a dream team , your percussion fits like a glove with this amazing song , i love it
I don't understand the Math behind it but I know it sounds Amazing! It is impressive the story you are able to tell with beats bro.
Very cool groovin' man
This is great mate really cool.
Dandy beat...I sort of got lost in it.
I like this just as a rhythm, mellow
Lovely swaying rhythm, O King of Ze Beats!
Comments made by Norm
@Goose: I know nothing about guitars but I think Kirk's Stratotone is named "Clark". And not red.
Hahaha! I like the opening riff too! That's a hilarious back story. It must be from a long time ago if Chris was still playing in 12 TET. Whoot! I actually used the phrase "12 TET"! Cool ending too. Well done.
OK, what's the story with the oscillator and did you use it on this piece?
The accordian works well with this! Great vox, as always.
While I know nothing about harmony, I will say that I prefer an augmented fifth, but seem to always end up with a diminished fifth. Sweet piece Kirk!
@Jarvis: Stick to your ears - musically speaking, nothing else matters. Thanks!
Excellent Reg! Way to bring the rasta to Ambrose!
@MTC: Ha! Cross-overs are fun no matter who makes them. But it's cool you get the concept. Thanks.
We will see you through this Reg. At some point you need to stop giving the fairer gender the power to tear you up so badly...
I'm aboard!
Great collab! Just perfect. (Ah, Bee, can you ask those Robins to hurry up with it?)
Lovely.
Excellent!
Excellent!
Well if you have to be in Oklahoma, you might as well be on one of the largest resevoirs in the USA so you can jump in and wash some of that hot red dust off. As a Kansas man, that's just a bit too close to Texas for me.
I am very sorry to hear about Brook.
Maybe he needed a better PR firm? Perhaps he should have considered late night info-mercials? Excellent concept!
Excellent!
Another very clever one!
Excellent!