*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
from "the Hardest Blow" featuring vocals from Tess Savigear and solo guitar from Kavin Allenson
It’s name is sadly the same as me, without me
It cannot follow through doorways, the same way
Just saw the rainbow fall over
It’s game remembers…
from the album "the Hardest Blow" featuring vocals from Dana Detrick-Clark
I can't see your sorrow, innocent and blind
Better luck tomorrow, leave this all behind
I think I'm feeling something, but I'm not sure what it is
Maybe you could…
I asked CaptGene for something funky, trusting that a fishing guide from Babsom Park would know exactly what I was talking about. He did. The Captain knows funk.
I used to have a link to his original version here, but that is no longer available…
This is for today's Improvfriday. Being all a first pass improvisation against a drum beat - there are mistakes. I did go back and spiced up the drums just a bit. everything but the drums is my Roland GR-20
this is from last week's improvfriday and was performed on an AXiS 49 driving Kontakt's sax ensemble and jazz drum kit. The deep reverberation is on purpose.
This is an improvisation on a theme I play all the time when I sit at the keys. Sort of a warm up I've been playing for a very long time. It is very simple and I may have used it here already. My apologies.
Long drum solos aren't for everyone - I get it. Just do what many at Grateful Dead concerts did and look at it as an opportunity to go get another beer. On the other hand, if you are the sort of person who cheers at the fireworks show, I hope…
@Sis: LOL!
Sir Bedevere: There are ways of telling whether she is a witch.
---Are there? Oh well, tell us.
Sir Bedevere: Tell me. What do you do with witches?
--Burn them.
Sir Bedevere: And what do you burn, apart from witches?
--More witches.
--Wood.
Sir Bedevere: Good. Now, why do witches burn?
--...because they're made of... wood?
Sir Bedevere: Good. So how do you tell whether she is made of wood?
--Build a bridge out of her.
Sir Bedevere: But can you not also build bridges out of stone?
--Oh yeah.
Sir Bedevere: Does wood sink in water?
--No, no, it floats!... It floats! Throw her into the pond!
Sir Bedevere: No, no. What else floats in water?
--Bread.
--Apples.
--Very small rocks.
--Cider.
--Gravy.
--Cherries.
--Mud.
--Churches.
--Lead! Lead!
--A Duck.
Sir Bedevere: ...Exactly. So, logically...
--If she weighed the same as a duck... she's made of wood.
Sir Bedevere: And therefore...
...A witch!
Black Cat
Words and Music by Tharek Mokbul ( OsCKilO )
My heart will miss a beat
Each time
I see your pain
I know this is the end
But I
Will fight this tide
The battle is complete
Both sides
Have won this time
I will remember you
So proud…
Comments on Norm's stuff
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
Love that rhythm Norm! What's the 3 repeated, quiet scraping sounds made by? Sounds a bit like a chicken! Interesting!
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
If I could play drums like this my rhythm tracks would be much better. Enjoy just sitting back and listening to the many tones and varied rhythms.
thanks Norm - I bet Francis would have loved the persistent introspection of this groove! "..illumina le tenebre de lo core mio...
Excellent organic percussion! Solid gold.
Very, very interesting and addictive pattern here Norm.
Thanks Norm!!
thanks for the listen and rating!
I hear that
Very cool! I can explain the beer being gone!!
Oooo, 2.30 ish the little bit of quiver comes in. Nice! And, gets louder. Like it!
"4" does it for me. I like the, "I mean business" beats.
Ive done a collab with Mark , but never Tharek , this is a dream team , your percussion fits like a glove with this amazing song , i love it
I don't understand the Math behind it but I know it sounds Amazing! It is impressive the story you are able to tell with beats bro.
Very cool groovin' man
This is great mate really cool.
Dandy beat...I sort of got lost in it.
I like this just as a rhythm, mellow
Lovely swaying rhythm, O King of Ze Beats!
Comments made by Norm
Nice work guys! I love it.
Very strong.
Ecumenically enchanting.
Thanks Sis. Although I'm not suprised, I didn't realize that - I have now updated the credits.
Nice keys!
Brilliant!
Excellent! I don't believe that I have ever been mashed before! Many thanks!
Smooth. Love the bass.
Good one! Very nice improv.
tastey riff...
Awesome!
@Sis: LOL! Sir Bedevere: There are ways of telling whether she is a witch. ---Are there? Oh well, tell us. Sir Bedevere: Tell me. What do you do with witches? --Burn them. Sir Bedevere: And what do you burn, apart from witches? --More witches. --Wood. Sir Bedevere: Good. Now, why do witches burn? --...because they're made of... wood? Sir Bedevere: Good. So how do you tell whether she is made of wood? --Build a bridge out of her. Sir Bedevere: But can you not also build bridges out of stone? --Oh yeah. Sir Bedevere: Does wood sink in water? --No, no, it floats!... It floats! Throw her into the pond! Sir Bedevere: No, no. What else floats in water? --Bread. --Apples. --Very small rocks. --Cider. --Gravy. --Cherries. --Mud. --Churches. --Lead! Lead! --A Duck. Sir Bedevere: ...Exactly. So, logically... --If she weighed the same as a duck... she's made of wood. Sir Bedevere: And therefore... ...A witch!
Clever. Great cover.
Tight!
Love it!
Excellent.
Simply awesome.
Sweet!
Excellent! Now I don't need to run out and buy one of those Halloween CDs to play for my trick-or-treaters.
Beautiful. And appropriately titled: "Breath of Air" for a breath of fresh air...