This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Out on the lawn there arose such a clatter!
Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
PS, and yes I could hear you smoking along with the engine on smoke break.
Stop that, or I will take your bull-horn away and go hang out with the wheels.
"Late for the late shift". "The seats are out of cash". I just love that.
I'm laughing at the sounds of that crappy engine attempting to turn over... it's strange to hear those sounds in the absence of some rather colorful language!
Hey, and there ain't nothin' wrong with 100bpm.
This track is actually 99.583333% M.T.C. But, I needed an easy project for July, since I didn't have a lot of time last month. He had published it as a "B-Side" called "Quarter of a 60th Spanish." For fun, I just added a few subtle twists. Probably…
Album: Red Milk (2012)
Written by: Damian Lethbridge
Crows
We get together and you know that there is gonna be a murder
We are much smarter than you ever give us credit for
The breadcrumbs in your pocket well I think you better hand…
The Broken Cathedral of Christchurch is an ambient poly-tuning piece using 11, 12, and 19 notes to the octave. The instruments used are a Korg MS2000 synthesizer, 19 edo electric guitar (several tracks), and 5 string bass – all with liberal…
This is a recording of Norm and me playing together a few months ago. I didnt have any percussion instruments so Norm was on a Roland electric trap set and I had a cello. I looped some of the stuff we did that night, and retrofitted the rest…
this was originally a song about breaking through paradigms but turned into a song about a girl.
Keys and string samples from Korg, MIDI with the old Ensoniq,
one diving board.
Thanks for the listen ,enjoy... RW
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Featuring Norm Harris on Percussion
http://alonetone.com/norm
Norm is playing his piece:
"Groove For All Hallows"
http://alonetone.com/norm/tracks/groove-for-all-hallows
Ha! "Take it away, Norman!". I love it - I would have gone ballistic at that point, had I seen that one coming. How fun; now pass that Ripple my way. Many thanks!
Written by Greg Connor
Lyrics:
Mini Van
I’m driving my Mini Van around
I’m driving it everywhere in town
I’m driving my Mini Van
Try to catch me if you can
I’m driving my Mini Van around
Seems Like I can always catch the eye…
I purchased a new M-Audio midi keyboard during RPM. The software alone was worth the $100.
There was no chance I was wasting any time during RPM with a learning process.
Today, I got the opportunity to install the software and plug it in. This…
Time for a noodle in the middle of the house move...packing....dumping......sorting...reminiscing..... still waiting to exchange contracts and mean't to be moving Friday....a little stressed
Another experiment...
This time in Spanish
2/25/12: Somehow the original file got broken, so I had to re-upload this... nothing new here, except I lost all my nice comments :(
Here's another little something that I somehow got sidetracked on posting.... Thanks for the jams Norm! One of these days I'll bounce something fresh your way....
You know I'm diggin' and scratchin' when I start
sounding like Jimmy Buffet elevator musak :)
Oooooo the delightful chaos of RPM
This has 2 percussion loops, midi drums, midi fretless bass, some midi strings, synths, and piano, 2 gallons of…
It is such a treat to have live music like this posted here. You guys are awesome and saving me a fortune by avoiding the trip to Brooklyn to see what's up. Many thanks!
Comments on Norm's stuff
very nice,, if i could not play the piano (when i grow up) i would like to be a percussionist,, you make it sound soooo good
You make this sound easy. You ole pro you.
@Jarvis: Stick to your ears - musically speaking, nothing else matters. Thanks!
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
I found myself rocking back and forth a little while listening. This is very addictive!
Love It!!!
I like the percussion instrument choices and the way additional instruments are progressively added in waves, clean track
:)
@MTC: Ha! Cross-overs are fun no matter who makes them. But it's cool you get the concept. Thanks.
way to get those rolls in there as well. killer.
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
Another great piece Norm....just love your sense of rhythm
So what happened to Johnny? This is the only thing that remains. Did I miss something?
Still beautiful........
Damn- How did I miss this? Brilliant!
I'm trying to find the words to say why I liked this. The best I can come up with: "it's real".
4/4 bpm...awesome!
Sweet groove
You got the beat man.
the individual samples for propane are stretched (and filtered) but not the composition.
Comments made by Norm
What ever happened to this guitar? Is the procedure over?
PS, and yes I could hear you smoking along with the engine on smoke break. Stop that, or I will take your bull-horn away and go hang out with the wheels.
"Late for the late shift". "The seats are out of cash". I just love that. I'm laughing at the sounds of that crappy engine attempting to turn over... it's strange to hear those sounds in the absence of some rather colorful language! Hey, and there ain't nothin' wrong with 100bpm.
Beautiful.
Fascinating story about those wrens...
Super mix... more Djorkier is a very good thing, indeed.
Excellent!
Excellent.
That dog ain't never coming back. But she completes the trilogy.
this is the worst song ever written. I will always be grateful for it.
Excellent!
Inspiring!
Ha! "Take it away, Norman!". I love it - I would have gone ballistic at that point, had I seen that one coming. How fun; now pass that Ripple my way. Many thanks!
Hahaha!
Cool!
I hope you found a place with an even more mysterious basement.
Yeah, this moves nicely!
About time you posted this gem! Dig that out-of-sight bass/flute hanging in 7/8.
Hahaha! Just needs a bit more acid. No wait, I mean ripple.
It is such a treat to have live music like this posted here. You guys are awesome and saving me a fortune by avoiding the trip to Brooklyn to see what's up. Many thanks!