This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Out on the lawn there arose such a clatter!
Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
Different recording here as the electric guitar, bass guitar were not plugged in, just recorded raw with a power mic and then EQ'ed to make it sound amped - pardon mistakes!
Duh! Now I get it. Electric guitar and bass recorded without benefit of amplifier or direct plug into a mixer. Way cool! And the added bonus of the percussion effect of your fingers against the strings - advancing the status of your chordophones to that of a percussion instrument!
I don't think I have heard a recording like this before.
Different recording here as the electric guitar, bass guitar were not plugged in, just recorded raw with a power mic and then EQ'ed to make it sound amped - pardon mistakes!
Excellent! I think the recording sounds great... but then that's how I record everything. Dig the whistleing reverb.
I was surprised that your phone didn't ring while you had the open mics on...
So after hearing some of Stephen Krell's outstanding picking, I asked him if he'd like to play along with any of my songs... I can't be happier with the one he picked to add his banjo to (seeing as how the song is written about my favorite Pete…
I can't remember her name. I saw her at Kerrville back in 2005. A little blond that always wore a leather cowboy had, played keys and wrote music for movies. (Someone remind me.)
COULD SHE KNOW
Could she know I think about her
Thinking…
a bit techno-like jew's harping. i like this stile of playing because it shows the instruments strength in rythmical patterns and ancient synthesized music.
Comments on Norm's stuff
very nice,, if i could not play the piano (when i grow up) i would like to be a percussionist,, you make it sound soooo good
You make this sound easy. You ole pro you.
@Jarvis: Stick to your ears - musically speaking, nothing else matters. Thanks!
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
I found myself rocking back and forth a little while listening. This is very addictive!
Love It!!!
I like the percussion instrument choices and the way additional instruments are progressively added in waves, clean track
:)
@MTC: Ha! Cross-overs are fun no matter who makes them. But it's cool you get the concept. Thanks.
way to get those rolls in there as well. killer.
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
Another great piece Norm....just love your sense of rhythm
So what happened to Johnny? This is the only thing that remains. Did I miss something?
Still beautiful........
Damn- How did I miss this? Brilliant!
I'm trying to find the words to say why I liked this. The best I can come up with: "it's real".
4/4 bpm...awesome!
Sweet groove
You got the beat man.
the individual samples for propane are stretched (and filtered) but not the composition.
Comments made by Norm
Oh yeah!
Excellent!
This is lovely.
Very nice!
I couldn't spot one, let alone 3.
Duh! Now I get it. Electric guitar and bass recorded without benefit of amplifier or direct plug into a mixer. Way cool! And the added bonus of the percussion effect of your fingers against the strings - advancing the status of your chordophones to that of a percussion instrument! I don't think I have heard a recording like this before.
Excellent! I think the recording sounds great... but then that's how I record everything. Dig the whistleing reverb. I was surprised that your phone didn't ring while you had the open mics on...
Stong work guys!
Great fun!
Looping has really taken off here at AT lately. Excellent video!
Very clever.
I bet this was a great show.
These duets are amazing!
Brilliant!
Outstanding!!
Excellent Jaw-harping!! How do you avoid hitting your teeth, because, man, that really hurts!
Strong track.
This is lovely.
Excellent!
Beautiful!