This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Out on the lawn there arose such a clatter!
Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
In 2006 we visited a Japanese garden. In September of 2009 I wrote this piano piece in 17 ET and I hear a connection between the two. So I put together a video from pictures and video taken of our visit and married the two. Please visit the song…
Starting out as a simple and awe inspiring invention, progressing to a more chaotic and demanding machine driven future. - people becoming enslaved to these devices. Feeding the machine.
Phone samples were recorded from the output jack of my…
I was working on one of my ethno 2 demos and needed a break so I made an improvisation on a series of major 7ths using only the Ethno 2 package.
All of the pitched instruments use the included Werckmeister temperament tuning.
Ooooh, you guys got it going. I would so LOVE to hook up with musicians along this slant. Talk to me about how the percussion is recorded (ie micing, etc.). Just awesome. AWB/Feat.
This drips with butter! Your keys player should be canonized. And I want to spend the week-end with your drummer, bassist and a case of gin. Great vocals too!
This song always puts you in a weird mood...forcibly sways your emotional state. There’s some kind of weird juju laced in that song that screws with your emotions no matter how you're feeling.
This song uses a lot of layers for bass along with…
This was written while living in the studio. For some reason this song seems like music appropriate for a chase scene. This is all bass and drums...no guitars yet. Vic's working on it.
This was written while living in the studio. For some reason this song seems like music appropriate for a chase scene. This is all bass and drums...no guitars yet. Vic's working on it.
Another older song. It's intentionally short. It makes it's point and moves on. No need to drag it out.
There used to be more. The song started as a minute-thirty idea, but we had the intention of building it later. We put some cool parts…
A Poem about Fear....
-My friend Fear-
By Tharek Mokbul
My friend.... (!?) .....
You have controlled your tone....?!?!
Is this the first time I have truly known you?
The ever present protector....
Moderator of will....
I request that you know…
Bass and Backing Vox from Launched (Mark)
Lead from Geir...
Hope You Like it!
-EASY LONDON-
(By Tharek Mokbul 2010)
We Live in London Town
Moving in Cans in the Underground
You’ll never know
You’ll Never Know, Never Know…
Reworked this one last night...
Crazy where a Song Can Take you...
CROWN OF DUST
Vocals: Owen Bourne
Left rhythm gtr (and Words): Tharek Mokbul
Right rhythm gtr: Geir Alfsen
Lead gtr : Geir Alfsen
Bass: Mark McPherson
Drum programming…
Thanks to Sister Savage for helping us debut our new project. As busy as she is, Sister managed a bit of time and some great Jovian vox for us.
This piece or art is unique, sublime, and psychedelic.
Lyrics:
?
2010 Savigear-Reyes-Lennon
Comments on Norm's stuff
very nice,, if i could not play the piano (when i grow up) i would like to be a percussionist,, you make it sound soooo good
You make this sound easy. You ole pro you.
@Jarvis: Stick to your ears - musically speaking, nothing else matters. Thanks!
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
I found myself rocking back and forth a little while listening. This is very addictive!
Love It!!!
I like the percussion instrument choices and the way additional instruments are progressively added in waves, clean track
:)
@MTC: Ha! Cross-overs are fun no matter who makes them. But it's cool you get the concept. Thanks.
way to get those rolls in there as well. killer.
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
Another great piece Norm....just love your sense of rhythm
So what happened to Johnny? This is the only thing that remains. Did I miss something?
Still beautiful........
Damn- How did I miss this? Brilliant!
I'm trying to find the words to say why I liked this. The best I can come up with: "it's real".
4/4 bpm...awesome!
Sweet groove
You got the beat man.
the individual samples for propane are stretched (and filtered) but not the composition.
Comments made by Norm
Beautiful. I didn't need the video to see the coys lazily gliding around the pond.
Are you still there?? Nice work, Reefwalker!! The thing I love the very most about it is** Oh - gotta go - phone's ringing...
Cool!
The harmonies on this one are simply breath taking! Great song and well done!
Ummmmmm now this is good, good, good.
Ooooh, you guys got it going. I would so LOVE to hook up with musicians along this slant. Talk to me about how the percussion is recorded (ie micing, etc.). Just awesome. AWB/Feat.
I'm still shaking my head...
OK, I'm just going to be quiet from now on, but this is really, really great stuff that you guys are generating.
This drips with butter! Your keys player should be canonized. And I want to spend the week-end with your drummer, bassist and a case of gin. Great vocals too!
I have no idea why noboody is listening to this great stuff!! That shit ain't right. Many thanks!! Just great!
Of your loop intended samples, I like this one best.
It's space alright. I've heard it plenty of times at the Dead concerts. Well done!
Guitars would just ruin this. MORE DRUM AND BASS DUETS!!
Oooh, sweet drumming on this one! Funkytissimo!
Rockin! Great stuff.
One of the freshest new poems I've read in a very long time. Outstanding work!
Dig it! *-Jumps into mosh pit with a big grin on his face-
Now we're talking! This kicks! *Buys a round for the band**
Swampy! Very nice.
Excellent work guys! Thanks!