This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
I was waiting for you to break out with your annual awesome percussion but this piece just kept on stretching till the end. brilliant!
cool side of you.
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
D'ya know, I think I like this the best so far.
Your tracks are all so precise, but this one has the edge.
Yeah, what about the video, let's see yer dimples
twitching!
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
very cool,, two or three or how many congas? some of it sounds like beats on the out side of the skin and some from the center,, im trying to picture the technique,,, have you ever made a video of your play?? i think it would be fun to watch,,, well hit R
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
You don't need apply for the job Norm it's yours....of course.....i threw this in the cellar earlier and a young Johnny Cash went and jumped all over it
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
I used to be into interviewing folks I knew about anything and everything, just to get "good source" for audio experimentation. I was very much into making pieces using plain spoken voice, and was (and still am) very fascinated with the effects…
This is from years ago, living in santa fe.
I loved driving around in my little 1980s toyota corolla and listening to cassettes. I loved the way they sounded.
So I took a piano song I was working on, recorded it to cassette, dragged mic…
There’s something to be said about dragging a song that has been a bit of a nemesis to you, for over a year, out to *your turf* to give it another listen. To a faithful car that you have known for many years, and inside of whom you have listened to many songs - over a speaker system that you have memorized. I know what you are doing. You aren’t finished with this piece yet, so you just keep looking and looking. It kind of reminds me of gold-mining in a way: if you quit digging you can’t strike the mother lode.
Ha! Yep, you're a kid - you probably love going to the zoo - if for nothing else but to capture more sound samples. Don't ever loose that. Forget the stove.
Time to upload an oldie from February - see the video
Stratocastor copy from a kit with lace pickups x 5 through guitar rig 4 against Norm Harris' Illesa in the Pantry!
Classic Vaisvil! Great mix and video... coupled with some LCPeep guitar work.
The percussion was created on a snowed-in weekend, in which my family pronounced that I was to be “persona non percussionataâ€, fearing that my drums would drive them all crazy. (This is a recurring problem for me at my house, which I have managed to work around in various ways) As usual, I had a powerful jones to drum a bit. So, in the spirit of Cuban slaves, forced to make instruments out of what ever they could find and to Bembe while the Boss was out of ear-shot, I cleverly waited until everyone was napping and constructed a clandestine Illesa pattern, deep in the pantry, utilizing only the dry goods found there. Thanks to powered mics, which pick up even the quietest delicate sounds, it was a perfect crime. Had I been detected, it would have been off with *my* head.
I’ll make my exit on the wind
Nevermore to pretend
That I’m fine
Yeah, I’m good, so good
At doin’ everything I should
To convince you
That I’m okay for today
An’ I won’t crawl out of my skin
I’ll just pretend
Some days…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
Hilarious! Yep, I thought I was looking at a Hubble photo. Great example of the power of suggestion. That Flint lens gets me every time - there's no way the photo used here is for real, right? Looks dangerous to me.
Year: 2010
Album:
bent classics
Artist's description:
I don't know.
Contributors:
an old exercise from piano class
jo guest
the amateurs of alt.binaries.sound.erotica
freesound.org
kontak4
absynth
an evil kitty who made me do it.
a terrier…
Ha! Good one! If I didn't keep my kids out of the studio while I was recording the conga tracks, it would have sounded a lot like this originally. And I want to go to Brian's pub.
Guitars/Keyboards/Pennywhistle: Doug Sparling
Composer: Traditional
Recorded: 2006
An old English/Scottish folk song. It's very well known, but has a great melody and I'm not ashamed to play it...
Pennywhistle, Low Whistle, Bar Stool (w/ drums ticks): Doug Sparling
Bodhran: David Shaughnessy
Composer: Traditional
Recorded: 2005
Set of traditional Irish jigs. Don't ask me the names of them, I don't remember (are you seeing a pattern here…
Guitars/Mandolin: Doug Sparling
Composer: Traditional
Recorded: 2005
A couple of nice reels played on guitar, the first is The Cup of Tea, can't remember the name of the second one. Unfortunately my midi flute scratch track got added in the mix…
My improvisation project is getting interesting. The centre of this track is at 2:08, where the drums pick up a guitar phrase that begins at 2:03, and then take over the melodic line, while the guitar shifts position to background the drums. The…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
@ Alister: Ha! I have a cuica - and I'm always looking for an excuse to play it - but I usually associate it with Brazilian carnival / samba music. But now that you have mentioned it, I'm going to fire that up in the near future. And thank you, but Pedro & Mauricio are legend, and light years ahead the stuff I produce.
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
Yes, an instant classic. (And on this one I think I have actually figured out what the underlying image is behind the "Flint lens" graphic. Well, the title helped a little.)
I picked up on one of Norm's wonderful grooves.
I added some bass, guitar, horns, and a basic drum track. Kicker and snare with a few cymbols. I didn't want to walk on Norm's fine, fine, percussion.
Thanks Norm for allowing me the opportunity…
A second version with the initial lead guitar standing alone...a little cluttered after a few listens and some constructive feedback!
Norm's Groove for St Monica inspired this one. Thanks Norm!
Lead Guitar, bass guitar and acoustic guitar…
Whoa! Way to bring Saint Monica across the border! And while she probably doesn't have a current visa, I'm certain she has a smile on here face upon hearing this provocative guitar work. Well done!
A long over due changing of the acoustic strings led to this epic production. 40 tracks and 34 plug-ins. Good Gravy that's a boat load of tracks. All kinds of stuff happening.
Enjoy!
you spend your days and your night times
bustin' ass…
Comments on Norm's stuff
I was waiting for you to break out with your annual awesome percussion but this piece just kept on stretching till the end. brilliant! cool side of you.
it duz work well.. jus done a turn around the room.. worked it all the way. :)
ace
is mad what can be done messing with sound. hats off.. incredible listening experience
Not enough cowbell. ;) Very effective! Great tension build-up!! Remind me not to play this late at night.
WOW! I may have to get that program. Fascinating sounds!
Very cool use of PS!
Wow!! Thats some space age gong.......excellent.....like a calling of the Gods.........
whoa! The gong sounds HUGE!
great groove , crisp recording too.
D'ya know, I think I like this the best so far. Your tracks are all so precise, but this one has the edge. Yeah, what about the video, let's see yer dimples twitching!
Like where this goes-hypnotic rythm, really hits the chakras. Enjojed Al
this just excellent - the production has great clarity too!
Who needs ice cubes?!
very cool,, two or three or how many congas? some of it sounds like beats on the out side of the skin and some from the center,, im trying to picture the technique,,, have you ever made a video of your play?? i think it would be fun to watch,,, well hit R
awesome Norm!
*Love it!*
Kick a$$!!!! WAHOoo love the flow of it man!! All aboard the fav bus!
You don't need apply for the job Norm it's yours....of course.....i threw this in the cellar earlier and a young Johnny Cash went and jumped all over it
well thats impressive indeed....it made my Irish Red ale even taste better, thats the power of rhythm......
Comments made by Norm
I was glad to finally comprehend what he was saying...
YES! Fantastic!
There’s something to be said about dragging a song that has been a bit of a nemesis to you, for over a year, out to *your turf* to give it another listen. To a faithful car that you have known for many years, and inside of whom you have listened to many songs - over a speaker system that you have memorized. I know what you are doing. You aren’t finished with this piece yet, so you just keep looking and looking. It kind of reminds me of gold-mining in a way: if you quit digging you can’t strike the mother lode.
I always love hearing you sing. Well done!
Ha! Yep, you're a kid - you probably love going to the zoo - if for nothing else but to capture more sound samples. Don't ever loose that. Forget the stove.
Classic Vaisvil! Great mix and video... coupled with some LCPeep guitar work. The percussion was created on a snowed-in weekend, in which my family pronounced that I was to be “persona non percussionataâ€, fearing that my drums would drive them all crazy. (This is a recurring problem for me at my house, which I have managed to work around in various ways) As usual, I had a powerful jones to drum a bit. So, in the spirit of Cuban slaves, forced to make instruments out of what ever they could find and to Bembe while the Boss was out of ear-shot, I cleverly waited until everyone was napping and constructed a clandestine Illesa pattern, deep in the pantry, utilizing only the dry goods found there. Thanks to powered mics, which pick up even the quietest delicate sounds, it was a perfect crime. Had I been detected, it would have been off with *my* head.
Great voice.
Thank you, Alister.
Hilarious! Yep, I thought I was looking at a Hubble photo. Great example of the power of suggestion. That Flint lens gets me every time - there's no way the photo used here is for real, right? Looks dangerous to me.
Perhaps while you are slow over the next couple months, I could borrow your absynth, whip... and the evil kitty??
Ha! Good one! If I didn't keep my kids out of the studio while I was recording the conga tracks, it would have sounded a lot like this originally. And I want to go to Brian's pub.
Perfect.
Superb (and great job on the bar stool, as well!)
Nice, indeed.
I like how you almost go into "Mission Impossible" around 6:00. Great improv! It's good to hear some live trap-set work.
@ Alister: Ha! I have a cuica - and I'm always looking for an excuse to play it - but I usually associate it with Brazilian carnival / samba music. But now that you have mentioned it, I'm going to fire that up in the near future. And thank you, but Pedro & Mauricio are legend, and light years ahead the stuff I produce.
Yes, an instant classic. (And on this one I think I have actually figured out what the underlying image is behind the "Flint lens" graphic. Well, the title helped a little.)
I just love your bass work here. What a treat!
Whoa! Way to bring Saint Monica across the border! And while she probably doesn't have a current visa, I'm certain she has a smile on here face upon hearing this provocative guitar work. Well done!
Humpin'! Great work!