As I had nothing better to do last night, I had this great idea that I would construct a rhythm for the 24 hour challenge. This would be different: a 24 minute drum solo (I mean, who wouldn't love that?). I even had a perfect bass riff: the "Mother…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
As I had nothing better to do last night, I had this great idea that I would construct a rhythm for the 24 hour challenge. This would be different: a 24 minute drum solo (I mean, who wouldn't love that?). I even had a perfect bass riff: the "Mother…
As I had nothing better to do last night, I had this great idea that I would construct a rhythm for the 24 hour challenge. This would be different: a 24 minute drum solo (I mean, who wouldn't love that?). I even had a perfect bass riff: the "Mother…
I can't help but chuckle when I read the title, but I guess I'm quite juvenile :)
I think this is great work, Norm, and so pro as usual. Nothing like real beats - Period!
As I had nothing better to do last night, I had this great idea that I would construct a rhythm for the 24 hour challenge. This would be different: a 24 minute drum solo (I mean, who wouldn't love that?). I even had a perfect bass riff: the "Mother…
As I had nothing better to do last night, I had this great idea that I would construct a rhythm for the 24 hour challenge. This would be different: a 24 minute drum solo (I mean, who wouldn't love that?). I even had a perfect bass riff: the "Mother…
As I had nothing better to do last night, I had this great idea that I would construct a rhythm for the 24 hour challenge. This would be different: a 24 minute drum solo (I mean, who wouldn't love that?). I even had a perfect bass riff: the "Mother…
Negative ghost rider, that polly rhythm pattern is full. Awww man, theres something about a 24 minute poly rhythm solo that makes conga stands fall apart !
Stealin' Pumpkins off the vine...
Such good fun I do it all the time.
Single Gon Bops conga track miced for heavy bass. And 2 tracks of cow bell, of course.
4/4 200bpm
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
I'm using less sugar with my coffee but still hyper as hell...great digs. Your Jams are cool!
...I'm looking to get my hang Drum back cause i really miss it..
Stealin' Pumpkins off the vine...
Such good fun I do it all the time.
Single Gon Bops conga track miced for heavy bass. And 2 tracks of cow bell, of course.
4/4 200bpm
Stealin' Pumpkins off the vine...
Such good fun I do it all the time.
Single Gon Bops conga track miced for heavy bass. And 2 tracks of cow bell, of course.
4/4 200bpm
Stealin' Pumpkins off the vine...
Such good fun I do it all the time.
Single Gon Bops conga track miced for heavy bass. And 2 tracks of cow bell, of course.
4/4 200bpm
Stealin' Pumpkins off the vine...
Such good fun I do it all the time.
Single Gon Bops conga track miced for heavy bass. And 2 tracks of cow bell, of course.
4/4 200bpm
Stealin' Pumpkins off the vine...
Such good fun I do it all the time.
Single Gon Bops conga track miced for heavy bass. And 2 tracks of cow bell, of course.
4/4 200bpm
Stealin' Pumpkins off the vine...
Such good fun I do it all the time.
Single Gon Bops conga track miced for heavy bass. And 2 tracks of cow bell, of course.
4/4 200bpm
Deep and raw....I FNG LOVE this, if i could fav it twice i would. It would be better if you could play this over very large speakers in an ampitheater. Low bass shakin your knee's.
Stealin' Pumpkins off the vine...
Such good fun I do it all the time.
Single Gon Bops conga track miced for heavy bass. And 2 tracks of cow bell, of course.
4/4 200bpm
Stealin' Pumpkins off the vine...
Such good fun I do it all the time.
Single Gon Bops conga track miced for heavy bass. And 2 tracks of cow bell, of course.
4/4 200bpm
Stealin' Pumpkins off the vine...
Such good fun I do it all the time.
Single Gon Bops conga track miced for heavy bass. And 2 tracks of cow bell, of course.
4/4 200bpm
Reg got Elvis last night to do a special request for LG, but as the TCB band was having the night off Reg and Elvis concocted this one.....................
Norm's original 12/8 percussion track that forms the basis for the entire piece. http://alonetone.com/norm/tracks/mother-nut-drop
I'm involved in a microtonal music class. We are studying 11 edo instead of the normal 12 edo (equal division…
A Song I wrote about a friend of mine who used to Jump out of planes a lot.
This is one of the hidden tracks on my new album "Black Cat" which features Beth, Keith and Reewfwalker from alonetone and Geir and Jim from Songcrafters.
Here is a…
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
Reg has been over to Songcrafters.org on the other side and found this little beauty a piece of music by Willi Wendon and he loved it so much he's put a vocal to it. Hope you like it Willie..........
IT'S A CRAZY WORLD
It’s a crazy world…
This is about the free spirit soaring high above the seas, forests, cities and times.
~There is no dark side in the moon, really. As a matter of fact it's all dark~
improvisation with pianoteq and hollywood strings
I am feeling like all of my improvisations sound the same again. I probably need to devote even more time to scoring - and building instruments.
Reg was alone so he had a few beers and had a look through his tapes this is Pt 1 of a set of tapes taken from the cellar.......Regs first night in the cellar...James Brown ...Elvis....Louis...Jim.The story begins.........
Here's my talley of who's in the cellar with the Regs Deuce:
James Brown, Henwrench, Vincent Price, Elvis, Frederico, Louie Armstrong, Bon Scott, Frank Sinatra, Jim Morrison and perhaps Satan.
Reg was alone so he had a few beers and had a look through his tapes this is Pt 1 of a set of tapes taken from the cellar.......Regs first night in the cellar...James Brown ...Elvis....Louis...Jim.The story begins.........
Here's my talley of who's in the cellar:
Reg himself. Both of hims.
James Brown
Henwrench
Vincent Price
Elvis
Frederico
Louie Armstrong
Bon Scott
Frank Sinatra
Jim Morrison
and perhaps Satan.
Reg was alone so he had a few beers and had a look through his tapes this is Pt 1 of a set of tapes taken from the cellar.......Regs first night in the cellar...James Brown ...Elvis....Louis...Jim.The story begins.........
Reg was alone so he had a few beers and had a look through his tapes this is Pt 1 of a set of tapes taken from the cellar.......Regs first night in the cellar...James Brown ...Elvis....Louis...Jim.The story begins.........
This was going to be a re-make of Dancing on my own but reg was too busy to participate so i have used Norms percussion track and got Chris Vaisvil to bass it up and i have added a vocal creating something new. Reg has had a lot of trouble with…
Reg's little homage to Elizabeth Taylor who passed away today, the piano is a little dodgy and the lyrics and the singing in parts as i'm following my dodgy playing, it will have to be revisited but i thought i'd share anyway as i would forget…
I have tried to make a literal representation of this from Mat Cooper:
"I consider rhythm to be ultra-low pitch. Polyrhythms are then Just Intonation. For example if rhythm1 cycles through 4 beats in the same time as rhythm2 cycles through 3…
Well, is it microtonal? What do you make of this?
As for me, when it is in a tempo range that I can follow (mid range) it sounds like a basic 4vs.3 polyrhythm. This makes sense to me, as all of the drum tones drop back into the their common denominator of 4 or 3 and resound in unison.
So, I get the sense of polyrhythm, but not microtonality.
It would be interesting to me to repeat this experiment with, for example, piano key tones to see if the results are the same, i.e. is one left with a sense of 4vs.3 polyrhythm or something else.
My hypothesis is that the effect will be the same. I do not believe the pitch of the notes relate to this question. And I also think that at this point I do not agree with the premise that "polyrhythms are then Just Intonation": polyrhythms represent a relationship in time, whereas Just Intonation represents a relationship in pitch.
Comments on Norm's stuff
Killer track!
Very incredibly super fine in every way. Monstrous good sound here guys. Norm your percussion is spot on the money, great, great drumming here.
I sometimes forget how good you are, bro. This one reminds me...
Excellent! I hate it when a nut falls off!
I can't help but chuckle when I read the title, but I guess I'm quite juvenile :) I think this is great work, Norm, and so pro as usual. Nothing like real beats - Period!
hey your time was utilized correctly. i love the beat!
excellent! I really like this one
Negative ghost rider, that polly rhythm pattern is full. Awww man, theres something about a 24 minute poly rhythm solo that makes conga stands fall apart !
Great job mate dig it. Thanks for your recent comment mate. Just had to bring that one back.
I really must get around to having a go at one of youir super rhythmn tracks....tempus fuggit etc !
I'm using less sugar with my coffee but still hyper as hell...great digs. Your Jams are cool! ...I'm looking to get my hang Drum back cause i really miss it..
if i ever go stealing pumpknis ill make sure to have thi song playin
Another one I gotta have a go at jamming with sometime. Excellent groove!
Oh yeah, now where's the sacrifice?
your percussion mojo keeps getting better and better. the cow bell really drives this home. great groove.
excellent groove
Deep and raw....I FNG LOVE this, if i could fav it twice i would. It would be better if you could play this over very large speakers in an ampitheater. Low bass shakin your knee's.
You are stealing the show with this!! Groovy coffee house feel - Frickin' sweeeeeet!!!!!
Its like going to an all you can eat smorg and stuffing myself, thats how I feel about your rhythms, I can't get enough of that good stuff.
you are a rhythm machine man! I'll be stealing this 'un for sure!
Comments made by Norm
Excellent. Strong work here...
Very clever!
Long live the King!
It's great to hear some home made instrument action. I have several percussion instruments that I have made...
Strong work brother!
I still love it...
I still love it...
Excellent production. Lots going on here... going in for another listen.
Excellent Reg!
Wow.
This is beautiful, Chris.
Here's my talley of who's in the cellar with the Regs Deuce: James Brown, Henwrench, Vincent Price, Elvis, Frederico, Louie Armstrong, Bon Scott, Frank Sinatra, Jim Morrison and perhaps Satan.
Here's my talley of who's in the cellar: Reg himself. Both of hims. James Brown Henwrench Vincent Price Elvis Frederico Louie Armstrong Bon Scott Frank Sinatra Jim Morrison and perhaps Satan.
Where do I get an application to be the house percussionist at this place??
Brilliant!
Still dig it. Great vass, Baisvil! And vox heavenly.
Great collaboration. Awesome bass.
Yet another side to your amazing voice, Reg. Impressive.
Well, is it microtonal? What do you make of this? As for me, when it is in a tempo range that I can follow (mid range) it sounds like a basic 4vs.3 polyrhythm. This makes sense to me, as all of the drum tones drop back into the their common denominator of 4 or 3 and resound in unison. So, I get the sense of polyrhythm, but not microtonality. It would be interesting to me to repeat this experiment with, for example, piano key tones to see if the results are the same, i.e. is one left with a sense of 4vs.3 polyrhythm or something else. My hypothesis is that the effect will be the same. I do not believe the pitch of the notes relate to this question. And I also think that at this point I do not agree with the premise that "polyrhythms are then Just Intonation": polyrhythms represent a relationship in time, whereas Just Intonation represents a relationship in pitch.
Great recording technique. Naturally, I can't help but think of old Saturday morning cartoons on the television when I hear music like this. Love it!