You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it!
Thanks, bro - Perfectly done.
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly.
I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
My contribution to the Angie Fights Crime album "Sunny, Sorta..." AFC wrote the lyrics and chords, then gave me free reign to do what I wanted from there.
I tried some very out of character things with the guitar. I think they worked…
performed by Jon Freeman
from the album "Sunny, sorta..."
between you and the moon
and the road behind
I’d sleep in the hay every day
a small comfort I’ll find
between you and the moon
and the horses come crashing
as you hide in the…
This is my contribution to the Angie Fights Crime project titled "Sunny Sorta"...." It's 12 songs written by A.F.C. and performed by 12 different artists.
I chose Honky Tonk Prison because I knew it would rock and roll :)
So CRANK IT UP…
Another one from last nights session down the cellar.........Well it was only a matter of time before Reg had enough of her, she reminded him too much of Desire......now he's gone.......it was goodbye.........
Eerrgh! I *knew* that Desire was a big mistake for you. I'm afraid that she might haunt you forever. (What ever happened to her??) Nice dog-house bass.
I salivated over this $3,500 guitar last night. I had the "expensive guitar room" at Guitar Center to myself so I played and recorded on my zoom H2. Yes, this is guitar p0rn...
I hijacked Norbert Oldani's excellent piano improvisation and add some guitar to it.
His original is here: http://dl.dropbox.com/u/5150711/PianoI911.mp3
Johnny stone came down this morning for the choirs Practice session in the Cellar for tomorrows service at the Church of Reg where the Cellar choir will be performing this Zep Classic, there all in there Elvis, Jim, killer Lewis, John, Bob and…
There are 3 styles of the Rumba Guáguánco pattern: this one originates from the Cuban province of Matanzas (to the east of Havana).
“Rumba” is a Spanish term for a gathering of musicians, singers & dancers (what West Africans refer to…
This improvisation (chords, melody and lyrics) is complete fiction and any resemblance to anything at all is just a coincidence.
--------------------
I can't guess
how it must be
to be so shallow
that you have ta be
an alien renegade…
I had this mellow tune hanging around when I heard "Love is Life" by The Two Regs and thought I need to catch the other Reg while he's around.
Lucky for me he had the time, the voice, and the melody. We created this lovely tune.
I was electrified…
Reg has been reading a lot lately he's currently reading an interesting book called "Storming Heaven LSD and the American Dream by Jay Stevens" and so he decided to revisit A Toast to the Stone-age he did with Norm during Johnny's death and before…
Revolution in their minds - the children start to march
Against the world in which they have to live
and all the hate that's in their hearts
They're tired of being pushed around
and told just what to do
They'll fight the world until they've…
I reverted my Woods acoustic from 18 edo back to normal 12 edo - and ran 2 tracks of it into guitar rig. Added 5 string bass - and then added the drum pad - which explains the totally odd percussion. The first track I did had an open mic (thus…
Comments on Norm's stuff
Okay, so this is awesome fellas - you're like some explosive cocktail of cool. Kicking major butt, three times!
Each of you kick ass. Together you three are magical! Excellent work fellas. JR
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it! Thanks, bro - Perfectly done.
wow, what a cool collab. the 3 musicians and instrument sounds mix well. I would crash into this late night show any day of the week
excellent!! I really like this collab! The voice perhaps could be a touch louder other than that this is excellent!
Damn that's a tough count. Super job man. Super.
This is fantastic Norm. Keep bringing me the lessons. I love it. Gotta go try this one now!!!!
I like all your tracks, so excellent sounding.
This is fantastic, seriously.
complex pattern and really good timing. Great percussion track S to F
Hey..call me at st. john Lutheran. we need to talk! I love this sound!
that's sooooo voodoo! technique's great yes, but the vibe is simply excellent! and your timing is just getting better and better O_o
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
LOVE IT!
Excellent!!
Crazy great.
Oh my, sublime, El Norm! Would you be terribly offended if I had a play around with this?
thanks for explaining the count btw - that helps a lot
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly. I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
I don't know how you keep time like this, but it's incredible!
Comments made by Norm
Tight!
Fantastic album.
Get out of town!
Eerrgh! I *knew* that Desire was a big mistake for you. I'm afraid that she might haunt you forever. (What ever happened to her??) Nice dog-house bass.
This is lovely.
**Don't pull the frets off of this one, Chris!**
Very original. :) And yes, great playing.
What a choir! Great cover from 2 of my favorites!
19 edo sounds very melodious to me. Nice work!
Wow! That WAS fast Tess!
Beutiful combination of instruments!
I've tried fav'ing this 70 times but so far no success.
The trumpet is wonderful.
Totally pro. Alan Parsons level of pro.
Yes, excellent!
Soulful collab! Well done!
You sound exactly like Marc Antony! **ptttttzh!** http://www.youtube.com/watch?v=LNroVrTI0vc
Trippy!
...at least the 'bots are consistant in what they fave.
@Bee: Ahem. That is not me in the humorous picture. I have no ball n chain.